Sydney Design Festival 2019 – 5 Must-Sees

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Sydney Design Festival 2019 brings inspiring exhibitions, talks and workshops to town. Here are five Fizz faves for getting your design on!

BY SOPHIE DAVIES

Sydney Design Festival is back for 2019, unpacking new design, sharing emerging and established talents, and tackling design challenges. This year’s theme is ‘Accessing Design’, making design accessible to fresh audiences, with the action spread beyond the obvious inner-city hot spots. Running from 1 to 10 March – but with many shows lasting longer – the festival also shines a light on local design, including indigenous creativity, hosting events from exhibitions to talks, workshops, open studios, screenings and parties. Here are five of our #SDF19 Fizz faves…

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TOP: Sydney Design Festival keynote speaker Rachel Wingfield of Loop.pH with a range of dynamic past projects. ABOVE: Loop.pH’s ‘Arborescence’ installation for 2014’s Amsterdam Light Festival, proposing a future hybrid of trees and street lighting harnessing the studio’s signature bio-luminescence. Think sustainable ‘living lighting’

FESTIVAL KEYNOTE: RACHEL WINGFIELD OF LOOP.PH
Powerhouse Museum, 500 Harris Street, Ultimo
8 March (6pm-8pm)

London designer Rachel Wingfield, co-founder with Mathias Gmachl of Loop.pH, will give the festival keynote speech at Ultimo’s Powerhouse Museum. Launched in 2003, their spatial laboratory is known for cross-disciplinary designs that combine digital, light, art and craft details, often in public spaces. Exploring design, architecture and science, Loop.pH’s intriguing installations and experiences harness diverse materials from LEDs, electro-luminous fibres and NASA’s reflective silver mylar to carbon, bamboo and algae. Buy tickets to the talk online or check out Wingfield’s collaborative workshop ‘Archilace’ on Sunday 10 March (3pm-5pm).

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ABOVE: Mungo Scott Flour Mill, historic home to authentic Australian design showcase ‘Home.Grown’ in Summer Hill

HOME.GROWN//DISCOVERING AUSTRALIAN DESIGN
Mungo Scott Flour Mill, 2 Smith Street, Summer Hill
8-10 March

A three-day celebration of Australian furniture, lighting and home furnishings, ‘Home.Grown’ is presented by the Authentic Design Alliance and curated by its director Anne-Maree Sargeant. Expect three halls over two levels featuring exhibitions, installations and pop-ups, championing locally designed and made products and homegrown talents. All up you’ll discover around 175 designers and 100 brands. Ground Floor Hall 1 features a combined showcase of designers and smaller independent brands, spanning innovative lighting by Lumil, rugs by Designer Rugs and stylish storage by Sagitine, alongside a pop-up mini mart of Australian homewares available to buy from top3 by design. Installations occupy Ground Floor Hall 2, including ‘Undervalued’ by Nick Rennie, ‘Project Replica’ by Mitch Tobin, ‘Brand a Fake’ by ADA, ‘Used by 3018’ by Will Thompson, a Mercedes-Benz Design Award display and atmospheric photos of the historic venue itself. Upstairs, the First Floor Gallery presents curated zones by 10 established Australian design brands, including Nau, Catapult, Didier, Furnished Forever and Artedomus (‘New Volumes’). Talks, starring talents including Adam Goodrum, Adam Cornish and Christina Bricknell, tackle issues affecting the country’s design scene. The location is a wow too, with the event taking over the 1922 Mungo Scott Flour Mill. A free preview afternoon on Friday 8 March is by RSVP only; for the weekend, buy advance tickets cheaper online or snap them up at the door.

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ABOVE: Trent Jansen’s ‘Tidal Lounger’ chairs and ‘Tidal Coffee Table’, made from premium stainless steel wire for Australian outdoor living brand Tait, feature in ADC’s exhibition ‘Steel’

STEEL: ART DESIGN ARCHITECTURE
Australian Design Centre, 101-115 William Street, Darlinghurst
Until 3 April (closed Sundays and Mondays)

Discover the innovative ways artists, designers and architects are using steel in the 21st century at this major touring exhibition from Adelaide’s JamFactory. Free to visit at Darlinghurst’s Australian Design Centre, it showcases the work of 29 Australian creatives, including Korban/Flaubert’s bold steel sculptures, Trent Jansen’s wave-inspired ‘Tidal’ outdoor furniture collection for Tait, and BVN’s graphic Australian PlantBank research building at Mount Annan in New South Wales. A selection of steely works is also displayed across the road at Stylecraft’s showroom (24/100 William Street). Fancy some craft shopping? ADC hosts a Makers Market on Saturday 9 March (10am-4pm), featuring more than 27 local makers.

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ABOVE: ‘Purple with Black, White and Blue’ photo (detail) by Jon Setter, part of the artist’s exhibition ‘The Urban Text’ at design store Koskela

JON SETTER: THE URBAN TEXT
Koskela, 1/85 Dunning Avenue, Rosebery
Until 31 March

This series of 12 minimal photographs explores the unnoticed aspects of urban environments and our everyday streetscapes. Detroit-born, Sydney-based Jon Setter’s free exhibition ‘The Urban Text’ is on show at inspiring design store Koskela in Rosebery, so call in for a culture fix, then stick around to shop for Australian-made furniture, homewares and accessories. The artworks are available to buy as unframed prints in three sizes, and their abstract, graphic, simple, colour-block style will look a treat on your wall. Feeling peckish? Three Blue Ducks cafe shares this atmospheric former factory space.

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ABOVE: Bernabei Freeman’s contemporary ceramic ‘Hybrid Vessel’ (2018), incorporating 3D-printed ABS and handwoven rattan, is part of digital craft show ‘Femufacture’ at The Japan Foundation

FEMUFACTURE: JAPANESE AND AUSTRALIAN DESIGN
The Japan Foundation Gallery, Level 4, Central Park, 28 Broadway, Chippendale
Until 30 March (closed Sundays)

Lovers of craft and design will enjoy cutting-edge exhibition ‘Femufacture’, which explores the interface of craft traditions and digital fabrication technologies. Hosted by The Japan Foundation Gallery, upstairs in Chippendale’s Central Park mall, it features new works by Japanese and Australian women including 3D-printed ceramic and hand-woven rattan vessels by Melbourne’s Bernabei Freeman (Rina Bernabei and Kelly Freeman). Mediums include weaving, wood turning, indigo-dyeing, paper cut, silversmithing and knitting, combined with 3D printing, CNC machining, coding and robotics. The show also includes wearable technology by light artist Erina Kashihara, who joins the gallery’s free panel discussion to mark International Women’s Day (8 March, 6.30pm-8pm).

sydneydesign.com.au/2019

Sydney Design Festival 2019 runs until Sunday 10 March at venues across the city, but many events continue beyond this weekend. For more inspiration check out SDF’s suggested itineraries, from free and family-friendly ideas to sustainable thinking and design after dark.

LDF 2018 – 11 Fizz Faves for London Design Festival

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Enjoy all the fun of the fair at this week’s London Design Festival, with our 11 must-see installations and showcases around town…

BY SOPHIE DAVIES

This year’s London Design Festival is in full swing, bringing a bewildering array of new design launches and exhibitions to town. We’ve already shared our top tips for the thought-provoking London Design Biennale and festival hub the V&A, but here are 11 citywide FizzPicks for design inspiration, taking in landmark projects, alfresco installations and seductive showrooms.

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ES DEVLIN: ‘PLEASE FEED THE LIONS’
Attracting Insta love in Trafalgar Square – as well as confused looks from tourists – interactive design ‘Please Feed The Lions’ is a collaboration between British artist/stage designer Es Devlin and Google Arts & Culture. A fifth fluorescent red lion has joined the square’s big cat statues, roaring out a crowd-sourced, collective poem. Tap in your word via the on-site screen or online to see it displayed in LEDs in the lion’s mouth. The streaming text is also projection-mapped over Nelson’s Column and the lion at night. Naturally, we fed it the words ‘design’ and ‘fizz’.
Trafalgar Square, London WC2 (18-23 September)

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KELLENBERGER-WHITE: ‘ALPHABET’
Sit on a letter or make words with the 26 vibrant, alphabet chairs at interactive installation ‘Alphabet’ in Broadgate. An experiment in folding metal to create a typographic system, the bespoke seats were designed by London graphic design consultancy Kellenberger-White, known for their playful approach to typefaces. Their inspirations ranged from Bauhaus designers to artist Bruno Munari. Each chair is a different colour, daubed in specialist industrial paint, ranging from orange to cornflower blue.
Finsbury Avenue Square, Broadgate, London EC2 (15-23 September)

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SCHOLTEN & BAIJINGS: ‘TIME FOR TEA’
Take ‘Time For Tea’ at Fortnum & Mason with help from Scholten & Baijings. The Dutch design duo will draw on more than 80 global designs for this installation celebrating the dainty ritual, drawing inspiration from the store’s signature eau de Nil colour and gorgeous green hues. The tabletop setting encompasses a new porcelain tea set produced by 1616/Arita, plus furniture, accessories and limited-edition pieces contrasting tradition with cutting-edge Dutch creativity. Featured products include chairs by HAY, Moroso and Karimoku New Standard, curtains by Maharam, and marble tables and flooring by Luce di Carrara.
First Floor, Fortnum & Mason, 181 Piccadilly, London W1 (15-23 September)

TOM DIXON: ‘ELECTROANALOGUE’
UK designer Tom Dixon hosts ‘Electroanalogue’ at his new HQ and shop The Coal Office in Kings Cross. Expect product launches, live demonstrations and workshops exploring digital innovations and traditional craft, including group show ‘Hyper Real’. Mates on board include Bill Amberg Studio (see below), sound designer Yuri Suzuki, Ege carpets, Kirkby Design, Formica, Spiritland bar and Teenage Engineering showcasing a synthesiser in a Seventies-style disco. The space is part of Coal Drops Yard, a cutting-edge shopping and dining street opening on 26 October with design by Thomas Heatherwick.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

BILL AMBERG: ‘PRINTED LEATHER LAUNCH’ AT TOM DIXON STUDIO
Luxe leather brand Bill Amberg Studio presents a stunning new collection of digitally printed leathers, including British contributions from Faye Toogood, Timorous Beasties and Tom Dixon, and American-based interior designers Alexandra Champalimaud and Natasha Baradaran. It’s a gamechanger for the industry, with patterns spanning colourful sketches, splattered damasks, lace, circles, foil and rock graphics.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

LEE BROOM: ‘OBSERVATORY’
British boy wonder Lee Broom brings his stellar-inspired lighting collection ‘Observatory’ to his Shoreditch showroom, a hit in Milan and New York. Playing with vertical and horizontal space, sculptural and spherical form, and light reflection and refraction, the third edition of this glamorous yet ultra-contemporary range includes pendant and table lights, making luxe use of LEDs and bespoke bulbs designed in-house.
Lee Broom, 93 Rivington Street, London EC2 (18-23 September)

HOUSE OF GREY
Book online to see House of Grey’s gorgeous North London pop-up exhibition ‘In the Neighbourhood’, a brilliant edit of local and international designers, artists and makers in two residential settings. Curated by Louisa Grey and Morgwyn Rimel, elegant townhouse ‘The Grey House’ creates a calm atmosphere celebrating texture, neutral tones, handmade craft and natural materials. By contrast, loft-style ‘The Blue House’ occupies a converted Methodist congregation hall, with vibrant, bold colours and eclectic contemporary designs. Furniture, textiles, accessories and lighting are on show, flanked by art and plants. Talents include Henry Wilson, Noorstad, Frama, Muller Van Severen for valarie_objects, Dirk Van Der Kooij and Dinosaur Designs.
By appointment only, North London (15-21 September); for availability check here.

THE CONRAN SHOP
The Conran Shop hosts two cracking shows for LDF18. At the Marylebone Store, ‘The Conran Shop x Carl Hansen’ celebrates on-trend indigo, with exclusive editions of the Danish’s firm’s furniture transformed by the deep blue hue. Think Carl Hansen & Søn’s ‘CH4 Wishbone Chair’ by Hans Wegner with an indigo lacquer and Hiut denim seat pad. A stool and chair by Kaare Klint’s also get the denim treatment. At Chelsea’s Michelin House store ‘The Conran Shop x Pinterest’ features a maze of giant red pins, channelling the social media inspo site, while visitors can Pin and save products as they shop using an app and innovative Near Field technology microchips hidden in tags. Pincodes on display reveal the inspiration behind key designs.
The Conran Shop, 55 Marylebone High Street, Marylebone, London W1; Michelin House, 81 Fulham Road, London SW3 (both 15-23 September)

MATTER OF STUFF
Prepare to be transported by London design research gallery Matter of Stuff. In Kings Cross, their pop-up Concept Gallery at Fenman House has been designed by Raw Edges. Hung with wooden dowels suspended by blue string, the space celebrates materials, finishes and texture, including marble and ceramics. It’s the ideal backdrop to Matter of Stuff’s collection of furniture and lighting (by Bohinc Studio and Uufie) plus a curated mix of global brands including CC-Tapis, Made in Ratio and La Chance. Matter of Stuff also explores blown-glass at site-specific exhibition ‘Blown Away’ at Mayfair restaurant/bar Sketch. Don’t miss the new borosilicate glass ‘Bubble’ chandelier by master glassblower Simone Crestani. Magical.
Fenman House, 5 Lewis Cubitt Walk, Kings Cross, London N1; Sketch, 9 Conduit Street, London W1 (15-23 September)

The ARAM GALLERY
Covent Garden’s The Aram Gallery presents ‘Hilos Invisibles’, a collaboration between Montevideo-born designer Matteo Fogale and seven Uruguayan design studios, including furniture, lighting, mirrors and accessories in brass, glass, wood and concrete. Inspired by the work of modernist Uruguayan architect Julio Vilamajó – a design consultant on New York’s UN Headquarters with Le Corbusier and Oscar Niemeyer – the project was born of a 2017 residency and workshop at Montevideo’s Vilamajó House Museum, built by the architect in 1930, and draws on his architectural design details.
110 Drury Lane, Covent Garden, London WC2 (17 September-27 October)

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THE NEW CRAFTSMEN
A serene sanctuary, ‘The New Craftsmen x Malgorzata Bany’ offers zen time out from the frenzy of LDF18. Hosted by contemporary British crafts showroom The New Craftsmen in Mayfair, London-based, Slade-trained artist and designer Malgorzata Bany presents her collection of sculptural furniture, objects and table lights, including new additions to the popular range. Materials span Jesmonite, metal and handmade paper, with minimal yet organic forms. Bany also shares her edit of the store’s other makers. And breathe…
34 North Row, Mayfair, London W1 (15 and 17-22 September)

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David Hockney: Current

'David Hockney: Current' taps into the so-now iPad and iPhone art of Britain's greatest living artist

BY SOPHIE DAVIES

World-premiere exhibition 'David Hockney: Current' at Melbourne's National Gallery of Victoria is turning heads not just for the iconic English artist's trademark colourful portraits and paintings of interiors and nature, but also for his more recent tech-driven art.

A major solo show dedicated to this still-influential 79-year-old artist, running until 13 March 2017, it features more than 1,200 works from the last decade of Hockney's career, including paintings, photography, digital drawings and video art. Among them are significant new pieces, such as immersive room installation '4 blue stools', a digitally constructed image (or 'photographic drawing') of Hockney's Hollywood Hills studio presented as floor-to-ceiling wallpaper with custom-created stools and chairs. Also striking is the 60-metre long hall housing recent oeuvre '82 portraits and 1 still life', painted over several years and incorporating portraits of entertainer Barry Humphries, architect Frank Gehry and designer Celia Birtwell.

ABOVE: David Hockney inside the world-premiere exhibition 'David Hockney: Current' at the National Gallery of Victoria, Melbourne
BELOW: '4 blue stools' 2014, photographic drawing printed on paper, mounted on Dibond, edition 5 of 25; installation view, including iPad drawing 'Yosemite I', October 16th 2011 (1059); installation view

ABOVE: Installation views of 'David Hockney: Current' at the NGV International, Melbourne

Think Hockney and you probably imagine paintings of sun-kissed swimming pools or primary-hued furniture dotted around LA living rooms – in Vuk Vidor's witty print listing artists' attributes, he states 'Hockney owns California'. More recently in 2004, Bradford-born Hockney returned to his native Yorkshire, capturing its vibrant countryside and changing seasons.

But it's his foray into new-tech digital art that's most arresting here, including works crafted on iPads and iPhones. Over 600 iPad works – some animated – span self-portraits, still lifes (from flowers to tea pots, slippers and chargers) and large-scale landscapes of Yorkshire and Yosemite National Park. They're presented both on screens and as monumental prints, some almost four metres tall, alongside a recent video work focussed on Hockney's iPad drawing practice.

ABOVE: 'Self-portrait', 25 March 2012, No. 3 (1236), iPad drawing; 'Untitled', 91 2009, iPhone drawing; 'Untitled', 655 2011, iPad drawing

This is the first show to focus on Hockney's captivating iPad and iPhone works, proof of his constant experimentation. In the past he has made art using Polaroid photos, colour photocopiers, fax machines, computers, and high-definition multi-screen videos, so he's always been an early adopter. Every suit Hockney owns sports a large pocket, once used to hold a sketchbook, but now containing his go-to iPad. 'I've been able to practise the iPad a lot in the last few years... and I've really loved mastering it,' he says.

BELOW: Installation view of 'David Hockney: Current' at the NGV International; 'The Arrival of spring in Woldgate, East Yorkshire in 2011 (twenty eleven)' – 31 May, No. 1 (900), and 2 January (1147), iPad drawings printed on six sheets of paper mounted on Dibond

BELOW: 'Bigger trees near Warter or/ou Peinture sur le motif pour le nouvel age post-photographique' 2007, oil on 50 canvases

Hockney was quick to embrace this emerging design technology, getting the brushes out straight away and enjoying the method of drawing on the screen. 'You're drawing on a sheet of glass, really, and you can't really overdraw, which you can on a piece of paper.' The digital canvas is endlessly expandable though, allowing Hockney to zoom in to add more detail or zoom back out to view the whole composition. He credits this digital innovation with reviving the fading art of drawing, confessing, 'I was amazed that it was the telephone which can bring back drawing. I thought that was very funny!'
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'David Hockney: Current' is at the NGV International, 180 St Kilda Road, Melbourne until 13 March 2017. UK fans can also catch major retrospective 'David Hockney' at Tate Britain, Millbank, London SW1 until 29 May 2017

Photos: Wayne Taylor (portrait); Richard Schmidt

London Design Biennale 2016

Visions of Utopia from over 30 countries have taken over Somerset House in the first London Design Biennale

BY SOPHIE DAVIES

The debut London Design Biennale is staking its place in the cultural calendar, rivalling Venice's famous art and architecture biennales. Taking over the whole of Somerset House for three weeks until 27 September, in partnership with Jaguar, the event is a veritable United Nations of talent. Challenged to explore the theme of ‘Utopia by Design’, 37 countries and territories from six continents have created inspiring new installations, artworks and prototypes.

TOP: 'Chakraview', India's vibrant installation by Sumant Jayakrishnan
BELOW: Chile's retro-futurist 'The Counterculture Room' by FabLab Santiago; Albania's stainless steel 'Bliss' sculpture by Helidon Xhixha; Israel's 'Human.Touch', by Yaniv Kadosh, explores first-aid drops for disaster zones; Spain's 'VPolis, Diving into the Future', by Dimeloami Productions and Maria Levene, looks at smart cities

Part of Somerset House’s celebration of the 500th anniversary of Sir Thomas More’s radical 1516 text ‘Utopia’, the biennale champions the role of design to improve our future, addressing modern issues from pollution to migration, social equality to sustainability. Commissioned by leading design museums and organisations, top designers, architects, artists, writers and scientists have generated an entertaining mix of immersive digital installations, culinary pop-ups, kinetic sculptures, performances and VR renderings. They include homages to unrealised past utopias, innovative solutions for 21st century problems and bold imaginings of future societies.

As Biennale president Sir John Sorrell said, 'All over the world, nations and cities are increasingly recognising the power of design to bring social change and economic growth.' Countries from Austria to Nigeria, Mexico, South Africa and Taiwan took part, but here are our fave five FizzPicks…


LEBANON
Sometimes real life is forgotten in the cerebral world of design, which tends to flock around Western values. No wonder then, that French-born Annabel Karim Kassar’s vibrant recreation of a bustling Beirut street on the Thames waterfront feels like a breath of fresh air. At medal-winning ‘Mezzing In Lebanon’ you can get a wet shave at the authentic barber’s shop, enjoy street snacks of falafel and pomegranate juice, or just marvel at the painted posters, old-school utes and piles of tempting oranges. Street signs, coffee stalls, a small lounge cinema, carts and convivial chaos hint at the way ordinary people worldwide occupy sociable space.


THE NETHERLANDS
You’ll feel blue in the surreal sculptural space curated by The Netherlands. Taking the archive as a future arbiter, Studio Makkink & Bey has created an evocative blue foam tone-on-tone diorama. Entitled ‘Design Diorama: The Archive as a Utopic Environment’, these products and memorabilia, sourced from the home of Dutch architect Rianne Makkink and designer Jurgen Bey, form a potent autobiographical display, exploring the ways designers and institutions curate objects and collect history.


UNITED KINGDOM
Representing the UK, London design duo Edward Barber and Jay Osgerby’s installation ‘Forecast’, in collaboration with the Victoria and Albert Museum, is a striking 14-metre-high blue kinetic sculpture that moves with the wind. Occupying the outdoor Edmond J. Safra Fountain Court, it explores the nation’s nautical past and its innovative relationship with renewable energy, drawing on engineeering by Arup. Proof that eco-friendly can be easy on the eye too.


AUSTRALIA
London-based Australian designer Brodie Neill (of Made In Ratio) tackles the pressing issue of ocean waste in his installation ‘Plastic Effects’, forming the beautiful ‘Gyro’ table from fragments of harvested and recycled marine micro-plastic. The terrazzo-like composite is inlaid in a dreamy kaleidoscopic pattern. With five trillion plastic items estimated to pollute the world’s oceans, many of them washing up on Australia’s beaches, this once-utopian material now poses a huge challenge for the environment.


TURKEY
‘The Wish Machine’, Turkey’s entry by Istanbul architecture/design duo Autoban, is a contemporary take on a wish tree, on which people tie notes of hope. Walk through the tunnel of transparent, pneumatic hexagonal tubes, then feed your handwritten wish message into an opening and watch it glide away. At the Fizz, we wish for a brighter future for all, aided by imaginative design…
londondesignbiennale.com

BELOW: A colourful contribution from India, including circular forms and trad textiles; Pakistan's 'Daalaan' adult playroom features wood objects, spinning tops and henna-dye screen prints; Spain's take on new tech

London Design Biennale (#LDB16) is at Somerset House, Strand, London WC2, from 7–27 September 2016. Open daily from 11am; tickets £15 (concessions £10), on sale via Ticketmaster.

Pictures: Ed Reeve; Gui Bonsiepe (Chile)

Sydney Design Festival Top 12: Part 2

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In Part 2 of our hot design dozen, we round up six more must-see events at Sydney Design Festival 2016

BY SOPHIE DAVIES

Want to make the most of Sydney Design Festival? Our FizzPicks bring you 12 of the best events in town, from talks to trend forums and larks in an urban park. Running from Friday 2 to Sunday 11 September, the festival is full of ideas and inspiration for design fans, with more than 100 events. For yesterday's first six tips see Part 1; or read on for six more suggestions...


SIX FIZZTASTIC MUST-SEES

BREAK IT TO MAKE IT
Frost, Thursday 8 September (6pm-7.30pm, $30)
16 Eveleigh Street, Redfern

In talk 'Break It To Make It', influential graphic designer Vince Frost, head of Sydney’s Frost*collective, and Andy Bateman, founder and CEO of Everyone, discuss the challenges of running a creative business, and how you often have to break your business to remake it. 'What got you here, won’t get you there!' Continue chatting next door at Cake Wines Cellar Door.


COLOUR AND TRENDS FORECAST 2017
Space Furniture, Friday 9 September (10.30am-12.30pm, DIA members $25, others $50)
84 O’Riordan Street, Alexandria

Get insights into key colours and trends for next year from industry experts care of the Design Institute of Australia's 'Colours and Trends Forecast 2017', hosted at Space Furniture’s glam Alexandria showroom. Selling out fast, so get in quick.


DIGITAL CRAFTS
Arte e Fabbricate, 9-11 September (11am-4pm)
44 Gurner Street, Paddington

An exhibition of new work by Sydney duo Bernabeifreeman (aka Rina Bernabei and Kelly Freeman), Digital Crafts explores the interface of craft and digital design practice, handwoven baskets and 3D fabrication. You may know the pair’s covetable collections for Australian outdoor furniture brand Tait, including graphic terrace tables, trays and planters.


BAMBOO BIKE HACK
MakerSpace &company, Saturday 10 September (10am-4pm, $60)
1/17 Barclay Street, Marrickville

Bamboo makes its eco presence felt at this bike-building hackathon, led by Indonesian designer Singgih Kartono (Spedagi and Magno), at MakerSpace &company in inner-west Marrickville. Using the Spedagi bicycle as a starting point, this is your chance to tinker and collaborate. It’s aimed at those with some experience or interest in bike building, and you can bring your own wheels along. The cost covers materials and lunch. Designs generated here will contribute towards bikes delivered to 2017's Cementa contemporary art festival in Kandos, NSW.


KORBAN/FLAUBERT OPEN STUDIO
Saturday 10 September (11am-3pm, free)
1 Hargrave Street, Paddington

Crossing the boundaries of art and design, creative pair Korban/Flaubert (Janos Korban and Stefanie Flaubert) is known for bold metalwork. Tour their new space at this Open Studio event at the iconic former Sherman Galleries building in Paddington, and see why they were nominated for 2015's prestigious Rigg Design Prize.


THE REALLY GOODS LINE DAY
Sunday 11 September (9am-4pm, free)
The Goods Line, Ultimo

This fun community day celebrates sociable urban space The Goods Line, linking Central’s Railway Square to the Powerhouse Museum, along the spine of a former elevated railway (think a compact version of New York's The High Line). Music, performances, talks, outdoor table tennis games and food trucks will occupy this award-winning linear park designed recently by ASPECT Studios. You can also enjoy botanical or architectural tours at Frank Gehry’s undulating brick Dr Chau Chak Wing Building for UTS Business School, which rears over the Goods Line. Happy #SDF16!
sydneydesign.com.au 

Sydney Design Festival runs from 2 to 11 September 2016, with a mix of free, bookable and ticketed events. For more inspiration, see our previous five tips in Part 1.