Vitra London One Day Sale

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Vitra London hosts its biggest ever sale this Saturday, including great deals on contemporary design classics

BY SOPHIE DAVIES

Design hunters, fancy snapping up some style for less? Swiss furniture manufacturer Vitra is hosting its biggest ever One Day Sale in London this Saturday 6 October. Taking over two floors of its East London showroom at 30 Clerkenwell Road, it will offer discounts of 30 to 75 per cent off a range of contemporary classics, including furniture by Charles and Ray Eames, Jean Prouvé, Isamu Noguchi and Verner Panton. Doors open at 9.30am and shut by 4pm, so get your skates on!

ABOVE: ‘Eames Plastic Chair DSR’ in poppy red; ‘Cork Stool Model A’ by Jasper Morrison; and ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in premium leather are Star Buys at Vitra London’s One Day Sale

Expect serious bargains at the Clerkenwell store on more than 1000 pieces, spanning from sofas, chairs and stools to dining tables, desks, coffee tables and storage units. Also in the mix are smaller accessories by Finnish brand Artek and Alexander Girard, special editions and iconic designs, starting from as little as £10. Contemporary names in the frame include Antonio Citterio, Barber Osgerby, Jasper Morrison, and Ronan and Erwan Bouroullec – think catnip for collectors.

ABOVE: Lucky shoppers can nab Star Buys such as the classic ‘Noguchi Coffee Table’ by Isamu Noguchi at a reduced price. Bargains include the ‘Eames Plastic Side Chair DSR’ in poppy red and the ‘Soft Pad’ chair EA 208 by Charles and Ray Eames, ideal for a chic home office.

Star Buys include the classic ‘Noguchi Coffee Table’ by Isamu Noguchi in walnut (was £2,020, now £149); the sculptural ‘Tabouret Haut’ stool by Jean Prouvé in dark oak with Japanese red foot resting ring (was £595, now £49); the iconic ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in clay premium leather (was £2,670, now £149); a set of four ‘Eames Plastic Chairs DSR’ in poppy red (was £1,000, now £199); and the ‘Cork Stool Model A’ by Jasper Morrison (was £355, now £10!), all prices including VAT. Star Buys only apply to the specific pieces labelled and displayed in the store windows, not like-for-like products, and you can only purchase one per person. They’ll go like hot cakes, on a first-come, first-served basis, so get in quick.

Vitra’s One Day Sale is at Vitra, 30 Clerkenwell Road, London EC1, from 9.30am to 4pm on Saturday 6 October 2018. See their Facebook event page for more terms and conditions.

LDF 2018 – 11 Fizz Faves for London Design Festival

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Enjoy all the fun of the fair at this week’s London Design Festival, with our 11 must-see installations and showcases around town…

BY SOPHIE DAVIES

This year’s London Design Festival is in full swing, bringing a bewildering array of new design launches and exhibitions to town. We’ve already shared our top tips for the thought-provoking London Design Biennale and festival hub the V&A, but here are 11 citywide FizzPicks for design inspiration, taking in landmark projects, alfresco installations and seductive showrooms.

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ES DEVLIN: ‘PLEASE FEED THE LIONS’
Attracting Insta love in Trafalgar Square – as well as confused looks from tourists – interactive design ‘Please Feed The Lions’ is a collaboration between British artist/stage designer Es Devlin and Google Arts & Culture. A fifth fluorescent red lion has joined the square’s big cat statues, roaring out a crowd-sourced, collective poem. Tap in your word via the on-site screen or online to see it displayed in LEDs in the lion’s mouth. The streaming text is also projection-mapped over Nelson’s Column and the lion at night. Naturally, we fed it the words ‘design’ and ‘fizz’.
Trafalgar Square, London WC2 (18-23 September)

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KELLENBERGER-WHITE: ‘ALPHABET’
Sit on a letter or make words with the 26 vibrant, alphabet chairs at interactive installation ‘Alphabet’ in Broadgate. An experiment in folding metal to create a typographic system, the bespoke seats were designed by London graphic design consultancy Kellenberger-White, known for their playful approach to typefaces. Their inspirations ranged from Bauhaus designers to artist Bruno Munari. Each chair is a different colour, daubed in specialist industrial paint, ranging from orange to cornflower blue.
Finsbury Avenue Square, Broadgate, London EC2 (15-23 September)

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SCHOLTEN & BAIJINGS: ‘TIME FOR TEA’
Take ‘Time For Tea’ at Fortnum & Mason with help from Scholten & Baijings. The Dutch design duo will draw on more than 80 global designs for this installation celebrating the dainty ritual, drawing inspiration from the store’s signature eau de Nil colour and gorgeous green hues. The tabletop setting encompasses a new porcelain tea set produced by 1616/Arita, plus furniture, accessories and limited-edition pieces contrasting tradition with cutting-edge Dutch creativity. Featured products include chairs by HAY, Moroso and Karimoku New Standard, curtains by Maharam, and marble tables and flooring by Luce di Carrara.
First Floor, Fortnum & Mason, 181 Piccadilly, London W1 (15-23 September)

TOM DIXON: ‘ELECTROANALOGUE’
UK designer Tom Dixon hosts ‘Electroanalogue’ at his new HQ and shop The Coal Office in Kings Cross. Expect product launches, live demonstrations and workshops exploring digital innovations and traditional craft, including group show ‘Hyper Real’. Mates on board include Bill Amberg Studio (see below), sound designer Yuri Suzuki, Ege carpets, Kirkby Design, Formica, Spiritland bar and Teenage Engineering showcasing a synthesiser in a Seventies-style disco. The space is part of Coal Drops Yard, a cutting-edge shopping and dining street opening on 26 October with design by Thomas Heatherwick.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

BILL AMBERG: ‘PRINTED LEATHER LAUNCH’ AT TOM DIXON STUDIO
Luxe leather brand Bill Amberg Studio presents a stunning new collection of digitally printed leathers, including British contributions from Faye Toogood, Timorous Beasties and Tom Dixon, and American-based interior designers Alexandra Champalimaud and Natasha Baradaran. It’s a gamechanger for the industry, with patterns spanning colourful sketches, splattered damasks, lace, circles, foil and rock graphics.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

LEE BROOM: ‘OBSERVATORY’
British boy wonder Lee Broom brings his stellar-inspired lighting collection ‘Observatory’ to his Shoreditch showroom, a hit in Milan and New York. Playing with vertical and horizontal space, sculptural and spherical form, and light reflection and refraction, the third edition of this glamorous yet ultra-contemporary range includes pendant and table lights, making luxe use of LEDs and bespoke bulbs designed in-house.
Lee Broom, 93 Rivington Street, London EC2 (18-23 September)

HOUSE OF GREY
Book online to see House of Grey’s gorgeous North London pop-up exhibition ‘In the Neighbourhood’, a brilliant edit of local and international designers, artists and makers in two residential settings. Curated by Louisa Grey and Morgwyn Rimel, elegant townhouse ‘The Grey House’ creates a calm atmosphere celebrating texture, neutral tones, handmade craft and natural materials. By contrast, loft-style ‘The Blue House’ occupies a converted Methodist congregation hall, with vibrant, bold colours and eclectic contemporary designs. Furniture, textiles, accessories and lighting are on show, flanked by art and plants. Talents include Henry Wilson, Noorstad, Frama, Muller Van Severen for valarie_objects, Dirk Van Der Kooij and Dinosaur Designs.
By appointment only, North London (15-21 September); for availability check here.

THE CONRAN SHOP
The Conran Shop hosts two cracking shows for LDF18. At the Marylebone Store, ‘The Conran Shop x Carl Hansen’ celebrates on-trend indigo, with exclusive editions of the Danish’s firm’s furniture transformed by the deep blue hue. Think Carl Hansen & Søn’s ‘CH4 Wishbone Chair’ by Hans Wegner with an indigo lacquer and Hiut denim seat pad. A stool and chair by Kaare Klint’s also get the denim treatment. At Chelsea’s Michelin House store ‘The Conran Shop x Pinterest’ features a maze of giant red pins, channelling the social media inspo site, while visitors can Pin and save products as they shop using an app and innovative Near Field technology microchips hidden in tags. Pincodes on display reveal the inspiration behind key designs.
The Conran Shop, 55 Marylebone High Street, Marylebone, London W1; Michelin House, 81 Fulham Road, London SW3 (both 15-23 September)

MATTER OF STUFF
Prepare to be transported by London design research gallery Matter of Stuff. In Kings Cross, their pop-up Concept Gallery at Fenman House has been designed by Raw Edges. Hung with wooden dowels suspended by blue string, the space celebrates materials, finishes and texture, including marble and ceramics. It’s the ideal backdrop to Matter of Stuff’s collection of furniture and lighting (by Bohinc Studio and Uufie) plus a curated mix of global brands including CC-Tapis, Made in Ratio and La Chance. Matter of Stuff also explores blown-glass at site-specific exhibition ‘Blown Away’ at Mayfair restaurant/bar Sketch. Don’t miss the new borosilicate glass ‘Bubble’ chandelier by master glassblower Simone Crestani. Magical.
Fenman House, 5 Lewis Cubitt Walk, Kings Cross, London N1; Sketch, 9 Conduit Street, London W1 (15-23 September)

The ARAM GALLERY
Covent Garden’s The Aram Gallery presents ‘Hilos Invisibles’, a collaboration between Montevideo-born designer Matteo Fogale and seven Uruguayan design studios, including furniture, lighting, mirrors and accessories in brass, glass, wood and concrete. Inspired by the work of modernist Uruguayan architect Julio Vilamajó – a design consultant on New York’s UN Headquarters with Le Corbusier and Oscar Niemeyer – the project was born of a 2017 residency and workshop at Montevideo’s Vilamajó House Museum, built by the architect in 1930, and draws on his architectural design details.
110 Drury Lane, Covent Garden, London WC2 (17 September-27 October)

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THE NEW CRAFTSMEN
A serene sanctuary, ‘The New Craftsmen x Malgorzata Bany’ offers zen time out from the frenzy of LDF18. Hosted by contemporary British crafts showroom The New Craftsmen in Mayfair, London-based, Slade-trained artist and designer Malgorzata Bany presents her collection of sculptural furniture, objects and table lights, including new additions to the popular range. Materials span Jesmonite, metal and handmade paper, with minimal yet organic forms. Bany also shares her edit of the store’s other makers. And breathe…
34 North Row, Mayfair, London W1 (15 and 17-22 September)

londondesignfestival.com

LDF 2018 – 5 Must-Sees at the V&A

Five FizzPicks at the V&A for London Design Festival, including architecture, installations and dazzling pattern

BY SOPHIE DAVIES

A magnet for design fans, the Victoria and Albert Museum is the buzzy Festival Hub for London Design Festival for the 10th year running, with a cluster of special V&A Projects including architecture, installations and graphic design displays (until 23 September). You’ll also find exhibitions, talks, tours and workshops as part of LDF at the V&A. Here are five fresh designs you won’t want to miss…

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‘MULTIPLY’: WAUGH THISTLETON ARCHITECTS
Start at sculptural, recently launched space The Sackler Courtyard at the V&A, where temporary architectural pavilion ‘MultiPly’ has taken up residence (until 1 October). A nine-metre-high, modular maze-like installation made from American tulipwood, this pop-up project is by Waugh Thistleton Architects, supported by the American Hardwood Export Council and engineered by ARUP. It’s designed to be interactive, so you can clamber around inside. Come evening the pavilion glows with light by SEAM Design. Playfully appealing, it’s also a serious exploration of modular construction and sustainable housing, addressing climate change and housing need.

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‘THE ONION FARM’: HENRIK VIBSKOV
Danish fashion designer Henrik Vibskov is the wild mind behind ‘The Onion Farm’, a colourful installation in the V&A’s dimly lit, long, narrow Tapestries Gallery. Like a quirky car wash, it’s intended to brush visitors as they pass through, care of its vibrant, spindle-like industrial brushes and red textile ‘onions’. Somewhat surreal, it’s like something scary growing in the dark, but also riffs on ancient weaving techniques and nature scenes that chime in with the background tapestries. Don’t be afraid to get touchy-feely…

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‘DAZZLE’: PENTAGRAM x 14-18 NOV
Design studio Pentagram reinterprets experimental First World War ‘dazzle’ camouflage in ‘Dazzle’ at The Creative Studio (Level 4). Originally painted onto the surface of ships to protect them from U-boat attacks, ‘dazzle’ camouflage was first championed by British artist Norman Wilkinson. Inspired by Cubism, Vorticism and animal camouflage, he used graphic shapes to break up the profile of vessels against the sea and sky. Pentagram reinterprets the ‘dazzle’ motifs, taking them from pure graphic design into a typographic exploration. Letterforms and words from wartime poem ‘Suspense’ by Wilfrid Wilson Gibson are abstracted into immersive, monochrome patterns on a huge scale. Co-commissioned by 14-18 Now, which curates new work for the UK’s WW1 centenary commemorations, and Liverpool Biennial, this high-impact space is sure to dazzle.

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‘MEMORY & LIGHT’: ARVO PÄRT X ARUP
Music and design meet in ‘Memory & Light’, a collaborative installation by Estonian contemporary composer Arvo Pärt and engineers Arup curated by Clare Farrow. Conceived for the V&A’s Norfolk House Music Room, this multi-sensory experience was born from Pärt’s words: ‘I could compare my music to white light, which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.’ Cue a transparent, curved Perspex screen and a luxe listening booth, upholstered in Poltrona Frau leather, allowing visitors to experience the music through state-of-the-art speakers.

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‘A FOUNTAIN FOR LONDON’: MICHAEL ANASTASSIADES
How do you combat disposable plastic water bottle use? Make using public water fountains a pleasure. Designer Michael Anastassiades has come up with ‘The Fleet’, a luxurious new prototype for ‘A Fountain for London’, on display in the V&A’s John Madejski Garden and Brompton Design District (at Thurloe Place opposite South Kensington station). Aimed at reviving drinking fountain culture, it’s an initiative by The London Fountain Co. (founded by publisher Charles Asprey and curator Jane Withers). Robust yet elegant, the fountain comes in bronze, stone or cast iron, and will include wall-mounted and park-friendly versions. Sipping free water never looked so eco-chic…

londondesignfestival.com; vam.ac.uk

The Victoria and Albert Museum is at Cromwell Road, London SW7; admission to most events is free.

LDF 2018 – 10 Unmissable FizzPicks for London Design Biennale

London Design Biennale is a must for design hunters, bringing inspiring global ideas to Somerset House

BY SOPHIE DAVIES

One of our top tips for London Design Festival, London Design Biennale gathers creatives from 40 countries, cities and territories across six continents at Somerset House, all responding to 2018’s theme of ‘Emotional States’. Exploring ideas through design, architecture and technology – addressing social, political and environmental challenges – the second edition is a thought-provoking showcase, running until 23 September.

Influential museums and institutions are among the curators, including London’s V&A (‘Maps of Defiance’), New York’s Cooper Hewitt, Smithsonian Design Museum (‘Face Values’) and Milan’s Triennale (‘L’Architettura degli Alberi’). All the participants are worth a look, but here are 10 of our favourite FizzPicks…

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AUSTRALIA: ‘Full Spectrum’
London-based Australian designer Flynn Talbot channels Australia’s recent referendum vote to legalise same-sex marriage with vibrant light installation ‘Full Spectrum’. A celebration of diversity, the ecstatic, immersive work incorporates an arcing curve of rainbow colour, inspired by the Pride flag, embracing the whole spectrum. Its suspended light screen is formed from 150 strands of fibre-optic light, each a different hue, using custom-made hidden LED modules and electronics. You can touch and move through the strands or simply feel the love.


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LATVIA: ‘Matter to Matter’
Visitors can leave fleeting messages on a wall of condensation at Latvia’s entry ‘Matter to Matter’, designed by Arthur Analts of Variant Studio, which shares the emotional impact of mark making. Taking its cue from the Baltic state’s humid climate, with capital Riga surrounded by forests and the sea, it’s a statement about culture, transience and nature’s power to reclaim human traces. Each message lasts only a few minutes on the green glass surface, before fading away. Complete with a wooden bench, the simple, sensory space won ‘Best Design Medal’ at the Biennale.


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LEBANON: ‘The Silent Room’
Escape from city stress in ‘The Silent Room’, Lebanon’s blue-hued retreat from the pressures of public space. Enter the perforated brick-and-timber tower and a staircase leads to a dimly lit upper level. Within this fabric-lined, insulated cocoon, speakers play a field recording of quiet urban moments. ‘Silence is becoming a commodity for the privileged,’ says designer Nathalie Harb, whose private shelter offers ‘the luxury of silence to everyone, regardless of background or status.’ Influenced by her crowded home city Beirut, she hopes her soundscape provides a sensory respite from the madding crowd.


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INDIA: ‘State of Indigo’
We love blue, especially dreamy indigo, but the dark history of indigo farming has remained mysterious. India’s pavilion, backed by The Gujral Foundation, illuminates the ‘State of Indigo’, sharing the colonial slavery and contemporary social issues behind this emotionally charged pigment. A natural colour created from the indigofera plant, indigo was used ‘to dye fabric, repel insects, treat ailments, disinfect, ward off spirits and even decorate an entire city’, says curator Priya Khanchandani, who wants us to experience the working conditions behind this blue beauty.


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GUATEMALA: ‘Palopó’
Pattern and colour can transform lives and economies as ‘Palopó’, Guatemala’s pavilion, proves. It promotes a project to paint a whole town in vibrant hues, inspired by local, ancestral textile patterns, turning it into a vast artwork to attract tourism. Led by designer Diego Olivero of Olivero & Bland Studio, Pintando Santa Catarina Palopó aims to support an impoverished town on Lake Atitlán. The London installation celebrates this social design initiative, harnessing floating geometric forms resembling the multi-coloured houses, flanked by a textile mobile by Zyle.


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GREECE: ‘ΑΝΥΠΑΚΟΗ – Disobedience’
Championing the ancient Greek concept of civil disobedience, Greece’s kinetic ‘ΑΝΥΠΑΚΟΗ’ installation challenges our perception of static architecture. Designed by Nassia Inglessis-led Studio INI, its 17-metre-long wall is formed from a steel spring skeleton and recycled plastic, so it flexes and morphs around the human body. Visitors can enjoy the transgressive walkway, passing through the wall and feeling it respond in return. A boundary, but also a rebellious, exciting space to explore, it suggests a new, more dynamic shape for future city buildings.


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ITALY: ‘L’Architettura degli Alberi’
Based on a 20-year study of trees, Italian pavilion ‘L’Architettura degli Alberi’ reflects a labour of love by architects Cesare Leonardi and studio partner Franca Stagi. The duo documented Italy’s trees to help landscape designers, crafting accurate, beautifully detailed drawings of different trees at a 1:100 scale. Expanding to include European and Central American trees, the book was finally published in 1982, featuring 374 evocative illustrations of 211 species. This installation presented by La Triennale di Milano shares 24 of them, ideal for inspiring parks and public spaces.


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EGYPT: ‘Modernist Indignation’
Winner of the London Design Biennale 2018 Medal, Egypt’s display ‘Modernist Indignation’ charts the sad loss of the country’s once-vaunted modernist architecture, now left to rot or actively destroyed by critics. The pavilion is an elegy to that vulnerable and dying design language, featuring a contemporary reinterpretation of a fictional 1939 exhibition put on by Al Emara, the first Arabic design magazine (published from 1939 to 1959). It also includes a video shot in the house of its founding architect Sayed Karim, his manifesto and logo, gradually erased on the floor.


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SWEDEN: ‘Coal: Post-Fuel’
Coal could have emotional value, becoming a desirable design material, according to this intriguing Swedish exhibit by Jesper Eriksson. ‘Coal: Post Fuel’ considers an alternative future for this Industrial Age power source, imagining its life beyond a dirty fuel for burning. His installation features furniture, flooring and objects made from solid coal, some in their raw state and other pieces processed into a black marble-like finish. Eriksson reckons ‘Britain’s most iconic material’ can be rebranded for architecture and interior design. Think organic, quarried luxury…


THE NETHERLANDS: ‘Power Plant’
Fearful about food security and the future environment? Luckily, The Netherlands is on top of things, with its ‘Power Plant’ pavilion showing how design can solve the problem of population-pressured food production. A futuristic greenhouse, it uses sunlight to generate both food and the electricity needed to grow it. Designer Marjan van Aubel is behind this elegant solution, with the building’s transparent solar glass, hydroponic system, vertical growth structure and specifically coloured LEDs fostering a year-round, high-yield indoor harvest.


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Finally, don’t miss The Refugees’ Pavilion, a temporary shelter housing objects designed by displaced people. The pavilion itself is the ‘Better Shelter’, winner of the Design Museum’s Design of the Year 2016, a structure that unpacks from two cardboard boxes, and can be assembled by four people with one hammer in just a few hours. Inside, visitors can see how refugees worldwide have customised the flatpack making it their own. Social design in action.
www.londondesignbiennale.com

London Design Biennale is at Somerset House, Strand, London WC2 from 4 to 23 September 2018. Book tickets online or opt for a guided tour.

Photos: Mark Cocksedge (Australia Pavilion); Ed Reeve

10 FizzPicks for Denfair Sydney 2018

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Contemporary design show Denfair hits Sydney for the first time this week, offering inspiration aplenty for design hunters

BY SOPHIE DAVIES

Australia's leading contemporary design exhibition Denfair launches its first Sydney edition this week, after successfully establishing the event in Melbourne. Expect more than 50 local and international brands sharing new and bestselling products at Moore Park's Hordern Pavilion, with furniture, lighting, accessories, rugs, bathware, art and outdoor living in the frame. Running from 16 to 18 August, the show welcomes industry designers, architects, stylists and their clients over the first two days, with Saturday open to the public.

Keen design hunters can enjoy free tickets to the public day care of DesignFizz x Denfair by clicking on the following link. Trade visitors can register online, with an awards ceremony on Thursday night (6pm-9pm). Here are 10 of our top tips to whet your appetite...

ABOVE: Anaesthetic's new 'Duomo' light, shown here as a wall sconce or stem wall light. It comes in a range of finishes, from aged brass to powercoated, and in white, matte black, grey or aged brass colours

ANAESTHETIC
New Zealand lighting brand Anaesthetic, headed up by Ben and Kiri Wahrlich, engineers and makes its designs in Melbourne. Look out for their curvy new 'Duomo' light, which pairs minimal aesthetics with hand-finished aged brass. Inspired by Italian domed churches, the range includes a wall sconce, stem wall light, pendant light and table lamp, with several eye-catching variations.


ABOVE: Outdoor living brand Tait's 'Trace' sunlounge by Australian designer Adam Goodrum is new for Denfair Sydney; Goodrum's award-winning 2017 'Trace' outdoor furniture collection; Adam Cornish's 'Seam' chair for homes or offices launched at June's Denfair in Melbourne

TAIT
Australian brand Tait introduces Adam Goodrum's inviting 'Trace' sunlounge, the newest addition to his 'Trace' outdoor furniture collection. Made from airy stainless steel mesh, aluminium, sustainable timber and marbled porcelain, the range features a sofa, armchair, modular combination, coffee tables, drinks trolley and planter. Adam Cornish's award-winning aluminium 'Seam' chair, flaunting a seamed spine, is ideal for compact indoor or alfresco spaces.


ABOVE: Cult celebrates Arne Jacobsen's designs for Copenhagen's SAS Royal Hotel, including his iconic 'Egg' chairs; 'Pot', 'Egg' and 'Swan' chairs by Jacobsen for Fritz Hansen; his reissued 'Pot' chair in a range of colours with a chromed steel base; the 60th anniversary edition of 'Egg', 'Swan' and 'Drop' in a natural palette of Pure leather, Sera wool fabric and 23-karat gold-plated aluminium

CULT
Inspired by the Orchid Bar at Copenhagen's SAS Royal Hotel, Australian design firm Cult's Denfair stand celebrates 60 years since the hotel's design and its iconic chairs by Danish designer Arne Jacobsen. On show will be Fritz Hansen's limited-edition 60th anniversary collection including Jacobsen's 'Swan', 'Egg' and 'Drop' chairs, plus his newly reissued 'Pot' chairs. Scandi heaven!


ABOVE: 'New Volumes Collection 01' on show at Artedomus's stand, including furniture, lighting and accessories; Ros Gardam's 'Hemera' desk lamp; high and low 'Hurlysi' side tables by Thomas Coward; and the 'Bacchus' table by Tom Skeehan, all crafted from Elba stone

NEW VOLUMES c/o ARTEDOMUS
Quarried from beautiful, natural Elba stone in Greece, the 'New Volumes' collection presented by Sydney's Artedomus showcases simple, sculptural furniture, lighting and accessories designed by some of Australia's hottest talents. We love the Brutalist 'Hemera' desk lamp by Ros Gardam, the sensual 'Hurlysi' side tables by Thomas Coward and the 'Bacchus' coffee table by Tom Skeehan.


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ABOVE: Nood Co's new concrete 'Pill' basins in Australian-inspired colours will brighten up any bathroom

NOOD CO
Crafting contemporary concrete furniture and homewares, Nood Co launches curvy new pill-shaped 'Pill' basins at Denfair, available in 10 pastel-pretty colours from blush pink to mint and power blue. The squarer 'Cube' surface-mount wash basin comes in the same hues for bathroom bliss. They're among 15 new Australian-designed and manufactured products by Matt Di Costa.


ABOVE: Pitch Acoustics's sound-absorbent designs, including floor screens and fabric-covered MDF 'Timber' wall panels by Zilenzio; arrange the diamond-shaped components of Zilenzio's 'Fazett' wall-mounted system to suit your space

PITCH ACOUSTICS
Need to muffle sound in a stylish way? Sydney-based Pitch Acoustics offers innovative fabric-covered wood 'Timber' wall panelling by Swedish brand Zilenzio, from graphic wall pieces to elegant herringbone patterns, or classic full- or decorative half-wall panels. We also like Zilenzio's 'Fazett' wall-mounted system of diamond-shaped, fabric-covered MDF panels in different colours.


ABOVE: Swedese's 'Button' sofa and 'Spin' stool, both represented at Denfair Sydney by Cube and Circle

CUBE AND CIRCLE
Waterloo-based Sydney store Cube and Circle is exclusive Australian distributor for Swedish brand Swedese's covetable contemporary furniture, including Swedish duo Front's 2017-launched 'Button' sofa (which allows you to attach stylish accessories) and 2011's technically complex stackable wooden 'Spin' stool by Staffan Holm. They also represent Scandi brand Cuero Design.


ABOVE: Designer Rugs' range includes the graphic green 'Rift' rug and swirly blue 'Current' rug by Lia Pielli from the in-house 'Transient' collection, and the (wall-mounted) 'Corner Halving' rug by industrial design studio Mr Fräg, hand-tufted in New Zealand wool and bamboo silk

DESIGNER RUGS
Collaborating with Australian talents, Designer Rugs offers in-house and designer collections for residential and commercial clients, with contemporary rugs made from tactile New Zealand wool. Some are hand-knotted or hand-tufted, others include innovative materials such as gleaming bamboo silk or nettle. We love 'Rift' and 'Current' by Lia Pielli from 2017's 'Transient' collection.


ABOVE: The visually lightweight, rattan 'Wicked' armchair and 'Basket' tables by Alain Gilles for Vincent Sheppard, available in Australia from Cotswold InOut Furniture

COTSWOLD INOUT FURNITURE
For that indoor-outdoor lifestyle, check out Cotswold InOut Furniture, which will be championing pieces such as 2016's rattan and lacquered aluminium 'Wicked' sofa and armchair range by Alain Gilles for Belgian firm Vincent Sheppard, which specialises in Lloyd Loom woven furniture, alongside in-house Cotswold Teak alfresco designs.


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ABOVE: The Raconteur's five-strong 'Bondi' scented candle collection, featuring coastal imagery inspired by Sydney's iconic Bondi Beach

THE RACONTEUR
For a must-have local accessory, The Raconteur's luxe scented candles take inspiration from Sydney's Bondi, Melbourne, the Red Centre and Hamilton Island. Hand-poured in Sydney from soy wax and free of nasties, they draw on Australian botanicals, such as native Port Jackson fig and coastal banksia in 'Bondi 1' (one of five Bondi candles). Packaging incorporates evocative photos. Denfair sees the release of a debut Tasmanian candle, featuring boronia flower and native pepper.
denfair.com.au
 

Denfair is at Hordern Pavilion, 1 Driver Avenue, Moore Park, Sydney from 14 to 18 August 2018. Opening hours are Thursday 11am-9pm, Friday 11am-7pm (trade days) and Saturday 10am-5pm (public day). DesignFizz followers can get free entry to the public day by using link https://bit.ly/2M6HI18. Children aged under 16 aren't permitted.