Catch the last weekend of the Rigg Design Prize at Melbourne's National Gallery of Victoria for an exciting survey of Australian talent...
BY SOPHIE DAVIES
Ghostly houses, pandanus-leaf pendant lamps and futuristic loungers… Australian contemporary design is celebrated in all its creative diversity at the Rigg Design Prize 2015, which sees furniture, lighting, accessories and installations on display at Melbourne’s National Gallery of Victoria.
The triennial prize is Australia’s most prestigious gong for contemporary furniture and objects, with AU$30,000 awarded to an outstanding Australian design practitioner. Established in 1994, the invitational showcase is now curated by the NGV Department of Contemporary Design and Architecture, which looked for original, independent and current work. 2015’s winner, Adam Goodrum, was chosen by international judges Gijs Bakker (co-founder of Amsterdam’s Droog Design) and Wava Carpenter (a former Design Miami curator).
This weekend is your last chance to catch the show, which features seven design talents each populating their own zone with purpose-built installations, new and existing works. Proof that the Australian design scene is kicking goals…
We first came across Sydney designer Adam Goodrum when his multi-coloured folding aluminium ‘Stitch’ chair for Italian megabrand Cappellini wowed 2008’s Milan Furniture Fair. Now he’s bagged 2015's Rigg Design Prize for his ethereal installation ‘Unfolding’, three miniature houses formed from transparent acrylic sheets with pastel-rainbow hues. They explore his fascination with 2D designs that morph to 3D, casting dreamy reflections. ‘I see the house as an expression of my career,’ says Goodrum, starting flatpacked but unfolding from experimental planes to an evolved form. An industrial design lecturer at the University of Technology, Sydney, Goodrum has also created standout furniture for Australian stores Tait (the sporty outdoor ‘Volley’ chairs) and Cult, as well as accessories for Normann Copenhagen and bespoke tables and benches for Canberra's Hotel Hotel.
We’re huge fans of Adelaide design duo Daniel Emma, aka partners Daniel To and Emma Aiston. They create ‘the unexpected from simple objects using simple forms’, drawing on sculptural shapes, quirky colours and a playful sense of fun. 'It’s our version of existing geometric forms. It’s almost normal, but not quite normal.’ Industrial design graduates from the University of South Australia, both honed their skills at witty UK design store Thorsten van Elten. Their graphic room set at the Rigg Prize feels Memphis yet minimal, housing vibrant pieces such as their ‘Pick ‘N’ Mix’ table and bench for Tait and smile-inducing ‘Mish Mash’ chair and ‘Cherry on the Bottom’ light. Daniel Emma’s own-line ‘D.E’ desk accessories are home office heaven; their ‘Marble’ watch for Melbourne’s AÃRK Collective is equally covetable.
We’d give Brodie Neill a straight A for his ‘Alpha’ chair, a solid wood, stackable A-shaped seat which drew admiring glances at 2015’s Milan Furniture Fair. It was first exhibited by Made in Ratio, the East London-based label founded by Neill in 2013. The University of Tasmania furniture design graduate is known for combining traditional craft and digitally produced designs in startling forms. Neill says, ‘I’m adopting processes that are more accustomed to the field of architecture, and physical processes more familiar to sculpture.’ Also on display in Melbourne is his star-shaped, slimline ‘Supernova’ table cast from recycled aluminium, his organic ‘Cowrie’ rocker in natural ash, clover-inspired LED pendant lights and limited edition chaise longues.
Is it sculpture or is it design? It's tricky to define Korban/Flaubert’s work, but this Sydney-based duo’s creations definitely turn heads. Australian metalsmith Janos Korban and UK-born architect Stephanie Flaubert bring a hybrid art-design approach to their Rigg display, which includes chairs, a sculpture/bench and a screen. Materials such as steel and aluminium are their inspiration, with the pair combining Korban’s metalworking skills and Flaubert’s conceptual model-making in abstract yet functional forms. 'We like getting down to the work’s emotional impact,' says Flaubert, 'what it does to your perception, the sense of your own position in space.’
Koskela and Elcho Island Arts
Sydney design store Koskela is known for its Australian-designed and -made, sustainable furniture and products. Here, partners Russel Koskela and Sasha Titchkosky have collaborated with the indigenous weavers of Elcho Island Arts, based north of Arnhem Land in Australia’s Northern Territory, on a bold collection of pendant lights and high-backed wooden chairs featuring pandanus leaf weaving. The project provides economic benefits for the local women, and helps preserve traditional craft techniques. ‘It’s more than a beautiful object, it is embedded cultural storetelling,’ says Titchkosky.
Imagine being invited to the Mad Hatter’s tea party – and Salvador Dali had done the styling! Colours and forms are surreal, theatrical and extreme in designer-maker Kate Rohde's synthetic Wunderkammer, a dining room set created for the exhibition featuring a table and chairs, tableware and wallpaper. The magical, zoomorphic installation mixes taxidermy with powerful prints, and rainbow-bright cast resin vessels with animal pelts. Rohde graduated from Melbourne’s Victorian College of the Arts, taking an extravagant art sensibility into her sculpture, jewellery and design projects, including textile collaborations with Sydney fashion duo Romance Was Born. Her installation will also go on show at the 2016 Adelaide Biennial of Australian Art until 15 May 2016.
Born in Malaysia, Khai Liew arrived in Australia in 1971, and now crafts limited edition and one-off designs in his Adelaide studio. Having worked as a conservator and curator of Australian colonial furniture, Liew borrows from heritage techniques to create his sleek, timeless wooden furniture, combining beauty and utility. Here he's showing pale oak and maple tables, chairs and a wardrobe that feel traditional yet modern, featuring tactile details, cross-cultural references and subtly surprising shapes. ‘Beauty comes from taking something to its purest form,’ says Liew.
The Rigg Design Prize 2015 runs until Sunday 7 February 2016 at The Ian Potter Centre: NGV Australia. Entry is free; open 10am-5pm daily.
Photos: Brooke Holm