Stanley Kubrick: The Exhibition

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The work and legacy of Stanley Kubrick, one of celluloid’s greatest film directors, is celebrated at London’s Design Museum. The Fizz takes a sneak peek…

BY DEE IVA

With its futuristic sets and intelligent technology, epic 1968 sci-fi movie ‘2001: A Space Odyssey’, by legendary US film director Stanley Kubrick, has always been a firm Fizz fave. Rotating stairwells, pre-iPad tablets and spaceports with distinctive ‘Djinn’ chairs by Olivier Mourgue are just a few details which have become iconic design moments on the silver screen, while the HAL 9000 computer (arguably the movie’s biggest star) is a precursor to Alexa and Siri.

Now ’Stanley Kubrick: The Exhibition’, proving a hot ticket at London’s Design Museum, goes behind the scenes to show how Kubrick created his masterpiece along with other classic movies including ‘A Clockwork Orange’, ‘Barry Lyndon’ and ‘The Shining’. Running until 15 September, the must-see exhibition dedicates a room to each film displaying handwritten notes, early scripts, costumes, props and models. Rejected designs by US graphic designer Saul Bass for promotional posters for 1980 horror flick ‘The Shining’ are on show, as is a recreation of Howard Johnson’s Earthlight Room from ‘A Space Odyssey’. The droog (gang mate) costume from 1971’s dystopian crime film ‘A Clockwork Orange’ still has a certain frisson today from its associations with ‘a little of the old ultraviolence’.

ABOVE: The gravity-defying rotating stairwell from Kubrick’s ‘2001: A Space Odyssey’
ABOVE RIGHT: Artificial intelligence in the form of the HAL 9000 computer from ‘2001: A Space Odyssey’
BELOW FROM LEFT: English actor Malcolm McDowell as chief droog Alex in ‘A Clockwork Orange‘; A droog costume in the exhibition

Kubrick liked to exercise total control over each of his projects, which almost always drove him to recreate places and spaces on a sound studio rather than go on location. Many of ‘The Shining’’s Rocky Mountains-set scenes in The Overlook Hotel were shot at the UK’s Elstree Studios as were the infamous Dawn of Man ape scenes from ‘A Space Odyssey’. An ingenious projection method was devised to create the illusion that the ape footage was shot outside, just one example of Kubrick’s many experimental processes explored here.

BELOW: The entry to the Design Museum exhibition features a montage of scenes from Kubrick’s films demonstrating his signature ‘one-point perspective’ technique

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ABOVE: Stanley Kubrick directs Jack Nicholson on the set of cult classic ‘The Shining’

Kubrick’s ground-breaking design collaborations, including his work with acclaimed German-British talent Ken Adam on set designs for 1964 black comedy/political satire ‘Dr. Strangelove’, are also celebrated in the exhibition. Since Stanley Kubrick’s death in 1999 few film directors have made as big a mark as the great auteur. We highly recommend heading over to the Design Museum to discover why.
designmuseum.org

‘Stanley Kubrick: The Exhibition’ is on now until 15 September 2019 at the Design Museum, 224-238 Kensington High Street, London W8. Book in advance online to avoid disappointment as select dates are selling out fast.

Pictures: Warner Bros Entertainment Inc; Ed Reeve


Claus Porto Takes Manhattan

New Yorkers can snap up a little Portuguese style with the arrival of Claus Porto’s first standalone store outside Portugal. Olá Manhattan!

BY CLAIRE BINGHAM

Portuguese label Claus Porto is famed for its exquisitely packaged soaps and, more recently, its revamped ‘Agua de Colonia' fragrance collection (right) created in collaboration with leading British perfumer Lyn Harris. However, until now, the company has been very much under the radar – a secret Lisbon and Porto gem for beauty and graphics enthusiasts alike. This is about to change.

RIGHT: British perfumer Lyn Harris has been instrumental in the brand’s revamp, These five new fragrances are based on a modern interpretation of colognes. ‘Agua de Colonia’ collection, £85 each for 125ml

Claus Porto has just opened a store on Elizabeth Street in Manhattan’s Nolita, the beauty and fragrance label’s first retail space beyond their Portuguese home. Conceived by New York firm Tacklebox Architecture, under the direction of Jeremy Barbour, the scheme is eye-catching in every sense. 

Milled from Portuguese cork, 1,500 faceted white diamond tiles line the walls of the vaulted interior, incorporating carved display niches. A 42-foot-long archway has also been inserted into the ground floor of this early 1800s building. Both pay homage to Portuguese architecture and craftsmanship, with the arch and tiles referencing Porto’s Sao Bento train station, which was first proposed in 1887 – the same year that Claus Porto was founded.

BELOW: The 1,500 faceted diamond tiles were milled from Portuguese cork – a material characteristic to the country – and reference the decorative azulejo tiled façade of the historic Casa dos Bicos in Lisbon

The arch serves as a dramatic portal to welcome visitors into the beautifully patterned and scented world of Claus Porto. It’s an otherwise minimal space, with a monolithic marble wash basin at its heart, celebrating bathing rituals. Yes, the interior is cool and futuristic – but the product remains king. What can we say but obrigado!
clausporto.com

Claus Porto, 230 Elizabeth Street, New York, NY 10012. See Claus Porto’s website for details of their Portuguese stores in Lisbon and Porto.