LDF 2018 – 5 Must-Sees at the V&A

Five FizzPicks at the V&A for London Design Festival, including architecture, installations and dazzling pattern

BY SOPHIE DAVIES

A magnet for design fans, the Victoria and Albert Museum is the buzzy Festival Hub for London Design Festival for the 10th year running, with a cluster of special V&A Projects including architecture, installations and graphic design displays (until 23 September). You’ll also find exhibitions, talks, tours and workshops as part of LDF at the V&A. Here are five fresh designs you won’t want to miss…

waugh-thistleton-multiply-clt-ahec-installation-ldf-pavillion-1-3.jpg.1350x1350_q90.jpg

‘MULTIPLY’: WAUGH THISTLETON ARCHITECTS
Start at sculptural, recently launched space The Sackler Courtyard at the V&A, where temporary architectural pavilion ‘MultiPly’ has taken up residence (until 1 October). A nine-metre-high, modular maze-like installation made from American tulipwood, this pop-up project is by Waugh Thistleton Architects, supported by the American Hardwood Export Council and engineered by ARUP. It’s designed to be interactive, so you can clamber around inside. Come evening the pavilion glows with light by SEAM Design. Playfully appealing, it’s also a serious exploration of modular construction and sustainable housing, addressing climate change and housing need.

LDF-THE-ONION-FARM-BY-HENRIK-VIBSKOV-CREDIT-ANDY-STAGG-046.jpg

‘THE ONION FARM’: HENRIK VIBSKOV
Danish fashion designer Henrik Vibskov is the wild mind behind ‘The Onion Farm’, a colourful installation in the V&A’s dimly lit, long, narrow Tapestries Gallery. Like a quirky car wash, it’s intended to brush visitors as they pass through, care of its vibrant, spindle-like industrial brushes and red textile ‘onions’. Somewhat surreal, it’s like something scary growing in the dark, but also riffs on ancient weaving techniques and nature scenes that chime in with the background tapestries. Don’t be afraid to get touchy-feely…

ldf-dazzle_by_pentagram_with_14-18_now-_credit_andy_stagg-001.jpg

‘DAZZLE’: PENTAGRAM x 14-18 NOV
Design studio Pentagram reinterprets experimental First World War ‘dazzle’ camouflage in ‘Dazzle’ at The Creative Studio (Level 4). Originally painted onto the surface of ships to protect them from U-boat attacks, ‘dazzle’ camouflage was first championed by British artist Norman Wilkinson. Inspired by Cubism, Vorticism and animal camouflage, he used graphic shapes to break up the profile of vessels against the sea and sky. Pentagram reinterprets the ‘dazzle’ motifs, taking them from pure graphic design into a typographic exploration. Letterforms and words from wartime poem ‘Suspense’ by Wilfrid Wilson Gibson are abstracted into immersive, monochrome patterns on a huge scale. Co-commissioned by 14-18 Now, which curates new work for the UK’s WW1 centenary commemorations, and Liverpool Biennial, this high-impact space is sure to dazzle.

memory_light_by_arvo_part_and_arup-credit_andy_stagg-005.jpg

‘MEMORY & LIGHT’: ARVO PÄRT X ARUP
Music and design meet in ‘Memory & Light’, a collaborative installation by Estonian contemporary composer Arvo Pärt and engineers Arup curated by Clare Farrow. Conceived for the V&A’s Norfolk House Music Room, this multi-sensory experience was born from Pärt’s words: ‘I could compare my music to white light, which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.’ Cue a transparent, curved Perspex screen and a luxe listening booth, upholstered in Poltrona Frau leather, allowing visitors to experience the music through state-of-the-art speakers.

ma_studio_fountain_bespoke_render_01082018.jpg

‘A FOUNTAIN FOR LONDON’: MICHAEL ANASTASSIADES
How do you combat disposable plastic water bottle use? Make using public water fountains a pleasure. Designer Michael Anastassiades has come up with ‘The Fleet’, a luxurious new prototype for ‘A Fountain for London’, on display in the V&A’s John Madejski Garden and Brompton Design District (at Thurloe Place opposite South Kensington station). Aimed at reviving drinking fountain culture, it’s an initiative by The London Fountain Co. (founded by publisher Charles Asprey and curator Jane Withers). Robust yet elegant, the fountain comes in bronze, stone or cast iron, and will include wall-mounted and park-friendly versions. Sipping free water never looked so eco-chic…

londondesignfestival.com; vam.ac.uk

The Victoria and Albert Museum is at Cromwell Road, London SW7; admission to most events is free.

LDF 2018 – 10 Unmissable FizzPicks for London Design Biennale

London Design Biennale is a must for design hunters, bringing inspiring global ideas to Somerset House

BY SOPHIE DAVIES

One of our top tips for London Design Festival, London Design Biennale gathers creatives from 40 countries, cities and territories across six continents at Somerset House, all responding to 2018’s theme of ‘Emotional States’. Exploring ideas through design, architecture and technology – addressing social, political and environmental challenges – the second edition is a thought-provoking showcase, running until 23 September.

Influential museums and institutions are among the curators, including London’s V&A (‘Maps of Defiance’), New York’s Cooper Hewitt, Smithsonian Design Museum (‘Face Values’) and Milan’s Triennale (‘L’Architettura degli Alberi’). All the participants are worth a look, but here are 10 of our favourite FizzPicks…

180903_flynntalbot_londondesignbiennale_image©markcocksedge_012.JPG

AUSTRALIA: ‘Full Spectrum’
London-based Australian designer Flynn Talbot channels Australia’s recent referendum vote to legalise same-sex marriage with vibrant light installation ‘Full Spectrum’. A celebration of diversity, the ecstatic, immersive work incorporates an arcing curve of rainbow colour, inspired by the Pride flag, embracing the whole spectrum. Its suspended light screen is formed from 150 strands of fibre-optic light, each a different hue, using custom-made hidden LED modules and electronics. You can touch and move through the strands or simply feel the love.


LDB18_Latvia_ArthurAnalts_EdReeve-03.jpg

LATVIA: ‘Matter to Matter’
Visitors can leave fleeting messages on a wall of condensation at Latvia’s entry ‘Matter to Matter’, designed by Arthur Analts of Variant Studio, which shares the emotional impact of mark making. Taking its cue from the Baltic state’s humid climate, with capital Riga surrounded by forests and the sea, it’s a statement about culture, transience and nature’s power to reclaim human traces. Each message lasts only a few minutes on the green glass surface, before fading away. Complete with a wooden bench, the simple, sensory space won ‘Best Design Medal’ at the Biennale.


LDB18_Lebanon_NathalieHarb_EdReeve-01.jpg

LEBANON: ‘The Silent Room’
Escape from city stress in ‘The Silent Room’, Lebanon’s blue-hued retreat from the pressures of public space. Enter the perforated brick-and-timber tower and a staircase leads to a dimly lit upper level. Within this fabric-lined, insulated cocoon, speakers play a field recording of quiet urban moments. ‘Silence is becoming a commodity for the privileged,’ says designer Nathalie Harb, whose private shelter offers ‘the luxury of silence to everyone, regardless of background or status.’ Influenced by her crowded home city Beirut, she hopes her soundscape provides a sensory respite from the madding crowd.


State-of-Indigo.-India-Pavilion-at-London-Design-Biennale-2018.-Film-Still-courtesy-The-Colours-of-Nature-1024x762.jpg

INDIA: ‘State of Indigo’
We love blue, especially dreamy indigo, but the dark history of indigo farming has remained mysterious. India’s pavilion, backed by The Gujral Foundation, illuminates the ‘State of Indigo’, sharing the colonial slavery and contemporary social issues behind this emotionally charged pigment. A natural colour created from the indigofera plant, indigo was used ‘to dye fabric, repel insects, treat ailments, disinfect, ward off spirits and even decorate an entire city’, says curator Priya Khanchandani, who wants us to experience the working conditions behind this blue beauty.


LDB18_Guatemala_OliveroBlandStudio_Zyle_EdReeve-01.jpg

GUATEMALA: ‘Palopó’
Pattern and colour can transform lives and economies as ‘Palopó’, Guatemala’s pavilion, proves. It promotes a project to paint a whole town in vibrant hues, inspired by local, ancestral textile patterns, turning it into a vast artwork to attract tourism. Led by designer Diego Olivero of Olivero & Bland Studio, Pintando Santa Catarina Palopó aims to support an impoverished town on Lake Atitlán. The London installation celebrates this social design initiative, harnessing floating geometric forms resembling the multi-coloured houses, flanked by a textile mobile by Zyle.


LDB18_Greece_StudioINI_NassiaIngessis_EdReeve-01.jpg

GREECE: ‘ΑΝΥΠΑΚΟΗ – Disobedience’
Championing the ancient Greek concept of civil disobedience, Greece’s kinetic ‘ΑΝΥΠΑΚΟΗ’ installation challenges our perception of static architecture. Designed by Nassia Inglessis-led Studio INI, its 17-metre-long wall is formed from a steel spring skeleton and recycled plastic, so it flexes and morphs around the human body. Visitors can enjoy the transgressive walkway, passing through the wall and feeling it respond in return. A boundary, but also a rebellious, exciting space to explore, it suggests a new, more dynamic shape for future city buildings.


LDB18_Italy_LaTrinnalediMilano_VariousDesigners_EdReeve-02.jpg

ITALY: ‘L’Architettura degli Alberi’
Based on a 20-year study of trees, Italian pavilion ‘L’Architettura degli Alberi’ reflects a labour of love by architects Cesare Leonardi and studio partner Franca Stagi. The duo documented Italy’s trees to help landscape designers, crafting accurate, beautifully detailed drawings of different trees at a 1:100 scale. Expanding to include European and Central American trees, the book was finally published in 1982, featuring 374 evocative illustrations of 211 species. This installation presented by La Triennale di Milano shares 24 of them, ideal for inspiring parks and public spaces.


LDB18_Egypt_MohamedElshahed_EdReeve-01_0.jpg

EGYPT: ‘Modernist Indignation’
Winner of the London Design Biennale 2018 Medal, Egypt’s display ‘Modernist Indignation’ charts the sad loss of the country’s once-vaunted modernist architecture, now left to rot or actively destroyed by critics. The pavilion is an elegy to that vulnerable and dying design language, featuring a contemporary reinterpretation of a fictional 1939 exhibition put on by Al Emara, the first Arabic design magazine (published from 1939 to 1959). It also includes a video shot in the house of its founding architect Sayed Karim, his manifesto and logo, gradually erased on the floor.


LDB18_Sweden_JesperEriksson_EdReeve-02.jpg

SWEDEN: ‘Coal: Post-Fuel’
Coal could have emotional value, becoming a desirable design material, according to this intriguing Swedish exhibit by Jesper Eriksson. ‘Coal: Post Fuel’ considers an alternative future for this Industrial Age power source, imagining its life beyond a dirty fuel for burning. His installation features furniture, flooring and objects made from solid coal, some in their raw state and other pieces processed into a black marble-like finish. Eriksson reckons ‘Britain’s most iconic material’ can be rebranded for architecture and interior design. Think organic, quarried luxury…


THE NETHERLANDS: ‘Power Plant’
Fearful about food security and the future environment? Luckily, The Netherlands is on top of things, with its ‘Power Plant’ pavilion showing how design can solve the problem of population-pressured food production. A futuristic greenhouse, it uses sunlight to generate both food and the electricity needed to grow it. Designer Marjan van Aubel is behind this elegant solution, with the building’s transparent solar glass, hydroponic system, vertical growth structure and specifically coloured LEDs fostering a year-round, high-yield indoor harvest.


Hero Image Stateless_0.jpg

Finally, don’t miss The Refugees’ Pavilion, a temporary shelter housing objects designed by displaced people. The pavilion itself is the ‘Better Shelter’, winner of the Design Museum’s Design of the Year 2016, a structure that unpacks from two cardboard boxes, and can be assembled by four people with one hammer in just a few hours. Inside, visitors can see how refugees worldwide have customised the flatpack making it their own. Social design in action.
www.londondesignbiennale.com

London Design Biennale is at Somerset House, Strand, London WC2 from 4 to 23 September 2018. Book tickets online or opt for a guided tour.

Photos: Mark Cocksedge (Australia Pavilion); Ed Reeve

10 FizzPicks for Denfair Sydney 2018

DENFAIR-SYDNEY-2018.jpg

Contemporary design show Denfair hits Sydney for the first time this week, offering inspiration aplenty for design hunters

BY SOPHIE DAVIES

Australia's leading contemporary design exhibition Denfair launches its first Sydney edition this week, after successfully establishing the event in Melbourne. Expect more than 50 local and international brands sharing new and bestselling products at Moore Park's Hordern Pavilion, with furniture, lighting, accessories, rugs, bathware, art and outdoor living in the frame. Running from 16 to 18 August, the show welcomes industry designers, architects, stylists and their clients over the first two days, with Saturday open to the public.

Keen design hunters can enjoy free tickets to the public day care of DesignFizz x Denfair by clicking on the following link. Trade visitors can register online, with an awards ceremony on Thursday night (6pm-9pm). Here are 10 of our top tips to whet your appetite...

ABOVE: Anaesthetic's new 'Duomo' light, shown here as a wall sconce or stem wall light. It comes in a range of finishes, from aged brass to powercoated, and in white, matte black, grey or aged brass colours

ANAESTHETIC
New Zealand lighting brand Anaesthetic, headed up by Ben and Kiri Wahrlich, engineers and makes its designs in Melbourne. Look out for their curvy new 'Duomo' light, which pairs minimal aesthetics with hand-finished aged brass. Inspired by Italian domed churches, the range includes a wall sconce, stem wall light, pendant light and table lamp, with several eye-catching variations.


ABOVE: Outdoor living brand Tait's 'Trace' sunlounge by Australian designer Adam Goodrum is new for Denfair Sydney; Goodrum's award-winning 2017 'Trace' outdoor furniture collection; Adam Cornish's 'Seam' chair for homes or offices launched at June's Denfair in Melbourne

TAIT
Australian brand Tait introduces Adam Goodrum's inviting 'Trace' sunlounge, the newest addition to his 'Trace' outdoor furniture collection. Made from airy stainless steel mesh, aluminium, sustainable timber and marbled porcelain, the range features a sofa, armchair, modular combination, coffee tables, drinks trolley and planter. Adam Cornish's award-winning aluminium 'Seam' chair, flaunting a seamed spine, is ideal for compact indoor or alfresco spaces.


ABOVE: Cult celebrates Arne Jacobsen's designs for Copenhagen's SAS Royal Hotel, including his iconic 'Egg' chairs; 'Pot', 'Egg' and 'Swan' chairs by Jacobsen for Fritz Hansen; his reissued 'Pot' chair in a range of colours with a chromed steel base; the 60th anniversary edition of 'Egg', 'Swan' and 'Drop' in a natural palette of Pure leather, Sera wool fabric and 23-karat gold-plated aluminium

CULT
Inspired by the Orchid Bar at Copenhagen's SAS Royal Hotel, Australian design firm Cult's Denfair stand celebrates 60 years since the hotel's design and its iconic chairs by Danish designer Arne Jacobsen. On show will be Fritz Hansen's limited-edition 60th anniversary collection including Jacobsen's 'Swan', 'Egg' and 'Drop' chairs, plus his newly reissued 'Pot' chairs. Scandi heaven!


ABOVE: 'New Volumes Collection 01' on show at Artedomus's stand, including furniture, lighting and accessories; Ros Gardam's 'Hemera' desk lamp; high and low 'Hurlysi' side tables by Thomas Coward; and the 'Bacchus' table by Tom Skeehan, all crafted from Elba stone

NEW VOLUMES c/o ARTEDOMUS
Quarried from beautiful, natural Elba stone in Greece, the 'New Volumes' collection presented by Sydney's Artedomus showcases simple, sculptural furniture, lighting and accessories designed by some of Australia's hottest talents. We love the Brutalist 'Hemera' desk lamp by Ros Gardam, the sensual 'Hurlysi' side tables by Thomas Coward and the 'Bacchus' coffee table by Tom Skeehan.


pill - pink range.jpg

ABOVE: Nood Co's new concrete 'Pill' basins in Australian-inspired colours will brighten up any bathroom

NOOD CO
Crafting contemporary concrete furniture and homewares, Nood Co launches curvy new pill-shaped 'Pill' basins at Denfair, available in 10 pastel-pretty colours from blush pink to mint and power blue. The squarer 'Cube' surface-mount wash basin comes in the same hues for bathroom bliss. They're among 15 new Australian-designed and manufactured products by Matt Di Costa.


ABOVE: Pitch Acoustics's sound-absorbent designs, including floor screens and fabric-covered MDF 'Timber' wall panels by Zilenzio; arrange the diamond-shaped components of Zilenzio's 'Fazett' wall-mounted system to suit your space

PITCH ACOUSTICS
Need to muffle sound in a stylish way? Sydney-based Pitch Acoustics offers innovative fabric-covered wood 'Timber' wall panelling by Swedish brand Zilenzio, from graphic wall pieces to elegant herringbone patterns, or classic full- or decorative half-wall panels. We also like Zilenzio's 'Fazett' wall-mounted system of diamond-shaped, fabric-covered MDF panels in different colours.


ABOVE: Swedese's 'Button' sofa and 'Spin' stool, both represented at Denfair Sydney by Cube and Circle

CUBE AND CIRCLE
Waterloo-based Sydney store Cube and Circle is exclusive Australian distributor for Swedish brand Swedese's covetable contemporary furniture, including Swedish duo Front's 2017-launched 'Button' sofa (which allows you to attach stylish accessories) and 2011's technically complex stackable wooden 'Spin' stool by Staffan Holm. They also represent Scandi brand Cuero Design.


ABOVE: Designer Rugs' range includes the graphic green 'Rift' rug and swirly blue 'Current' rug by Lia Pielli from the in-house 'Transient' collection, and the (wall-mounted) 'Corner Halving' rug by industrial design studio Mr Fräg, hand-tufted in New Zealand wool and bamboo silk

DESIGNER RUGS
Collaborating with Australian talents, Designer Rugs offers in-house and designer collections for residential and commercial clients, with contemporary rugs made from tactile New Zealand wool. Some are hand-knotted or hand-tufted, others include innovative materials such as gleaming bamboo silk or nettle. We love 'Rift' and 'Current' by Lia Pielli from 2017's 'Transient' collection.


ABOVE: The visually lightweight, rattan 'Wicked' armchair and 'Basket' tables by Alain Gilles for Vincent Sheppard, available in Australia from Cotswold InOut Furniture

COTSWOLD INOUT FURNITURE
For that indoor-outdoor lifestyle, check out Cotswold InOut Furniture, which will be championing pieces such as 2016's rattan and lacquered aluminium 'Wicked' sofa and armchair range by Alain Gilles for Belgian firm Vincent Sheppard, which specialises in Lloyd Loom woven furniture, alongside in-house Cotswold Teak alfresco designs.


Header-The-Raconteur-1.jpg

ABOVE: The Raconteur's five-strong 'Bondi' scented candle collection, featuring coastal imagery inspired by Sydney's iconic Bondi Beach

THE RACONTEUR
For a must-have local accessory, The Raconteur's luxe scented candles take inspiration from Sydney's Bondi, Melbourne, the Red Centre and Hamilton Island. Hand-poured in Sydney from soy wax and free of nasties, they draw on Australian botanicals, such as native Port Jackson fig and coastal banksia in 'Bondi 1' (one of five Bondi candles). Packaging incorporates evocative photos. Denfair sees the release of a debut Tasmanian candle, featuring boronia flower and native pepper.
denfair.com.au
 

Denfair is at Hordern Pavilion, 1 Driver Avenue, Moore Park, Sydney from 14 to 18 August 2018. Opening hours are Thursday 11am-9pm, Friday 11am-7pm (trade days) and Saturday 10am-5pm (public day). DesignFizz followers can get free entry to the public day by using link https://bit.ly/2M6HI18. Children aged under 16 aren't permitted.

Vivid Sydney 2018

Vivid Sydney brings light art, music and inspiring ideas to town, including impressive design talents. Strike a light!

BY SOPHIE DAVIES

Vivid Sydney returns to illuminate the city for 23 nights, from Friday 25 May to Saturday 16 June, celebrating its 10th anniversary with a vibrant mix of light, music and ideas. The largest festival of its kind, Sydney's winter-warmer promises eye-catching projections, light art, interactive installations, live bands and cutting-edge talks, with illuminating speakers, exhibitions and workshops.

Running from 6pm to 11pm each night, Vivid is divided into 11 precincts of light sculptures and installations, with new festival zone Luna Park at the iconic harbourside funfair. Favourite zones are back, including Circular QuayCity and Surrounds, Harbour Lights, The Royal Botanic Garden, The Rocks, Barangaroo, Darling Harbour, Taronga Zoo, Kings Cross and Chatswood. Creativity will be front and centre, spanning digital, product and graphic designs. Here are six Fizz picks...

LIGHTING_THE_SAILS_1900X900-DNSW-TILES-1.jpg

Lighting of the Sails: Metamathemagical
This year's Sydney Opera House sails will be illuminated by site-specific kinetic digital artworks by graphic designer Jonathan Zawada. Entitled 'Metamathemagical', the 15-minute, recurring light show envisages Australia as an 'elemental, timeless place that is also completely new and full of energy.' We're big fans of the celebrated Australian artist, and recently explored his work with electronic musician Flume. Byron Bay-based Zawada took inspiration from Australian nature and its unique flora and fauna for the Vivid project. Responding to the 3D form of the Opera House's architecture, rather than treating it as a flat plane, Zawada drew on images of flowers, plants, feathers, rocks and human figures to craft a hyperreal 'saturation of colour, pattern and texture' (for more insights see this video interview). The visuals are teamed with a soundtrack featuring Air Max '97XO and EPROM.

MCA press still Jonny 8[2] WEB-1.jpg

Virtual Vibration
Always a highlight, the façade of the Museum of Contemporary Art Australia (MCA) will be animated by 'Virtual Vibration', a blend of psychedelic art and more formal modernism. The large-scale projection mapping is a collaboration between Australian artist Jonny Niesche, electronic musician and composer Mark Pritchard and the Spinifex Group. Expect a shifting, sensory light experience playing with transparency, reflection and movement, set to mesmerising sound.

ZAWADA_TALK_1900x900-DNSW (1).jpg

Jonathan Zawada and Mark Pritchard in Conversation
Sydney Opera House curator Sarah Rees will join 'Jonathan Zawada and Mark Pritchard in Conversation' (5pm-6pm, 27 May), a talk highlighting the frequent collaborators' work and recent 13-minute film project 'The Four Worlds', inspired by Pritchard's haunting, ambient album of the same name. Zawada is responsible for the 'Lighting of the Sails' digital art illuminating Sydney Opera House this year, while electronic producer Pritchard's music is part of the nearby MCA's installation. Zawada has also created artwork for Pritchard's previous albums. Catch free screenings of the otherworldly film at The Samsung Lounge from 25 May to 16 June.

light Beam.jpg

Skylark
Interactive lighting display Skylark lets visitors put their own colourful mark on the city, lighting up Sydney Harbour Bridge and the surrounding skyscrapers of Circular Quay. Designed by Australian talent Iain Reed of 32 Hundred Lighting, this year's version of the attraction includes a dynamic new feature, Bradfield's Beacon, a custom-built, interactive laser atop the Bridge that's double the strength of any laser seen in the Harbour before. It will wash the Harbour and its headlands in colour, while 40 pillars of light above the Overseas Passenger Terminal adds to the spectacle.

Dreams.jpg

Dreams (Daniel Johns and Luke Steele)
Vivid packs a musical punch, with an extensive line-up of live bands, DJs, club nights and parties, including major acts Solange and Ice Cube. Our pick is Dreams on 29 and 30 May at Sydney Opera House. Exclusive to Vivid LIVE, it's the Australian premiere of the band, an intriguing collaboration between two of the country's most iconic musical talents: Daniel Johns (former frontman of Silverchair) and Luke Steele (Empire of The Sun, The Sleepy Jackson). If their recent tracks 'No One Defeats Us' and 'Silence' are anything to go by, the duo should deliver darkly charismatic performances and a bold, experimental sound.

eoi-44411-VIVID IMAGE 1_3.jpg

Good Design Festival
The annual Good Design Festival takes over two floors of the Overseas Passenger Terminal in The Rocks from 25 to 27 May (7.30pm-10pm Friday, 4pm-10pm Saturday and Sunday). The established showcase includes a retrospective of the past 60 years of Australia's Good Design Awards, shares 260 award-winning international projects from 2018's awards, and predicts future talents in the NextGen winners category. The free public exhibition gathers diverse designs, from the Sydney Olympic torch to a deep-sea submarine, electronic bike, suspension tent and museum architecture. Book tickets online for the official launch party (5.30pm-7.30pm, 25 May) and for the 'Good Design Exchange' (6pm, 26 May), a talk hosted by Good Design Australia with graphic design whizz Vince Frost, CEO of Frost*collective, and other speakers.

vividsydney.com
Vivid Sydney runs from Friday 25 May to Saturday 16 June 2018; see the website for the app, maps, event guide and transport tips. Share your experiences on #VividSydney, #VividIdeas and #VividMusic

Bohinc Studio

Lara Bohinc, the fashionistas' favourite jewellery designer, has a chic new London space to play house in. Step into her gem of a showroom...

BY DEE IVA

‘Jewellery for the home’ is how Slovenian jewellery designer Lara Bohinc describes her venture into furniture, lighting and accessories. Having wowed the fashion intelligentsia with her delicate filigree jewellery designs since graduating from London's Royal College of Art in 1997, Bohinc is having the same effect on the world of interiors.

So much so that she launched Bohinc Studio in 2016 to continue her foray into homewares and has now opened a new showroom in West London to share the results. Set on the ground floor of a Grade II-listed townhouse, it's the perfect setting to view her elegant marble, brass, glass and ceramic collections, backdropped by period cornicing and bold geometric-patterned marble floors.

ABOVE: Lara Bohinc's new West London showroom
ABOVE RIGHT: Designer Lara Bohinc
BELOW: Bohinc's 'Collision Console' table, £15,550, and 'Collision Large Table Light', £4,815

Bohinc’s first furniture design the rotating marble-and-brass ‘Solaris Kinetic Table’, part of the 'Lunar Collection' for Lapicida, can be seen here but we’re particularly taken with the new ‘Collision Console’ table, also for the luxe UK stone specialist. A star piece in her chic showroom, the simple geometric shape echoes Bohinc’s jewellery, albeit on a much larger scale. Also on show is the ‘Fortress’ collection of ceramic vases, inspired by octagonal towers at Diocletian's Palace in Split, Croatia, sinuous Murano glass 'Venturi' vases, and the deconstructed gold-and-white ceiling and table lights from the ‘Collision’ series.

BELOW: The 'Fortress' collection of vases in white, gold and bronze, from £625

Welcome to grown-up glamour for the well-heeled home...
bohincstudio.com

Bohinc Studio, Ground Floor, 59 Kensington Gardens Square, London W2. Open daily from 10am to 6pm by appointment only