Stanley Kubrick: The Exhibition

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The work and legacy of Stanley Kubrick, one of celluloid’s greatest film directors, is celebrated at London’s Design Museum. The Fizz takes a sneak peek…

BY DEE IVA

With its futuristic sets and intelligent technology, epic 1968 sci-fi movie ‘2001: A Space Odyssey’, by legendary US film director Stanley Kubrick, has always been a firm Fizz fave. Rotating stairwells, pre-iPad tablets and spaceports with distinctive ‘Djinn’ chairs by Olivier Mourgue are just a few details which have become iconic design moments on the silver screen, while the HAL 9000 computer (arguably the movie’s biggest star) is a precursor to Alexa and Siri.

Now ’Stanley Kubrick: The Exhibition’, proving a hot ticket at London’s Design Museum, goes behind the scenes to show how Kubrick created his masterpiece along with other classic movies including ‘A Clockwork Orange’, ‘Barry Lyndon’ and ‘The Shining’. Running until 15 September, the must-see exhibition dedicates a room to each film displaying handwritten notes, early scripts, costumes, props and models. Rejected designs by US graphic designer Saul Bass for promotional posters for 1980 horror flick ‘The Shining’ are on show, as is a recreation of Howard Johnson’s Earthlight Room from ‘A Space Odyssey’. The droog (gang mate) costume from 1971’s dystopian crime film ‘A Clockwork Orange’ still has a certain frisson today from its associations with ‘a little of the old ultraviolence’.

ABOVE: The gravity-defying rotating stairwell from Kubrick’s ‘2001: A Space Odyssey’
ABOVE RIGHT: Artificial intelligence in the form of the HAL 9000 computer from ‘2001: A Space Odyssey’
BELOW FROM LEFT: English actor Malcolm McDowell as chief droog Alex in ‘A Clockwork Orange‘; A droog costume in the exhibition

Kubrick liked to exercise total control over each of his projects, which almost always drove him to recreate places and spaces on a sound studio rather than go on location. Many of ‘The Shining’’s Rocky Mountains-set scenes in The Overlook Hotel were shot at the UK’s Elstree Studios as were the infamous Dawn of Man ape scenes from ‘A Space Odyssey’. An ingenious projection method was devised to create the illusion that the ape footage was shot outside, just one example of Kubrick’s many experimental processes explored here.

BELOW: The entry to the Design Museum exhibition features a montage of scenes from Kubrick’s films demonstrating his signature ‘one-point perspective’ technique

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ABOVE: Stanley Kubrick directs Jack Nicholson on the set of cult classic ‘The Shining’

Kubrick’s ground-breaking design collaborations, including his work with acclaimed German-British talent Ken Adam on set designs for 1964 black comedy/political satire ‘Dr. Strangelove’, are also celebrated in the exhibition. Since Stanley Kubrick’s death in 1999 few film directors have made as big a mark as the great auteur. We highly recommend heading over to the Design Museum to discover why.
designmuseum.org

‘Stanley Kubrick: The Exhibition’ is on now until 15 September 2019 at the Design Museum, 224-238 Kensington High Street, London W8. Book in advance online to avoid disappointment as select dates are selling out fast.

Pictures: Warner Bros Entertainment Inc; Ed Reeve


Melbourne Design Week 2019 – 6 Must-Sees

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This year’s Melbourne Design Week offers a thought-provoking mix of exhibitions, talks and tours. Take a peek…

BY SOPHIE DAVIES

2019’s Melbourne Design Week features more than 200 exhibitions, talks, tours, films and workshops, with events across town and in neighbouring city Geelong. Running from 14 to 24 March, Melbourne’s largest festival programme to date celebrates both local and international talent, with the core theme of ‘Design Experiments’ – asking how design can shape the future. A mix of ticketed and free activities embrace diverse challenges from the environment to social issues and materials. This year’s festival wraps up on Sunday, but many of the inspiring shows continue beyond the weekend. Here are six of our top FizzPicks…

‘SOMEWHERE OTHER’: JOHN WARDLE ARCHITECTS
Ground Level/Foyer, NGV Australia, Federation Square
Until 28 July (10am-5pm, free)

Visitors are invited to peek through five portals within timber and steel structure ‘Somewhere Other’, a compact, interactive experience by Melbourne practice John Wardle Architects. At NGV Australia until late July, this intriguing installation was first shown as part of 2018’s 16th International Architecture Exhibition at the Venice Architecture Biennale (pictured, top and above). Each of the wooden volumes, voids and apertures in its interconnected series frames views of the studio’s projects, the Australian landscape or the craft of collaborators including artist Natasha Johns-Messenger and filmmakers Coco and Maximilian.

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‘NEW VOLUMES BY ARTEDOMUS’: AN INSTALLATION BY FIONA LYNCH AND THOMAS COWARD
TDF Gallery, 14 Little Oxford Street, Collingwood
Until 24 March (11am-5pm, free)

We’re big fans of Artedomus’s ‘New Volumes’ collection, which showcases solid marble homewares by eight Australian designers. This Collingwood exhibition, curated by interior designer Fiona Lynch and designer Thomas Coward, represents the range in an installation that follows the journey of this sculptural material from the ‘ground to the house’, contrasted with a series of chunky marble plinths.

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‘MATERIAL THOUGHT’
Modern Times, 311 Smith Street, Fitzroy
Until 24 March (see link for times, free)

Presented by Fitzroy interiors store Modern Times, group exhibition ‘Material Thought’ explores material through the work of innovative Australian designers. On show are furniture, lighting and objects by nine top talents, including Henry Wilson (‘Stone Surface Sconce’, in Calacatta Marble, above), Coco Flip and Christopher Boots, all illuminating themes of design experimentation and sustainability.

’CLEMENT MEADMORE: THE ART OF MID-CENTURY DESIGN’
Ian Potter Museum of Art, University of Melbourne, Swanston Street
Until 24 March (see link for times, free)

Fans of modernism will enjoy exhibition ‘Clement Meadmore: The art of mid-century design’, a homage to the acclaimed Australian talent. The first major survey of Meadmore’s industrial design practice, it explores the inspirations that shaped the renowned sculptor’s early career as a designer. Part of a new wave of Australian design in the Fifties and Sixties, Meadmore championed streamlined forms, fresh materials and new manufacturing processes. His furniture and lighting appeared in the houses of iconic architect Robin Boyd, with well known designs such as his 1951 corded dining chair on view at the Ian Potter Museum of Art.

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‘WELCOME TO WASTELAND’
Compound Interest, 15-25 Keele Street, Collingwood
Until 24 March (11am-5pm, free)

Presented by Friends & Associates, ‘Welcome to Wasteland’ shares the work of cutting-edge local talents involved with sustainable design. Featuring architects, industrial designers, furniture makers and researchers, the show explores the potential of waste materials recycled into fresh, eco-friendly products. Typically innovative is Vert Design’s ‘HuskeeCup’ made from coffee husk waste, their collaboration with Spark & Burnish to craft ‘Marine Debris Bakelite Door Knobs’, and Maddison Ryder’s use of discarded Iceberg lettuce to form ‘Lettuce Eat’ disposable plates. Other materials in the mix include waste glass, ceramic, plastic, oyster shells, rubber bands, paper pulp, denim jeans, pigs’ blood and even golf balls!

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WORK SHOP: FIONA LYNCH
7 Glasshouse Road, Collingwood
Until 24 March (see link for times, free)

A curatorial showcase of experimental design, fine art and objects, interior designer Fiona Lynch’s new permanent gallery Work Shop aims to celebrate work by Australian and international designers and artists, as well as doubling as a testing ground for her own studio’s practice. For Melbourne Design Week, the debut show curates a selection of pieces examining the tension between resolved and incomplete elements, including ceramics by Olivia Walker (black porcelain collapsed vessel, above), burnt wood bowls by Makiko Ryujin, paintings by Jiaxin Nong and lighting design by Mary Wallis.

www.ngv.vic.gov.au/melbourne-design-week
Melbourne Design Week 2019 runs until Sunday 24 March at venues across the city and Geelong

Vivid Sydney 2018

Vivid Sydney brings light art, music and inspiring ideas to town, including impressive design talents. Strike a light!

BY SOPHIE DAVIES

Vivid Sydney returns to illuminate the city for 23 nights, from Friday 25 May to Saturday 16 June, celebrating its 10th anniversary with a vibrant mix of light, music and ideas. The largest festival of its kind, Sydney's winter-warmer promises eye-catching projections, light art, interactive installations, live bands and cutting-edge talks, with illuminating speakers, exhibitions and workshops.

Running from 6pm to 11pm each night, Vivid is divided into 11 precincts of light sculptures and installations, with new festival zone Luna Park at the iconic harbourside funfair. Favourite zones are back, including Circular QuayCity and Surrounds, Harbour Lights, The Royal Botanic Garden, The Rocks, Barangaroo, Darling Harbour, Taronga Zoo, Kings Cross and Chatswood. Creativity will be front and centre, spanning digital, product and graphic designs. Here are six Fizz picks...

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Lighting of the Sails: Metamathemagical
This year's Sydney Opera House sails will be illuminated by site-specific kinetic digital artworks by graphic designer Jonathan Zawada. Entitled 'Metamathemagical', the 15-minute, recurring light show envisages Australia as an 'elemental, timeless place that is also completely new and full of energy.' We're big fans of the celebrated Australian artist, and recently explored his work with electronic musician Flume. Byron Bay-based Zawada took inspiration from Australian nature and its unique flora and fauna for the Vivid project. Responding to the 3D form of the Opera House's architecture, rather than treating it as a flat plane, Zawada drew on images of flowers, plants, feathers, rocks and human figures to craft a hyperreal 'saturation of colour, pattern and texture' (for more insights see this video interview). The visuals are teamed with a soundtrack featuring Air Max '97XO and EPROM.

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Virtual Vibration
Always a highlight, the façade of the Museum of Contemporary Art Australia (MCA) will be animated by 'Virtual Vibration', a blend of psychedelic art and more formal modernism. The large-scale projection mapping is a collaboration between Australian artist Jonny Niesche, electronic musician and composer Mark Pritchard and the Spinifex Group. Expect a shifting, sensory light experience playing with transparency, reflection and movement, set to mesmerising sound.

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Jonathan Zawada and Mark Pritchard in Conversation
Sydney Opera House curator Sarah Rees will join 'Jonathan Zawada and Mark Pritchard in Conversation' (5pm-6pm, 27 May), a talk highlighting the frequent collaborators' work and recent 13-minute film project 'The Four Worlds', inspired by Pritchard's haunting, ambient album of the same name. Zawada is responsible for the 'Lighting of the Sails' digital art illuminating Sydney Opera House this year, while electronic producer Pritchard's music is part of the nearby MCA's installation. Zawada has also created artwork for Pritchard's previous albums. Catch free screenings of the otherworldly film at The Samsung Lounge from 25 May to 16 June.

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Skylark
Interactive lighting display Skylark lets visitors put their own colourful mark on the city, lighting up Sydney Harbour Bridge and the surrounding skyscrapers of Circular Quay. Designed by Australian talent Iain Reed of 32 Hundred Lighting, this year's version of the attraction includes a dynamic new feature, Bradfield's Beacon, a custom-built, interactive laser atop the Bridge that's double the strength of any laser seen in the Harbour before. It will wash the Harbour and its headlands in colour, while 40 pillars of light above the Overseas Passenger Terminal adds to the spectacle.

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Dreams (Daniel Johns and Luke Steele)
Vivid packs a musical punch, with an extensive line-up of live bands, DJs, club nights and parties, including major acts Solange and Ice Cube. Our pick is Dreams on 29 and 30 May at Sydney Opera House. Exclusive to Vivid LIVE, it's the Australian premiere of the band, an intriguing collaboration between two of the country's most iconic musical talents: Daniel Johns (former frontman of Silverchair) and Luke Steele (Empire of The Sun, The Sleepy Jackson). If their recent tracks 'No One Defeats Us' and 'Silence' are anything to go by, the duo should deliver darkly charismatic performances and a bold, experimental sound.

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Good Design Festival
The annual Good Design Festival takes over two floors of the Overseas Passenger Terminal in The Rocks from 25 to 27 May (7.30pm-10pm Friday, 4pm-10pm Saturday and Sunday). The established showcase includes a retrospective of the past 60 years of Australia's Good Design Awards, shares 260 award-winning international projects from 2018's awards, and predicts future talents in the NextGen winners category. The free public exhibition gathers diverse designs, from the Sydney Olympic torch to a deep-sea submarine, electronic bike, suspension tent and museum architecture. Book tickets online for the official launch party (5.30pm-7.30pm, 25 May) and for the 'Good Design Exchange' (6pm, 26 May), a talk hosted by Good Design Australia with graphic design whizz Vince Frost, CEO of Frost*collective, and other speakers.

vividsydney.com
Vivid Sydney runs from Friday 25 May to Saturday 16 June 2018; see the website for the app, maps, event guide and transport tips. Share your experiences on #VividSydney, #VividIdeas and #VividMusic

William Eggleston Portraits

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Take inspiration from the colourful world of iconic US photographer William Eggleston

BY SOPHIE DAVIES

If you loved the vibrant palette of dreamy primary hues in movie 'La La Land' – which recently garnered directing, cinematography and production design Oscars – you'll be seduced by new exhibition 'William Eggleston Portraits' at Melbourne's National Gallery of Victoria. A pioneer of colour photography, acclaimed mid-century US photographer Eggleston's suburban Americana images from the Sixties and Seventies are peppered with cars, diners, petrol stations, supermarkets and street life, inspiring filmmakers David Lynch, the Coen Brothers, Gus Van Sant and especially Sofia Coppola, as well as contemporary snappers Martin Parr and Juergen Teller.

ABOVE: 'Untitled (Memphis, Tennessee)', c. 1969-71, dye-transfer print, by 'the godfather of colour photography' William Eggleston

ABOVE: 'Untitled', c.1965-8, dye-transfer print, printed 2004

The moment I first set eyes on Eggleston's arresting images, I was blown away by his rare talent for capturing standout colour, even in casual, momentary snaps (he was famous for only ever taking one shot). From a cobalt blue dress to a ruby red car, patterned orange woman's blouse or girl's long auburn hair, Eggleston sees colour like a painter, giving his documentary images a stylised, choreographed air. But these photos of family, friends, acquaintances and strangers are drawn from everyday life, not an art directed shoot or stage-managed ad campaign, finding beauty in the banal. At a time when black-and-white photography was considered more highbrow, groundbreaking Eggleston also experimented with dye-transfer printing, a commercial technique that produces highly colour-saturated imagery.

ABOVE: 'Untitled', c.1965-9, pigment print, printed 2016
BELOW: Installation views of 'William Eggleston Portraits' at the National Gallery of Victoria, including 'Untitled', 1974 (Biloxi, Mississippi); 'Untitled', c.1975 (Marcia Hare in Memphis, Tennessee)

Direct from London's National Portrait Gallery, the exhibition is on show until 18 June as part of the NGV Festival of Photography, featuring more than 100 works by Memphis-born Eggleston (1939-), including evocative images of the American South and never-before-seen shots of actor Dennis Hopper and The Clash frontman Joe Strummer. The head-turning colour combinations, such as Yves Klein blue and lemon yellow, or retro red and white stripes, could even give you fresh ideas for revving up your home...

ngv.vic.gov.au
'William Eggleston Portraits' is free at NGV International, 180 St Kilda Road, Melbourne, until 18 June 2017

Pictures: All William Eggleston images copyright Eggleston Artistic Trust; Sean Fennessy (installation views)

Sydney Design Festival Top 12: Part 1

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Sydney Design Festival brings exhibitions, talks, films and workshops to town. Here's Part 1 of our Top 12 FizzPicks. See our follow-up post for six more must-sees…

BY SOPHIE DAVIES

Sydney Design Festival transforms Australia's most vibrant city from 2 to 11 September 2016, offering more than 100 inspiring design experiences citywide, bringing people, ideas and disciplines together. Now in its 19th year, the festival is led by the Museum of Applied Arts and Sciences (MAAS), with core events at its Powerhouse Museum in Ultimo. 2016's theme is 'Make or Break', creating something new by reimagining the old, reflected in exhibitions, talks and workshops. Here are six of our top 12 FizzPicks, with six more to come...

ABOVE: Aki Inomata, Why Not Hand Over a 'Shelter' to Hermit Crabs? series, 2009-16, courtesy of Maho Kubota Gallery, from exhibition 'Out of Hand: Materialising the Digital'
 

SIX FIZZTASTIC MUST-SEES

FUGITIVE STRUCTURES
Sherman Contemporary Art Foundation, 2-3 and 7-10 September (11am-5pm, free)

16-20 Goodhope Street, Paddington
Paddington gallery Sherman Contemporary Art Foundation hosts ‘Green Ladder’, a grid-like alfresco forest room installation of eco-friendly bamboo by influential Vietnamese architect Vo Trong Nghia, exploring the potential of ‘green steel’ scaffolding to bring nature back to the city. It’s the fourth in SCAF’s ‘Fugitive Structures’ series of annual architectural pavilions, and runs until 10 December 2016. Also look out for Australian architectural photographer John Gollings presenting ‘The Hero Image’ at SCAF on Thursday 8 September (6pm-8pm, free, but register), a visual collection of defining images of ancient and modern work from around the world.


INDIGENOUS DESIGN DAY
Powerhouse Museum, Saturday 3 September (10.30am-5pm, free with $15 museum entry)
500 Harris Street, Ultimo

Indigenous Design Day celebrates indigenous design talent, bringing together three events at Ultimo's Powerhouse Museum. In his groundbreaking initiative 'Virtual Songlines' (10.30am-11.30am), Brett Leavy strips back the contemporary Australian landscape to reveal its pre-colonial contact environment. Leavy will discuss this virtual, interactive tool, and its potential future applications. 'Deadly Designers Now' (12.30pm-1.30pm) sees indigenous talents share their success stories. Finally, 'Indigenous Technologies in the 21st Century' (2pm-5pm) explores the ethics and opportunities presented by new 3D scanning and printing techs in the context of cultural objects, curation and the preservation of heritage.


OUT OF HAND: Materialising the Digital
Powerhouse Museum, 3 September-25 June 2017 (10am-5pm, $15 with general admission)
500 Harris Street, Ultimo

Discover cutting-edge design innovations at major show 'Out of Hand: Materialising the Digital' at the Powerhouse Museum. Touring from New York's Museum of Arts and Design (MAD), the exhibition delves into the growing role of digital manufacture in design, architecture, fashion, science and contemporary art, with fresh Australian and AsiaPacific examples. Highlights include radical Dutch fashion designer Iris van Herpen's 'Bubble Dress, formed from silicone-coated glass spheres, US designer Michael Schmidt's fully articulated 3D-printed gown, originally modelled by burlesque queen Dita Von Teese, a 3D-printed jet engine, and Sydney artist Louis Pratt's 3D printed and scanned sculptures (pictured). Don't miss designs by Ron Arad and Zaha Hadid.


KINTSUGI with Studio Enti
4, 7, and 10 September (see link below for hours)
20-28 Carrington Road, Workpod 1, Marrickville

Learn the traditional Japanese art of repairing ceramics with gold or silver lacquer, accentuating the cracks, at workshop Kintsugi with Studio Enti in inner-west Marrickville. Studio Enti, run by maker Naomi Taplin, is known for covetable handcrafted modern porcelain tableware. Repairing broken crockery never looked so beautiful!


AGDA PRESENTS PECHA KUCHA: Sink or Swim
Theatre, Powerhouse Museum, Tuesday 6 September (6.30pm-8.30pm, $40)
500 Harris Street, Ultimo

We’re huge fans of the worldwide PechaKucha events, originated by Klein Dytham architects in Tokyo in 2003, in which designers give a snappy slideshow while talking through their work (the word is Japanese for chit-chat). For 'Pecha Kucha: Sink or Swim' in the Powerhouse Museum, seven leading creatives, including graphic, digital and motion designers plus colourful Sydney artist Ken Done, take seven minutes each to share career smashes and screw-ups.


ALPHAVILLE
Golden Age Cinema & Bar, Wednesday 7 September (6pm-8pm, $20)
Lower Ground Floor, Paramount House, 80 Commonwealth Street, Surry Hills

Catch a screening of seminal 1965 cult film Alphaville by Jean-Luc Godard at Surry Hills’ gorgeous intimate Art Deco Golden Age Cinema & Bar. Dealing with themes of technophobia, digitalisation and creativity, this cult sci-fi classic is set in a tyrannical dystopian space city run by a computer that doesn’t allow emotion of love. Rock up early for pre-screening drinks and toast #sdf16!
sydneydesign.com.au

Sydney Design Festival runs from 2 to 11 September 2016, with events based across town including the Powerhouse Museum hub. See our follow-up post for six more FizzPicks.