Lee Broom – Park Life

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British designer Lee Broom reveals ‘Park Life’, a dazzling pop-up exhibition in a car park in Sydney

BY SOPHIE DAVIES

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UK design talent Lee Broom is known for glamorous lighting, furniture and accessories. His shows are just as cutting-edge, with the rising star previously exhibiting his work in a mock department store, a mobile van (albeit one tricked out with an elegant room interior) and on a fairground carousel. Now Broom is taking over an underground car park below Space’s Sydney furniture showroom for ambitious pop-up ‘Park Life’, sharing his new lights with the public in a modernist maze. The Alexandria installation will be his largest to date, covering 4,000 square feet, with the free exhibition running from 14 to 20 March.

‘I am delighted to return to Australia to present this exciting exhibition with Space Furniture,’ says Broom. ‘Australia has been a big supporter of my work for many years and it is an honour to create such a significant installation to showcase my collection in Sydney.’

TOP: The entrance to Sydney’s subterranean ‘Park Life’ maze pavilion, with Lee Broom flanked by his ‘Orion Globe’ and ‘Orion Tube’ lights. ABOVE RIGHT: Fix up, look sharp… London lighting designer Lee Broom before he turned blonde for his Australian tour

A former actor and fashion designer, Broom is known for his trademark sharp look, teaming simple classic and street-savvy details. His designs also reinterpret classical styles in contemporary ways, giving them an unexpected edge. Expect more striking fusions at immersive experience ‘Park Life’, where he’ll be transforming the raw, concrete, industrial car park into his take on a trad English garden.

ABOVE: Lee Broom’s surreal modernist garden maze ‘Park Life’ in Sydney, a beautifully resolved installation featuring his lighting, accessories and furniture in a series of 16 illuminated room sets. Enchanting vignettes play with ideas from chess boards and Newton’s Cradles to cascading waterfalls and trompe l’oeil reflections

Channelling a meandering maze, the pop-up will take guests on ‘a poetic journey of discovery through hidden passageways, with tableaus and vignettes,’ says Broom, showcasing his lighting, furniture and accessories. Inspiration hails from 18th-century pleasure gardens, with their mazes and miniature waterways, amusing visitors with the latest art, architecture, music and illuminations. However, Broom gives the concept a modernist spin, aiming to create a sense of escapism, entertainment and drama.

ABOVE: More mesmerising moments from the ‘Park Life’ pavilion. A white polycarbonate box within the concrete car park, its interconnecting spaces are lined with pale gravel, with designs displayed beside classical statues on boxy, layered plinths. Black acrylic, cut-outs and mirror add surprise to surfaces

If Broom’s mind-bending 2017 trompe l’oeil installation ‘On Reflection’ at his London showroom is anything to go by, design hunters should be in for a treat. Broom chose to show in Sydney, not Milan this year, reaching out to his Australian and Asia-Pacific fanbase, and has put all his creative energy into crafting a surreally beautiful space, guaranteed to whisk visitors into wonderland.

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ABOVE: Lee Broom’s new ‘Eclipse’ pendant lights, updated in polished gold, will be showcased at the pop-up

Debuting at the ‘Park Life’ installation is a new version of Broom’s award-winning ‘Eclipse’ light in a polished gold finish, a warmer, softer interpretation of the original chrome. Like an elegant mobile, these sculptural pendants look different from every angle, with mirror-polished gold and acrylic discs interacting, simultaneously eclipsing and revealing their charms.

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ABOVE FROM LEFT: ‘Eclipse’ chandelier three piece in sheeny gold. The design also comes as a table lamp, with all three variations available to order from April. Broom’s ‘Orion Tube’ and ‘Orion Globe’ pendant lights in polished gold

‘Park Life’ is part of Broom’s wider #LBTour of Asia and Australia, which has seen him give design talks at Space’s showrooms in Singapore for Singapore Design Week (4-17 March), and Brisbane, with another to come at Space Melbourne on 14 March (6pm-9pm) for Melbourne Design Week (14-24 March). Design fans can buy tickets to the Melbourne event, in which Broom will chat about his career, global brand and the experimental nature of design. Plans are also afoot for him to talk at ECC’s Auckland showroom in New Zealand. Don’t miss this illuminating talent…
leebroom.com spacefurniture.com.au

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ABOVE: Broom’s circular ‘Carousel XL’ pendant light in matte black at the installation, inspired by British fairground merry-go-rounds

Free exhibition ‘Park Life’ is at Space, 84 O’Riordan Street, Alexandria, Sydney, from 14 to 20 March 2019 (open daily 10am to 5pm); a launch evening on 13 March is by invite only. Lee Broom’s products are available exclusively in Australia, Singapore and Malaysia from Space Furniture. His ticketed Melbourne talk is at Space, 629 Church Street, Richmond, on 14 March (6pm-9pm)

Pictures: Craig Wall (Sydney installation)

Rigg Design Prize 2018

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2018’s inspiring Rigg Design Prize celebrates 10 of the best Australian interior design practices

BY SOPHIE DAVIES

Interiors gets their hour in the sun at the 2018 Rigg Design Prize exhibition at Melbourne’s NGV Australia, which runs until 24 February 2019. Celebrating different contemporary design disciplines, the triennial prize focused on interior design and decoration for the first time in 2018, shortlisting 10 leading Australian practices. Each was tasked with creating a bespoke, purpose-built room in the gallery, responding to the theme of ‘Domestic Living’. The results are inspiring, suggesting fresh ways of inhabiting our homes, new trends and creative solutions to modern pressures. Even if you can’t get to Melbourne, check out our round up the 10 designs below…

HECKER GUTHRIE
Melbourne design practice Hecker Guthrie (aka Paul Hecker and Hamish Guthrie) bagged the AU$30,000 triennial prize for their graphic yet tactile installation ‘The table is the base’ (above). Riffing on the idea of the humble table, and its charismatic central role in domestic living spaces, the custom-made room plays with clean lines, form and scale. It explores the table as surface, support and enclosure. Judge Shashi Caan said, ‘Using only two elements – the simple form of the ‘Parsons’ table and terracotta as material – the project demonstrates the power of design restraint and curiosity at play.’


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MARTYN THOMPSON STUDIO
New York-based Australian photographer and designer Martyn Thompson’s space celebrates the ‘Atelier’, channelling the modern blurring of work and home life as an opportunity for creative expression. Bathed in light and shadow, his moody space features many of his own designs – including upholstery textiles, rugs, ottomans, wall treatments, ceramics, art and photos shown alongside collaborative, vintage, found and hand-crafted pieces. Even Thompson’s records, shoes and fleamarket finds make the cut. Clothes are hung like artworks and ambient music generates emotion. Flexible and ever-evolving, this is the home as heartland, layered, textural and deeply personal.


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DANIELLE BRUSTMAN
Like a chic spaceship or cool club, Danielle Brustman’s installation ‘Inner-Terior’ is somewhere we’d like to hang out. It helps that it stars a contemporary update of a cocooning, conversation pit and a futuristic record player (shown above right). A set designer before founding her Melbourne studio, Brustman drew on theatrical aesthetics for this curvy white space, edged with vibrant colour, glossy metallics and eye-catching illuminations. A lounge room that borrows from stage and spectacle, it takes its cues from Art Deco bandshells, European retro-futurist designs from the 60s, 80s movie Xanadu, rollerskating rinks and amusement rides. We reckon it’s 2001: A Space Odyssey gone domestic.


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THE SOCIETY INC BY SIBELLA COURT
Stylist and author Sibella Court, of Sydney interiors store The Society Inc, has always had a love affair with global curios, vintage finds, old tools, pirates and gypsies. For her Rigg Prize entry, dubbed the ‘Imaginarium’, she envisaged a space to ‘wonder, imagine, interact, research and create’. An entire home distilled into a single room, it feels darkly magical, with a rich mix of materials from pressed metal to wood and fabric. Layers of textures and colours, old and new, and real and imagined offer a modern take on a 16th-century ‘cabinet of curiosities’. The space celebrates craft, with displayed objects, including a striking feature wall, acting as a catalyst for memory and imagination. From an alchemy workshop to a ship’s crow’s nest, a bar, dress-up cupboard and pot-belly stove, it’s a mini world of wonders.


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RICHARDS STANISICH
Texture rules in the mesmerising tone-on-tone sculptural installation crafted by Richards Stanisich, titled ‘Our natural needs in a digital world’. The Sydney practice, established in 2018 by former SJB talents Jonathan Richards and Kirsten Stanisich, addresses our fundamental need for shelter, sanctuary, hygiene and intimacy and how it has been transformed by integrated technology and the Internet of Things. A central ochre living, sleeping and kitchen space champions the handmade, simple and earthy, with natural fabrics, ceramics and tiles. By contrast, it’s surrounded by black gloss tiles edged with blue light, representing the digital realm.


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FLACK STUDIO
Melbourne interior architecture firm Flack Studio has a way with vibrant colour, bold pattern and unexpected details, as seen in their striking portfolio of residential spaces, cafes, restaurants and boutiques. For the Rigg Prize, David Flack and his team ‘Flackify’ their living/dining space with saturated gold hues, luxe textures and quirky art and ornaments. ‘We’ve boundless plains to share’ references diversity and inclusion, creating an emotionally charged room for a golden age in Australia, encouraging collaboration and community.


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ARENT&PYKE
Elegance and beauty are at the heart of ‘Home: feast, bathe, rest’ by Sydney interior design studio Arent&Pyke (Juliette Arent and Sarah-Jane Pyke). The smartly zoned space combines areas for dining, washing and retreating, offering ideas for respite and emotional and physical wellbeing in a stressful world. Each area includes a contemporary Australian artwork and a bespoke piece of furniture, blending inspiring design-art with comforting, restorative simplicity.


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AMBER ROAD
Sydney interior design and landscape practice Amber Road’s seductive space ‘Take it outside’ is full of burnt colours, floaty textiles and dreamy desert and starlit views, centred around an inviting lounger. It celebrates the verandah or porch as a key transitional zone for relaxing and chatting together, especially in Australian homes. Principal designers and sisters Yasmine Ghoniem and Katy Svalbe spent time in the Middle East, as well as on their family farms in Australia, capturing this heritage in a beautifully crafted indoor-outdoor room.


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DAVID HICKS
Have homes become inner sanctums, fortresses or vessels for consumerist ideals? Melbourne- and LA-based David Hicks studio presents ‘Panic room’, combining Hicks’ trademark eye for luxe detail with lighting strung on chunky chains and threatening screens. It’s a slick satire on our panicked, media-saturated times, suggesting a life on stage, voyeuristic and yet paranoid about threats from outside. Has the aspirational ideal of a perfect life morphed into homes as psychological retreats and cocoons for self-protection?


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SCOTT WESTON ARCHITECTURE DESIGN
A sequence of six rooms forms ‘Wunderkammer’, an installation by Sydney-based Scott Weston Architecture Design which takes its cue from the renovation of Weston’s own Victorian Italianate terrace house, Villa Carmelina. Each contains a cabinet, or wunderkammer, featuring prized ‘jewels’, miniature artworks by favourite makers. An abstract representation of the house, it makes use of monochrome dioramas with coloured highlights and wallpaper vignettes or ornaments and collectibles.

Catch the Rigg Design Prize 2018 at Level 3, NGV Australia, Federation Square, Melbourne until Sunday 24 February 2019 (10am-5pm) or see the gallery’s website for a virtual tour and online interviews with the designers

Claus Porto Takes Manhattan

New Yorkers can snap up a little Portuguese style with the arrival of Claus Porto’s first standalone store outside Portugal. Olá Manhattan!

BY CLAIRE BINGHAM

Portuguese label Claus Porto is famed for its exquisitely packaged soaps and, more recently, its revamped ‘Agua de Colonia' fragrance collection (right) created in collaboration with leading British perfumer Lyn Harris. However, until now, the company has been very much under the radar – a secret Lisbon and Porto gem for beauty and graphics enthusiasts alike. This is about to change.

RIGHT: British perfumer Lyn Harris has been instrumental in the brand’s revamp, These five new fragrances are based on a modern interpretation of colognes. ‘Agua de Colonia’ collection, £85 each for 125ml

Claus Porto has just opened a store on Elizabeth Street in Manhattan’s Nolita, the beauty and fragrance label’s first retail space beyond their Portuguese home. Conceived by New York firm Tacklebox Architecture, under the direction of Jeremy Barbour, the scheme is eye-catching in every sense. 

Milled from Portuguese cork, 1,500 faceted white diamond tiles line the walls of the vaulted interior, incorporating carved display niches. A 42-foot-long archway has also been inserted into the ground floor of this early 1800s building. Both pay homage to Portuguese architecture and craftsmanship, with the arch and tiles referencing Porto’s Sao Bento train station, which was first proposed in 1887 – the same year that Claus Porto was founded.

BELOW: The 1,500 faceted diamond tiles were milled from Portuguese cork – a material characteristic to the country – and reference the decorative azulejo tiled façade of the historic Casa dos Bicos in Lisbon

The arch serves as a dramatic portal to welcome visitors into the beautifully patterned and scented world of Claus Porto. It’s an otherwise minimal space, with a monolithic marble wash basin at its heart, celebrating bathing rituals. Yes, the interior is cool and futuristic – but the product remains king. What can we say but obrigado!
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Claus Porto, 230 Elizabeth Street, New York, NY 10012. See Claus Porto’s website for details of their Portuguese stores in Lisbon and Porto.

Vitra London One Day Sale

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Vitra London hosts its biggest ever sale this Saturday, including great deals on contemporary design classics

BY SOPHIE DAVIES

Design hunters, fancy snapping up some style for less? Swiss furniture manufacturer Vitra is hosting its biggest ever One Day Sale in London this Saturday 6 October. Taking over two floors of its East London showroom at 30 Clerkenwell Road, it will offer discounts of 30 to 75 per cent off a range of contemporary classics, including furniture by Charles and Ray Eames, Jean Prouvé, Isamu Noguchi and Verner Panton. Doors open at 9.30am and shut by 4pm, so get your skates on!

ABOVE: ‘Eames Plastic Chair DSR’ in poppy red; ‘Cork Stool Model A’ by Jasper Morrison; and ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in premium leather are Star Buys at Vitra London’s One Day Sale

Expect serious bargains at the Clerkenwell store on more than 1000 pieces, spanning from sofas, chairs and stools to dining tables, desks, coffee tables and storage units. Also in the mix are smaller accessories by Finnish brand Artek and Alexander Girard, special editions and iconic designs, starting from as little as £10. Contemporary names in the frame include Antonio Citterio, Barber Osgerby, Jasper Morrison, and Ronan and Erwan Bouroullec – think catnip for collectors.

ABOVE: Lucky shoppers can nab Star Buys such as the classic ‘Noguchi Coffee Table’ by Isamu Noguchi at a reduced price. Bargains include the ‘Eames Plastic Side Chair DSR’ in poppy red and the ‘Soft Pad’ chair EA 208 by Charles and Ray Eames, ideal for a chic home office.

Star Buys include the classic ‘Noguchi Coffee Table’ by Isamu Noguchi in walnut (was £2,020, now £149); the sculptural ‘Tabouret Haut’ stool by Jean Prouvé in dark oak with Japanese red foot resting ring (was £595, now £49); the iconic ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in clay premium leather (was £2,670, now £149); a set of four ‘Eames Plastic Chairs DSR’ in poppy red (was £1,000, now £199); and the ‘Cork Stool Model A’ by Jasper Morrison (was £355, now £10!), all prices including VAT. Star Buys only apply to the specific pieces labelled and displayed in the store windows, not like-for-like products, and you can only purchase one per person. They’ll go like hot cakes, on a first-come, first-served basis, so get in quick.

Vitra’s One Day Sale is at Vitra, 30 Clerkenwell Road, London EC1, from 9.30am to 4pm on Saturday 6 October 2018. See their Facebook event page for more terms and conditions.

LDF 2018 – 11 Fizz Faves for London Design Festival

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Enjoy all the fun of the fair at this week’s London Design Festival, with our 11 must-see installations and showcases around town…

BY SOPHIE DAVIES

This year’s London Design Festival is in full swing, bringing a bewildering array of new design launches and exhibitions to town. We’ve already shared our top tips for the thought-provoking London Design Biennale and festival hub the V&A, but here are 11 citywide FizzPicks for design inspiration, taking in landmark projects, alfresco installations and seductive showrooms.

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ES DEVLIN: ‘PLEASE FEED THE LIONS’
Attracting Insta love in Trafalgar Square – as well as confused looks from tourists – interactive design ‘Please Feed The Lions’ is a collaboration between British artist/stage designer Es Devlin and Google Arts & Culture. A fifth fluorescent red lion has joined the square’s big cat statues, roaring out a crowd-sourced, collective poem. Tap in your word via the on-site screen or online to see it displayed in LEDs in the lion’s mouth. The streaming text is also projection-mapped over Nelson’s Column and the lion at night. Naturally, we fed it the words ‘design’ and ‘fizz’.
Trafalgar Square, London WC2 (18-23 September)

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KELLENBERGER-WHITE: ‘ALPHABET’
Sit on a letter or make words with the 26 vibrant, alphabet chairs at interactive installation ‘Alphabet’ in Broadgate. An experiment in folding metal to create a typographic system, the bespoke seats were designed by London graphic design consultancy Kellenberger-White, known for their playful approach to typefaces. Their inspirations ranged from Bauhaus designers to artist Bruno Munari. Each chair is a different colour, daubed in specialist industrial paint, ranging from orange to cornflower blue.
Finsbury Avenue Square, Broadgate, London EC2 (15-23 September)

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SCHOLTEN & BAIJINGS: ‘TIME FOR TEA’
Take ‘Time For Tea’ at Fortnum & Mason with help from Scholten & Baijings. The Dutch design duo will draw on more than 80 global designs for this installation celebrating the dainty ritual, drawing inspiration from the store’s signature eau de Nil colour and gorgeous green hues. The tabletop setting encompasses a new porcelain tea set produced by 1616/Arita, plus furniture, accessories and limited-edition pieces contrasting tradition with cutting-edge Dutch creativity. Featured products include chairs by HAY, Moroso and Karimoku New Standard, curtains by Maharam, and marble tables and flooring by Luce di Carrara.
First Floor, Fortnum & Mason, 181 Piccadilly, London W1 (15-23 September)

TOM DIXON: ‘ELECTROANALOGUE’
UK designer Tom Dixon hosts ‘Electroanalogue’ at his new HQ and shop The Coal Office in Kings Cross. Expect product launches, live demonstrations and workshops exploring digital innovations and traditional craft, including group show ‘Hyper Real’. Mates on board include Bill Amberg Studio (see below), sound designer Yuri Suzuki, Ege carpets, Kirkby Design, Formica, Spiritland bar and Teenage Engineering showcasing a synthesiser in a Seventies-style disco. The space is part of Coal Drops Yard, a cutting-edge shopping and dining street opening on 26 October with design by Thomas Heatherwick.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

BILL AMBERG: ‘PRINTED LEATHER LAUNCH’ AT TOM DIXON STUDIO
Luxe leather brand Bill Amberg Studio presents a stunning new collection of digitally printed leathers, including British contributions from Faye Toogood, Timorous Beasties and Tom Dixon, and American-based interior designers Alexandra Champalimaud and Natasha Baradaran. It’s a gamechanger for the industry, with patterns spanning colourful sketches, splattered damasks, lace, circles, foil and rock graphics.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

LEE BROOM: ‘OBSERVATORY’
British boy wonder Lee Broom brings his stellar-inspired lighting collection ‘Observatory’ to his Shoreditch showroom, a hit in Milan and New York. Playing with vertical and horizontal space, sculptural and spherical form, and light reflection and refraction, the third edition of this glamorous yet ultra-contemporary range includes pendant and table lights, making luxe use of LEDs and bespoke bulbs designed in-house.
Lee Broom, 93 Rivington Street, London EC2 (18-23 September)

HOUSE OF GREY
Book online to see House of Grey’s gorgeous North London pop-up exhibition ‘In the Neighbourhood’, a brilliant edit of local and international designers, artists and makers in two residential settings. Curated by Louisa Grey and Morgwyn Rimel, elegant townhouse ‘The Grey House’ creates a calm atmosphere celebrating texture, neutral tones, handmade craft and natural materials. By contrast, loft-style ‘The Blue House’ occupies a converted Methodist congregation hall, with vibrant, bold colours and eclectic contemporary designs. Furniture, textiles, accessories and lighting are on show, flanked by art and plants. Talents include Henry Wilson, Noorstad, Frama, Muller Van Severen for valarie_objects, Dirk Van Der Kooij and Dinosaur Designs.
By appointment only, North London (15-21 September); for availability check here.

THE CONRAN SHOP
The Conran Shop hosts two cracking shows for LDF18. At the Marylebone Store, ‘The Conran Shop x Carl Hansen’ celebrates on-trend indigo, with exclusive editions of the Danish’s firm’s furniture transformed by the deep blue hue. Think Carl Hansen & Søn’s ‘CH4 Wishbone Chair’ by Hans Wegner with an indigo lacquer and Hiut denim seat pad. A stool and chair by Kaare Klint’s also get the denim treatment. At Chelsea’s Michelin House store ‘The Conran Shop x Pinterest’ features a maze of giant red pins, channelling the social media inspo site, while visitors can Pin and save products as they shop using an app and innovative Near Field technology microchips hidden in tags. Pincodes on display reveal the inspiration behind key designs.
The Conran Shop, 55 Marylebone High Street, Marylebone, London W1; Michelin House, 81 Fulham Road, London SW3 (both 15-23 September)

MATTER OF STUFF
Prepare to be transported by London design research gallery Matter of Stuff. In Kings Cross, their pop-up Concept Gallery at Fenman House has been designed by Raw Edges. Hung with wooden dowels suspended by blue string, the space celebrates materials, finishes and texture, including marble and ceramics. It’s the ideal backdrop to Matter of Stuff’s collection of furniture and lighting (by Bohinc Studio and Uufie) plus a curated mix of global brands including CC-Tapis, Made in Ratio and La Chance. Matter of Stuff also explores blown-glass at site-specific exhibition ‘Blown Away’ at Mayfair restaurant/bar Sketch. Don’t miss the new borosilicate glass ‘Bubble’ chandelier by master glassblower Simone Crestani. Magical.
Fenman House, 5 Lewis Cubitt Walk, Kings Cross, London N1; Sketch, 9 Conduit Street, London W1 (15-23 September)

The ARAM GALLERY
Covent Garden’s The Aram Gallery presents ‘Hilos Invisibles’, a collaboration between Montevideo-born designer Matteo Fogale and seven Uruguayan design studios, including furniture, lighting, mirrors and accessories in brass, glass, wood and concrete. Inspired by the work of modernist Uruguayan architect Julio Vilamajó – a design consultant on New York’s UN Headquarters with Le Corbusier and Oscar Niemeyer – the project was born of a 2017 residency and workshop at Montevideo’s Vilamajó House Museum, built by the architect in 1930, and draws on his architectural design details.
110 Drury Lane, Covent Garden, London WC2 (17 September-27 October)

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THE NEW CRAFTSMEN
A serene sanctuary, ‘The New Craftsmen x Malgorzata Bany’ offers zen time out from the frenzy of LDF18. Hosted by contemporary British crafts showroom The New Craftsmen in Mayfair, London-based, Slade-trained artist and designer Malgorzata Bany presents her collection of sculptural furniture, objects and table lights, including new additions to the popular range. Materials span Jesmonite, metal and handmade paper, with minimal yet organic forms. Bany also shares her edit of the store’s other makers. And breathe…
34 North Row, Mayfair, London W1 (15 and 17-22 September)

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