Melbourne Design Week 2019 – 6 Must-Sees

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This year’s Melbourne Design Week offers a thought-provoking mix of exhibitions, talks and tours. Take a peek…

BY SOPHIE DAVIES

2019’s Melbourne Design Week features more than 200 exhibitions, talks, tours, films and workshops, with events across town and in neighbouring city Geelong. Running from 14 to 24 March, Melbourne’s largest festival programme to date celebrates both local and international talent, with the core theme of ‘Design Experiments’ – asking how design can shape the future. A mix of ticketed and free activities embrace diverse challenges from the environment to social issues and materials. This year’s festival wraps up on Sunday, but many of the inspiring shows continue beyond the weekend. Here are six of our top FizzPicks…

‘SOMEWHERE OTHER’: JOHN WARDLE ARCHITECTS
Ground Level/Foyer, NGV Australia, Federation Square
Until 28 July (10am-5pm, free)

Visitors are invited to peek through five portals within timber and steel structure ‘Somewhere Other’, a compact, interactive experience by Melbourne practice John Wardle Architects. At NGV Australia until late July, this intriguing installation was first shown as part of 2018’s 16th International Architecture Exhibition at the Venice Architecture Biennale (pictured, top and above). Each of the wooden volumes, voids and apertures in its interconnected series frames views of the studio’s projects, the Australian landscape or the craft of collaborators including artist Natasha Johns-Messenger and filmmakers Coco and Maximilian.

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‘NEW VOLUMES BY ARTEDOMUS’: AN INSTALLATION BY FIONA LYNCH AND THOMAS COWARD
TDF Gallery, 14 Little Oxford Street, Collingwood
Until 24 March (11am-5pm, free)

We’re big fans of Artedomus’s ‘New Volumes’ collection, which showcases solid marble homewares by eight Australian designers. This Collingwood exhibition, curated by interior designer Fiona Lynch and designer Thomas Coward, represents the range in an installation that follows the journey of this sculptural material from the ‘ground to the house’, contrasted with a series of chunky marble plinths.

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‘MATERIAL THOUGHT’
Modern Times, 311 Smith Street, Fitzroy
Until 24 March (see link for times, free)

Presented by Fitzroy interiors store Modern Times, group exhibition ‘Material Thought’ explores material through the work of innovative Australian designers. On show are furniture, lighting and objects by nine top talents, including Henry Wilson (‘Stone Surface Sconce’, in Calacatta Marble, above), Coco Flip and Christopher Boots, all illuminating themes of design experimentation and sustainability.

’CLEMENT MEADMORE: THE ART OF MID-CENTURY DESIGN’
Ian Potter Museum of Art, University of Melbourne, Swanston Street
Until 24 March (see link for times, free)

Fans of modernism will enjoy exhibition ‘Clement Meadmore: The art of mid-century design’, a homage to the acclaimed Australian talent. The first major survey of Meadmore’s industrial design practice, it explores the inspirations that shaped the renowned sculptor’s early career as a designer. Part of a new wave of Australian design in the Fifties and Sixties, Meadmore championed streamlined forms, fresh materials and new manufacturing processes. His furniture and lighting appeared in the houses of iconic architect Robin Boyd, with well known designs such as his 1951 corded dining chair on view at the Ian Potter Museum of Art.

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‘WELCOME TO WASTELAND’
Compound Interest, 15-25 Keele Street, Collingwood
Until 24 March (11am-5pm, free)

Presented by Friends & Associates, ‘Welcome to Wasteland’ shares the work of cutting-edge local talents involved with sustainable design. Featuring architects, industrial designers, furniture makers and researchers, the show explores the potential of waste materials recycled into fresh, eco-friendly products. Typically innovative is Vert Design’s ‘HuskeeCup’ made from coffee husk waste, their collaboration with Spark & Burnish to craft ‘Marine Debris Bakelite Door Knobs’, and Maddison Ryder’s use of discarded Iceberg lettuce to form ‘Lettuce Eat’ disposable plates. Other materials in the mix include waste glass, ceramic, plastic, oyster shells, rubber bands, paper pulp, denim jeans, pigs’ blood and even golf balls!

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WORK SHOP: FIONA LYNCH
7 Glasshouse Road, Collingwood
Until 24 March (see link for times, free)

A curatorial showcase of experimental design, fine art and objects, interior designer Fiona Lynch’s new permanent gallery Work Shop aims to celebrate work by Australian and international designers and artists, as well as doubling as a testing ground for her own studio’s practice. For Melbourne Design Week, the debut show curates a selection of pieces examining the tension between resolved and incomplete elements, including ceramics by Olivia Walker (black porcelain collapsed vessel, above), burnt wood bowls by Makiko Ryujin, paintings by Jiaxin Nong and lighting design by Mary Wallis.

www.ngv.vic.gov.au/melbourne-design-week
Melbourne Design Week 2019 runs until Sunday 24 March at venues across the city and Geelong

Lee Broom – Park Life

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British designer Lee Broom reveals ‘Park Life’, a dazzling pop-up exhibition in a car park in Sydney

BY SOPHIE DAVIES

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UK design talent Lee Broom is known for glamorous lighting, furniture and accessories. His shows are just as cutting-edge, with the rising star previously exhibiting his work in a mock department store, a mobile van (albeit one tricked out with an elegant room interior) and on a fairground carousel. Now Broom is taking over an underground car park below Space’s Sydney furniture showroom for ambitious pop-up ‘Park Life’, sharing his new lights with the public in a modernist maze. The Alexandria installation will be his largest to date, covering 4,000 square feet, with the free exhibition running from 14 to 20 March.

‘I am delighted to return to Australia to present this exciting exhibition with Space Furniture,’ says Broom. ‘Australia has been a big supporter of my work for many years and it is an honour to create such a significant installation to showcase my collection in Sydney.’

TOP: The entrance to Sydney’s subterranean ‘Park Life’ maze pavilion, with Lee Broom flanked by his ‘Orion Globe’ and ‘Orion Tube’ lights. ABOVE RIGHT: Fix up, look sharp… London lighting designer Lee Broom before he turned blonde for his Australian tour

A former actor and fashion designer, Broom is known for his trademark sharp look, teaming simple classic and street-savvy details. His designs also reinterpret classical styles in contemporary ways, giving them an unexpected edge. Expect more striking fusions at immersive experience ‘Park Life’, where he’ll be transforming the raw, concrete, industrial car park into his take on a trad English garden.

ABOVE: Lee Broom’s surreal modernist garden maze ‘Park Life’ in Sydney, a beautifully resolved installation featuring his lighting, accessories and furniture in a series of 16 illuminated room sets. Enchanting vignettes play with ideas from chess boards and Newton’s Cradles to cascading waterfalls and trompe l’oeil reflections

Channelling a meandering maze, the pop-up will take guests on ‘a poetic journey of discovery through hidden passageways, with tableaus and vignettes,’ says Broom, showcasing his lighting, furniture and accessories. Inspiration hails from 18th-century pleasure gardens, with their mazes and miniature waterways, amusing visitors with the latest art, architecture, music and illuminations. However, Broom gives the concept a modernist spin, aiming to create a sense of escapism, entertainment and drama.

ABOVE: More mesmerising moments from the ‘Park Life’ pavilion. A white polycarbonate box within the concrete car park, its interconnecting spaces are lined with pale gravel, with designs displayed beside classical statues on boxy, layered plinths. Black acrylic, cut-outs and mirror add surprise to surfaces

If Broom’s mind-bending 2017 trompe l’oeil installation ‘On Reflection’ at his London showroom is anything to go by, design hunters should be in for a treat. Broom chose to show in Sydney, not Milan this year, reaching out to his Australian and Asia-Pacific fanbase, and has put all his creative energy into crafting a surreally beautiful space, guaranteed to whisk visitors into wonderland.

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ABOVE: Lee Broom’s new ‘Eclipse’ pendant lights, updated in polished gold, will be showcased at the pop-up

Debuting at the ‘Park Life’ installation is a new version of Broom’s award-winning ‘Eclipse’ light in a polished gold finish, a warmer, softer interpretation of the original chrome. Like an elegant mobile, these sculptural pendants look different from every angle, with mirror-polished gold and acrylic discs interacting, simultaneously eclipsing and revealing their charms.

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ABOVE FROM LEFT: ‘Eclipse’ chandelier three piece in sheeny gold. The design also comes as a table lamp, with all three variations available to order from April. Broom’s ‘Orion Tube’ and ‘Orion Globe’ pendant lights in polished gold

‘Park Life’ is part of Broom’s wider #LBTour of Asia and Australia, which has seen him give design talks at Space’s showrooms in Singapore for Singapore Design Week (4-17 March), and Brisbane, with another to come at Space Melbourne on 14 March (6pm-9pm) for Melbourne Design Week (14-24 March). Design fans can buy tickets to the Melbourne event, in which Broom will chat about his career, global brand and the experimental nature of design. Plans are also afoot for him to talk at ECC’s Auckland showroom in New Zealand. Don’t miss this illuminating talent…
leebroom.com spacefurniture.com.au

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ABOVE: Broom’s circular ‘Carousel XL’ pendant light in matte black at the installation, inspired by British fairground merry-go-rounds

Free exhibition ‘Park Life’ is at Space, 84 O’Riordan Street, Alexandria, Sydney, from 14 to 20 March 2019 (open daily 10am to 5pm); a launch evening on 13 March is by invite only. Lee Broom’s products are available exclusively in Australia, Singapore and Malaysia from Space Furniture. His ticketed Melbourne talk is at Space, 629 Church Street, Richmond, on 14 March (6pm-9pm)

Pictures: Craig Wall (Sydney installation)

Rigg Design Prize 2018

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2018’s inspiring Rigg Design Prize celebrates 10 of the best Australian interior design practices

BY SOPHIE DAVIES

Interiors gets their hour in the sun at the 2018 Rigg Design Prize exhibition at Melbourne’s NGV Australia, which runs until 24 February 2019. Celebrating different contemporary design disciplines, the triennial prize focused on interior design and decoration for the first time in 2018, shortlisting 10 leading Australian practices. Each was tasked with creating a bespoke, purpose-built room in the gallery, responding to the theme of ‘Domestic Living’. The results are inspiring, suggesting fresh ways of inhabiting our homes, new trends and creative solutions to modern pressures. Even if you can’t get to Melbourne, check out our round up the 10 designs below…

HECKER GUTHRIE
Melbourne design practice Hecker Guthrie (aka Paul Hecker and Hamish Guthrie) bagged the AU$30,000 triennial prize for their graphic yet tactile installation ‘The table is the base’ (above). Riffing on the idea of the humble table, and its charismatic central role in domestic living spaces, the custom-made room plays with clean lines, form and scale. It explores the table as surface, support and enclosure. Judge Shashi Caan said, ‘Using only two elements – the simple form of the ‘Parsons’ table and terracotta as material – the project demonstrates the power of design restraint and curiosity at play.’


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MARTYN THOMPSON STUDIO
New York-based Australian photographer and designer Martyn Thompson’s space celebrates the ‘Atelier’, channelling the modern blurring of work and home life as an opportunity for creative expression. Bathed in light and shadow, his moody space features many of his own designs – including upholstery textiles, rugs, ottomans, wall treatments, ceramics, art and photos shown alongside collaborative, vintage, found and hand-crafted pieces. Even Thompson’s records, shoes and fleamarket finds make the cut. Clothes are hung like artworks and ambient music generates emotion. Flexible and ever-evolving, this is the home as heartland, layered, textural and deeply personal.


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DANIELLE BRUSTMAN
Like a chic spaceship or cool club, Danielle Brustman’s installation ‘Inner-Terior’ is somewhere we’d like to hang out. It helps that it stars a contemporary update of a cocooning, conversation pit and a futuristic record player (shown above right). A set designer before founding her Melbourne studio, Brustman drew on theatrical aesthetics for this curvy white space, edged with vibrant colour, glossy metallics and eye-catching illuminations. A lounge room that borrows from stage and spectacle, it takes its cues from Art Deco bandshells, European retro-futurist designs from the 60s, 80s movie Xanadu, rollerskating rinks and amusement rides. We reckon it’s 2001: A Space Odyssey gone domestic.


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THE SOCIETY INC BY SIBELLA COURT
Stylist and author Sibella Court, of Sydney interiors store The Society Inc, has always had a love affair with global curios, vintage finds, old tools, pirates and gypsies. For her Rigg Prize entry, dubbed the ‘Imaginarium’, she envisaged a space to ‘wonder, imagine, interact, research and create’. An entire home distilled into a single room, it feels darkly magical, with a rich mix of materials from pressed metal to wood and fabric. Layers of textures and colours, old and new, and real and imagined offer a modern take on a 16th-century ‘cabinet of curiosities’. The space celebrates craft, with displayed objects, including a striking feature wall, acting as a catalyst for memory and imagination. From an alchemy workshop to a ship’s crow’s nest, a bar, dress-up cupboard and pot-belly stove, it’s a mini world of wonders.


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RICHARDS STANISICH
Texture rules in the mesmerising tone-on-tone sculptural installation crafted by Richards Stanisich, titled ‘Our natural needs in a digital world’. The Sydney practice, established in 2018 by former SJB talents Jonathan Richards and Kirsten Stanisich, addresses our fundamental need for shelter, sanctuary, hygiene and intimacy and how it has been transformed by integrated technology and the Internet of Things. A central ochre living, sleeping and kitchen space champions the handmade, simple and earthy, with natural fabrics, ceramics and tiles. By contrast, it’s surrounded by black gloss tiles edged with blue light, representing the digital realm.


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FLACK STUDIO
Melbourne interior architecture firm Flack Studio has a way with vibrant colour, bold pattern and unexpected details, as seen in their striking portfolio of residential spaces, cafes, restaurants and boutiques. For the Rigg Prize, David Flack and his team ‘Flackify’ their living/dining space with saturated gold hues, luxe textures and quirky art and ornaments. ‘We’ve boundless plains to share’ references diversity and inclusion, creating an emotionally charged room for a golden age in Australia, encouraging collaboration and community.


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ARENT&PYKE
Elegance and beauty are at the heart of ‘Home: feast, bathe, rest’ by Sydney interior design studio Arent&Pyke (Juliette Arent and Sarah-Jane Pyke). The smartly zoned space combines areas for dining, washing and retreating, offering ideas for respite and emotional and physical wellbeing in a stressful world. Each area includes a contemporary Australian artwork and a bespoke piece of furniture, blending inspiring design-art with comforting, restorative simplicity.


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AMBER ROAD
Sydney interior design and landscape practice Amber Road’s seductive space ‘Take it outside’ is full of burnt colours, floaty textiles and dreamy desert and starlit views, centred around an inviting lounger. It celebrates the verandah or porch as a key transitional zone for relaxing and chatting together, especially in Australian homes. Principal designers and sisters Yasmine Ghoniem and Katy Svalbe spent time in the Middle East, as well as on their family farms in Australia, capturing this heritage in a beautifully crafted indoor-outdoor room.


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DAVID HICKS
Have homes become inner sanctums, fortresses or vessels for consumerist ideals? Melbourne- and LA-based David Hicks studio presents ‘Panic room’, combining Hicks’ trademark eye for luxe detail with lighting strung on chunky chains and threatening screens. It’s a slick satire on our panicked, media-saturated times, suggesting a life on stage, voyeuristic and yet paranoid about threats from outside. Has the aspirational ideal of a perfect life morphed into homes as psychological retreats and cocoons for self-protection?


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SCOTT WESTON ARCHITECTURE DESIGN
A sequence of six rooms forms ‘Wunderkammer’, an installation by Sydney-based Scott Weston Architecture Design which takes its cue from the renovation of Weston’s own Victorian Italianate terrace house, Villa Carmelina. Each contains a cabinet, or wunderkammer, featuring prized ‘jewels’, miniature artworks by favourite makers. An abstract representation of the house, it makes use of monochrome dioramas with coloured highlights and wallpaper vignettes or ornaments and collectibles.

Catch the Rigg Design Prize 2018 at Level 3, NGV Australia, Federation Square, Melbourne until Sunday 24 February 2019 (10am-5pm) or see the gallery’s website for a virtual tour and online interviews with the designers

10 FizzPicks for Denfair Sydney 2018

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Contemporary design show Denfair hits Sydney for the first time this week, offering inspiration aplenty for design hunters

BY SOPHIE DAVIES

Australia's leading contemporary design exhibition Denfair launches its first Sydney edition this week, after successfully establishing the event in Melbourne. Expect more than 50 local and international brands sharing new and bestselling products at Moore Park's Hordern Pavilion, with furniture, lighting, accessories, rugs, bathware, art and outdoor living in the frame. Running from 16 to 18 August, the show welcomes industry designers, architects, stylists and their clients over the first two days, with Saturday open to the public.

Keen design hunters can enjoy free tickets to the public day care of DesignFizz x Denfair by clicking on the following link. Trade visitors can register online, with an awards ceremony on Thursday night (6pm-9pm). Here are 10 of our top tips to whet your appetite...

ABOVE: Anaesthetic's new 'Duomo' light, shown here as a wall sconce or stem wall light. It comes in a range of finishes, from aged brass to powercoated, and in white, matte black, grey or aged brass colours

ANAESTHETIC
New Zealand lighting brand Anaesthetic, headed up by Ben and Kiri Wahrlich, engineers and makes its designs in Melbourne. Look out for their curvy new 'Duomo' light, which pairs minimal aesthetics with hand-finished aged brass. Inspired by Italian domed churches, the range includes a wall sconce, stem wall light, pendant light and table lamp, with several eye-catching variations.


ABOVE: Outdoor living brand Tait's 'Trace' sunlounge by Australian designer Adam Goodrum is new for Denfair Sydney; Goodrum's award-winning 2017 'Trace' outdoor furniture collection; Adam Cornish's 'Seam' chair for homes or offices launched at June's Denfair in Melbourne

TAIT
Australian brand Tait introduces Adam Goodrum's inviting 'Trace' sunlounge, the newest addition to his 'Trace' outdoor furniture collection. Made from airy stainless steel mesh, aluminium, sustainable timber and marbled porcelain, the range features a sofa, armchair, modular combination, coffee tables, drinks trolley and planter. Adam Cornish's award-winning aluminium 'Seam' chair, flaunting a seamed spine, is ideal for compact indoor or alfresco spaces.


ABOVE: Cult celebrates Arne Jacobsen's designs for Copenhagen's SAS Royal Hotel, including his iconic 'Egg' chairs; 'Pot', 'Egg' and 'Swan' chairs by Jacobsen for Fritz Hansen; his reissued 'Pot' chair in a range of colours with a chromed steel base; the 60th anniversary edition of 'Egg', 'Swan' and 'Drop' in a natural palette of Pure leather, Sera wool fabric and 23-karat gold-plated aluminium

CULT
Inspired by the Orchid Bar at Copenhagen's SAS Royal Hotel, Australian design firm Cult's Denfair stand celebrates 60 years since the hotel's design and its iconic chairs by Danish designer Arne Jacobsen. On show will be Fritz Hansen's limited-edition 60th anniversary collection including Jacobsen's 'Swan', 'Egg' and 'Drop' chairs, plus his newly reissued 'Pot' chairs. Scandi heaven!


ABOVE: 'New Volumes Collection 01' on show at Artedomus's stand, including furniture, lighting and accessories; Ros Gardam's 'Hemera' desk lamp; high and low 'Hurlysi' side tables by Thomas Coward; and the 'Bacchus' table by Tom Skeehan, all crafted from Elba stone

NEW VOLUMES c/o ARTEDOMUS
Quarried from beautiful, natural Elba stone in Greece, the 'New Volumes' collection presented by Sydney's Artedomus showcases simple, sculptural furniture, lighting and accessories designed by some of Australia's hottest talents. We love the Brutalist 'Hemera' desk lamp by Ros Gardam, the sensual 'Hurlysi' side tables by Thomas Coward and the 'Bacchus' coffee table by Tom Skeehan.


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ABOVE: Nood Co's new concrete 'Pill' basins in Australian-inspired colours will brighten up any bathroom

NOOD CO
Crafting contemporary concrete furniture and homewares, Nood Co launches curvy new pill-shaped 'Pill' basins at Denfair, available in 10 pastel-pretty colours from blush pink to mint and power blue. The squarer 'Cube' surface-mount wash basin comes in the same hues for bathroom bliss. They're among 15 new Australian-designed and manufactured products by Matt Di Costa.


ABOVE: Pitch Acoustics's sound-absorbent designs, including floor screens and fabric-covered MDF 'Timber' wall panels by Zilenzio; arrange the diamond-shaped components of Zilenzio's 'Fazett' wall-mounted system to suit your space

PITCH ACOUSTICS
Need to muffle sound in a stylish way? Sydney-based Pitch Acoustics offers innovative fabric-covered wood 'Timber' wall panelling by Swedish brand Zilenzio, from graphic wall pieces to elegant herringbone patterns, or classic full- or decorative half-wall panels. We also like Zilenzio's 'Fazett' wall-mounted system of diamond-shaped, fabric-covered MDF panels in different colours.


ABOVE: Swedese's 'Button' sofa and 'Spin' stool, both represented at Denfair Sydney by Cube and Circle

CUBE AND CIRCLE
Waterloo-based Sydney store Cube and Circle is exclusive Australian distributor for Swedish brand Swedese's covetable contemporary furniture, including Swedish duo Front's 2017-launched 'Button' sofa (which allows you to attach stylish accessories) and 2011's technically complex stackable wooden 'Spin' stool by Staffan Holm. They also represent Scandi brand Cuero Design.


ABOVE: Designer Rugs' range includes the graphic green 'Rift' rug and swirly blue 'Current' rug by Lia Pielli from the in-house 'Transient' collection, and the (wall-mounted) 'Corner Halving' rug by industrial design studio Mr Fräg, hand-tufted in New Zealand wool and bamboo silk

DESIGNER RUGS
Collaborating with Australian talents, Designer Rugs offers in-house and designer collections for residential and commercial clients, with contemporary rugs made from tactile New Zealand wool. Some are hand-knotted or hand-tufted, others include innovative materials such as gleaming bamboo silk or nettle. We love 'Rift' and 'Current' by Lia Pielli from 2017's 'Transient' collection.


ABOVE: The visually lightweight, rattan 'Wicked' armchair and 'Basket' tables by Alain Gilles for Vincent Sheppard, available in Australia from Cotswold InOut Furniture

COTSWOLD INOUT FURNITURE
For that indoor-outdoor lifestyle, check out Cotswold InOut Furniture, which will be championing pieces such as 2016's rattan and lacquered aluminium 'Wicked' sofa and armchair range by Alain Gilles for Belgian firm Vincent Sheppard, which specialises in Lloyd Loom woven furniture, alongside in-house Cotswold Teak alfresco designs.


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ABOVE: The Raconteur's five-strong 'Bondi' scented candle collection, featuring coastal imagery inspired by Sydney's iconic Bondi Beach

THE RACONTEUR
For a must-have local accessory, The Raconteur's luxe scented candles take inspiration from Sydney's Bondi, Melbourne, the Red Centre and Hamilton Island. Hand-poured in Sydney from soy wax and free of nasties, they draw on Australian botanicals, such as native Port Jackson fig and coastal banksia in 'Bondi 1' (one of five Bondi candles). Packaging incorporates evocative photos. Denfair sees the release of a debut Tasmanian candle, featuring boronia flower and native pepper.
denfair.com.au
 

Denfair is at Hordern Pavilion, 1 Driver Avenue, Moore Park, Sydney from 14 to 18 August 2018. Opening hours are Thursday 11am-9pm, Friday 11am-7pm (trade days) and Saturday 10am-5pm (public day). DesignFizz followers can get free entry to the public day by using link https://bit.ly/2M6HI18. Children aged under 16 aren't permitted.

Design-Made 2017

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Indie festival Design-Made celebrates Australian design talent in Sydney

BY SOPHIE DAVIES

Sydney's debut independent contemporary design festival, Design-Made, kicks off in Alexandria this week, showcasing a veritable Who's Who of more than 50 Australian talents. Expect a three-day programme packed with product launches, thought-provoking exhibitions and curated installations from Friday 27 to Sunday 29 October, including cutting-edge furniture, lighting and accessories. The atmospheric main venue is former woodshed Sunstudios, normally used for photo shoots, with a few offshoot talks at the nearby Fischer & Paykel Experience Centre.

Founded by Kobe Johns of Factory Design District and Authentic Design Alliance director Anne-Maree Sergeant, Design-Made celebrates Australia-wide design, with an emphasis on original, local design and quality craftsmanship, engaging visitors in the creative process. You can watch Melbourne potter Colin Hopkins of Porcelume shaping porcelain lighting shades on a wheel, while listening to his own musical score (the results are represented by Spence & Lyda). Leather-cutting and print-making are also on display.

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Homegrown and international brands will share their collections – from Mud Australia to Cult and Singaporean furniture firm Castlery (collaborating on a new range with Australian designer Charles Wilson) – alongside an impressive roll call of independent designers and studios. It's a rare opportunity for Australian talents to show their work across diverse brands on their own stands, including Adam Cornish, Ross Gardam, Jonathan West, and the three Toms – Tom Fereday, Tom Skeehan and Tomek Archer. Free and ticketed talks and workshops allow you to get hands-on, plus there are parties to pep you up. Here are 10 FizzPicks to whet your appetite...

TOP AND BELOW: Ross Gardam's new 'Noon' collection at Alexandria's Design-Made show, including coffee table and mirrors
ABOVE: Furniture-maker Jonathan West's gleaming cabinet

'Noon' collection by Ross Gardam
Australian furniture and lighting designer Ross Gardam will be unveiling his graphic new 'Noon' collection of wall mirrors and coffee tables, made in Melbourne. Subtly exploring the passage of time,  the tables come in two sizes with surfaces including timber veneer, laminate, marble, and mirror, or a striking 'Tri-Cut' combination of walnut, marble and black glass (available from Stylecraft). The mirrors, set back from timber frames, feature clear, bronze and black finishes, or opt for wow factor with the 'Tri-Cut' configuration incorporating all three.


'Paperclip' collection by Seaton Mckeon
Sydney-trained industrial designer Seaton Mckeon's new outdoor furniture range 'Paperclip' for Stylecraft will be exhibited for the first time, styled by Jason Grant. Formed from powered-coated steel, the clean-lined, modernist-influenced collection consists of a stackable lounge chair (with Merbau timber armrests), chair, bar stool and low stool, bound to add graphic attitude to gardens. Finishes include wire and laser-cut perforated sheet metal, with a seductive choice of Dulux colours, from rusty reds to deep blues and eucalypt greens, as well as black, white and grey.

ABOVE: Seaton Mckeon's 'Paperclip' outdoor furniture collection for Stylecraft, including lounge chairs with wooden armrests, stackable chairs in green; and low stools in green and white


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'Igneous' wall light by Ash Allen and James Walsh
Crafted from upcycled bluestone waste, sourced locally, the new 'Igneous' light is by Melbourne designers Ash Allen and James Walsh, presented by Australian brand Catapult. Victorian bluestone is synonymous with Melbourne's architecture, but quarrying generates waste. The pair melted bluestone powder in a kiln to create this striking textured, patterned version of the stone, with a goldy-blue surface set off perfectly by the light's shadowplay. The gorgeous modern wall sconces are made to order, in two sizes, and feature a central gold-dipped bulb.

ABOVE: Meaning 'from fire', the 'Igneous' wall light by Ash Allen and James Walsh is crafted from waste bluestone powder using extreme heat


Good Design Australia showcase
Good Design Australia, a veteran prize dating back to 1958, will showcase recent Good Design Awards winners in furniture and lighting. Highlights include Canberra-based Tom Skeehan's minimal, Japanese-inspired 'Hoshi' collection of armchairs, benches and ottomans for Stylecraft, Adam Goodrum's ergonomic 'Bower' work-pod/seating screens and sculptural 'Malloy' chair for Cult design store's new Australian collection 'NAU', and Charles Wilson's 'Carafe' table for Herman Miller.

ABOVE: Recent Good Design Awards winners including Tom Skeehan's 'Hoshi' lounge collection of seating, benches, side tables and ottomans for Stylecraft, Adam Goodrum's 'Bower' screened desks and seats for Cult, and Charles Wilson's 'Carafe' table for Herman Miller


'LD' wallpapers by Local Design
Collaborative Sydney-based label Local Design is launching an eight-strong range of graphic, contemporary printed wallpapers, with Australian contributors including the label's creative director Emma Elizabeth, Kate BanaziDaniel Emma, Shilo EngelbrechtTom Fereday, Dowel Jones, Fiona Lynch and Tom Skeehan. Durable enough for use in schools, hospitals and public spaces, the large-scale papers are eco-friendly, due to their low chemical emissions. Banazi will be screen-printing 100 limited-edition prints at the installation, available for sale.

ABOVE: The brand-new 'LD' wallpapers by Local Design


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'Boulder' side tables by Dinosaur Designs
Best known for resin tableware and jewellery, Sydney's Dinosaur Designs unveils a box-fresh new collection of 'Boulder' side tables at Design-Made. Inspired by rock formations, as well as the serene palette of Stonehenge and Giorgio Morandi's still-life paintings, the hand-crafted pieces come in swirly whites, creams, blacks and greys.

ABOVE: Dinosaur Designs' new 'Boulder' collection of resin side tables


'Interpretations V' exhibition
A biannual group show exploring materials, 'Interpretations V' tasked eight Australian designers to explore paper (cellulose), in an exhibition curated by Vert Design's Andrew Simpson. Innovative prototypes include Tom Skeehan's 'SO' tactile paper light fixtures, formed from traditionally dyed pulped paper; Tom Fereday's timber-framed 'Pieman' chairs with woven paper cord seats and backs; Elliat Rich (of Elbowrkshp)'s pebble-like textured paper sculptures '7 Rounds', including photographic hints of hands; and Charles Wilson's delicate oval 'Lirio' picnic plates, intended to be held with a wine glass in one hand.

ABOVE: Paper prototypes for materials showcase 'Interpretations V', including Tom Skeehan's 'SO' paper lights in soft pastels, Tom Fereday's cord-strung 'Pieman' chairs; Elliat Rich's '7 Rounds' pebble sculptures, and Charles Wilson's 'Lirio' picnic plates


'Stitchfield' 2017 installation
Interactive installation 'Stitchfield', commissioned by Design Tasmania, is a modern update of a weaving or knitting circle. Suspended above Sunstudios' entry lounge, the gleaming metallic 'wave' is formed from interconnecting brass components, devised by Melbourne architect Claire Scorpo and Alice Springs-based designer Elliat Rich. It will be lowered twice a day during the festival, encouraging visitors to join the gathering of makers crafting this communal work-in-progress.

ABOVE: Interactive brass hanging 'Stitchfield', formed from circular components, will be expanded by visitors during the show


'26 Original Fakes' exhibition
Curated by Dale Hardiman and Tom Skeehan, 26 Original Fakes is a group show in the atrium highlighting Australia's unfortunate status as the 'Wild West' of fake designer furniture. With insufficient copyright laws protecting both established and emerging product designers, this show, backed by the Authentic Design Alliance, invited 26 Australian designers to riff on British talent Jasper Morrision's much-copied 'Hal' chair for Vitra, distributed here by Living Edge. Look out for Tom Fereday's 'Shadow Chair', a cast concrete form representing the negative space under a replica 'Hal' chair, suggesting that by buying rip-offs you are left with nothing but a shadow of the original.

ABOVE: Exhibition '26 Original Fakes' includes designs hacking replicas of Jasper Morrison's 2010 'Hal' chair for Vitra, including Tom Fereday's cast concrete 'Shadow Chair', Daast studio's 'Royalties Paid' chair engraved with a satirical letter from the Australian government, and Jon Goulder's Sydney Opera House-inspired chair, itself a rip-off of fellow exhibitor Andrew Simpson's earlier replica of a replica!


ABOVE: 'Light Hut' tiny house by duo Fresh Prince, outside the Sunstudios entrance, illuminated at night

'Light Hut' by Fresh Prince
Finally, just outside Sunstudios, 'Light Hut' champions the tiny house movement. Designed by Sydney studio Fresh Prince, this outdoor sanctuary is a small moveable structure that 'sheds the weight of a modern dwelling to return to bare, essential shelter.' Here's to treading the Earth more lightly...
design-made.org

Design-Made runs from 27 to 29 October over two locations in Alexandria – Sunstudios (42 Maddox Street) and Fischer & Paykel Experience Centre (96 Bourke Road). Opening hours are Friday 27 (10am-6pm), Saturday 28 (10am-5pm) and Sunday 29 (10am-4pm); $10 on the door.