Lee Broom – Park Life

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British designer Lee Broom reveals ‘Park Life’, a dazzling pop-up exhibition in a car park in Sydney

BY SOPHIE DAVIES

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UK design talent Lee Broom is known for glamorous lighting, furniture and accessories. His shows are just as cutting-edge, with the rising star previously exhibiting his work in a mock department store, a mobile van (albeit one tricked out with an elegant room interior) and on a fairground carousel. Now Broom is taking over an underground car park below Space’s Sydney furniture showroom for ambitious pop-up ‘Park Life’, sharing his new lights with the public in a modernist maze. The Alexandria installation will be his largest to date, covering 4,000 square feet, with the free exhibition running from 14 to 20 March.

‘I am delighted to return to Australia to present this exciting exhibition with Space Furniture,’ says Broom. ‘Australia has been a big supporter of my work for many years and it is an honour to create such a significant installation to showcase my collection in Sydney.’

TOP: The entrance to Sydney’s subterranean ‘Park Life’ maze pavilion, with Lee Broom flanked by his ‘Orion Globe’ and ‘Orion Tube’ lights. ABOVE RIGHT: Fix up, look sharp… London lighting designer Lee Broom before he turned blonde for his Australian tour

A former actor and fashion designer, Broom is known for his trademark sharp look, teaming simple classic and street-savvy details. His designs also reinterpret classical styles in contemporary ways, giving them an unexpected edge. Expect more striking fusions at immersive experience ‘Park Life’, where he’ll be transforming the raw, concrete, industrial car park into his take on a trad English garden.

ABOVE: Lee Broom’s surreal modernist garden maze ‘Park Life’ in Sydney, a beautifully resolved installation featuring his lighting, accessories and furniture in a series of 16 illuminated room sets. Enchanting vignettes play with ideas from chess boards and Newton’s Cradles to cascading waterfalls and trompe l’oeil reflections

Channelling a meandering maze, the pop-up will take guests on ‘a poetic journey of discovery through hidden passageways, with tableaus and vignettes,’ says Broom, showcasing his lighting, furniture and accessories. Inspiration hails from 18th-century pleasure gardens, with their mazes and miniature waterways, amusing visitors with the latest art, architecture, music and illuminations. However, Broom gives the concept a modernist spin, aiming to create a sense of escapism, entertainment and drama.

ABOVE: More mesmerising moments from the ‘Park Life’ pavilion. A white polycarbonate box within the concrete car park, its interconnecting spaces are lined with pale gravel, with designs displayed beside classical statues on boxy, layered plinths. Black acrylic, cut-outs and mirror add surprise to surfaces

If Broom’s mind-bending 2017 trompe l’oeil installation ‘On Reflection’ at his London showroom is anything to go by, design hunters should be in for a treat. Broom chose to show in Sydney, not Milan this year, reaching out to his Australian and Asia-Pacific fanbase, and has put all his creative energy into crafting a surreally beautiful space, guaranteed to whisk visitors into wonderland.

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ABOVE: Lee Broom’s new ‘Eclipse’ pendant lights, updated in polished gold, will be showcased at the pop-up

Debuting at the ‘Park Life’ installation is a new version of Broom’s award-winning ‘Eclipse’ light in a polished gold finish, a warmer, softer interpretation of the original chrome. Like an elegant mobile, these sculptural pendants look different from every angle, with mirror-polished gold and acrylic discs interacting, simultaneously eclipsing and revealing their charms.

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ABOVE FROM LEFT: ‘Eclipse’ chandelier three piece in sheeny gold. The design also comes as a table lamp, with all three variations available to order from April. Broom’s ‘Orion Tube’ and ‘Orion Globe’ pendant lights in polished gold

‘Park Life’ is part of Broom’s wider #LBTour of Asia and Australia, which has seen him give design talks at Space’s showrooms in Singapore for Singapore Design Week (4-17 March), and Brisbane, with another to come at Space Melbourne on 14 March (6pm-9pm) for Melbourne Design Week (14-24 March). Design fans can buy tickets to the Melbourne event, in which Broom will chat about his career, global brand and the experimental nature of design. Plans are also afoot for him to talk at ECC’s Auckland showroom in New Zealand. Don’t miss this illuminating talent…
leebroom.com spacefurniture.com.au

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ABOVE: Broom’s circular ‘Carousel XL’ pendant light in matte black at the installation, inspired by British fairground merry-go-rounds

Free exhibition ‘Park Life’ is at Space, 84 O’Riordan Street, Alexandria, Sydney, from 14 to 20 March 2019 (open daily 10am to 5pm); a launch evening on 13 March is by invite only. Lee Broom’s products are available exclusively in Australia, Singapore and Malaysia from Space Furniture. His ticketed Melbourne talk is at Space, 629 Church Street, Richmond, on 14 March (6pm-9pm)

Pictures: Craig Wall (Sydney installation)

20th Biennale of Sydney

Ming Wong, 'Windows On The World (Part 1)', 2014, mixed media installation with video. Courtesy of Para Site and Spring Workshop, Hong Kong. Photograph_ Glenn Eugen Ellingsen.JPG

Packed with contemporary art and installations, the 20th Biennale of Sydney still has two more weekends to go. Navigate the maze with our fave FizzPicks…

BY SOPHIE DAVIES

Every two years the Harbour City gets its art on, with the free Biennale of Sydney taking over town. Running until 5 June 2016, the 20th edition unveils work by 83 artists from 35 countries across seven major venues, dubbed ‘Embassies of Thought’, as well as a string of in-between fringe spaces. Around 70 per cent of artists are showing new commissions, many of them site-specific.

Under the artistic direction of Dr Stephanie Rosenthal, Chief Curator of London's Hayward Gallery, the 2016 theme is based on a quote by US sci-fi author William Gibson: ‘The future is already here – it’s just not evenly distributed.’ Inspired by the idea that access to information technology is still uneven globally, leading to a new poverty gap, the Biennale aims to address the time we’re living in now, as well as imagining where we're going. 'I conceived the venues as Embassies of Thought,' said Rosenthal. 'Each entwined and connected.' So while the Embassy of the Real deals with ways we perceive reality in the digital age, the Embassy of Disappearance 'explores how languages and cultures are disappearing' and the Embassy of Transition engages with the cycles of life and death.

With a blizzard of art up for grabs, even culture-vultures may get overwhelmed. Luckily, our FizzPicks offer edited highlights…

ABOVE: Ming Wong, 'Windows On The World (Part 1)', 2014, mixed-media installation with video
BELOW: Charwei Tsai, 'Spiral Incense: Hundred Syllable Mantra', 2016, spiral incense made of herbal materials

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Mortuary Station: Embassy of Transition
Regent Street, Chippendale
Grab the chance to inspect the interior of Chippendale's Victorian Mortuary Station, an atmospheric heritage-listed former funeral station once used to transport coffins and mourners by rail to Rookwood Cemetery. Taiwanese artist Charwei Tsai’s ritualistic ‘Spiral Incense’ installation sees smoking incense coils suspended over the prettily tiled platform, hand-inscribed with Buddhist mantras. Video art projected onto the waiting room floors ruminates on the impermanence of life. Outside, aviaries by London artist Marco Chiandetti host live birds pecking at classical sculpture body parts in an unnerving investigation of spirituality. Gothic or what?

BELOW: Jamie North, 'Succession', 2016, mixed materials; Lee Mingwei, 'Guernica in Sand', 2006 and 2015, mixed-media interactive installation

Carriageworks: Embassy of Disappearance
245 Wilson Street, Eveleigh
It’s hard for any art to compete with jaw-dropping former rail yards Carriageworks, but Sydney-based Jamie North’s sculpture-meets-nature installation ‘Succession’ rises like a biological wonder in this cavernous warehouse. Combining industrial waste products (cement, steel, steel slag, coal ash) with native Australian plants, organic matter and oyster shells, his karst-like cast-concrete forms incorporate miniature landscapes, riffing on distressed architecture. NY-based Taiwanese talent Lee Mingwei’s ‘Guernica in Sand’ – a transitory sand art piece taking its cue from Picasso’s iconic anti-war painting – may have been brushed away, but its blurry swirls of yellow, grey and white still hold a strange beauty.

BELOW: Lee Bul, 'Willing To Be Vulnerable', 2015-16, mixed materials; Korakrit Arunanondchai, 'Painting with history in a room filled with people with funny names 3', 2015-16, HD video, denim, foam, wood; William Forsythe, 'Nowhere and Everywhere at the Same Time, no.2', 2013, plumb bobs, string, compressed air cylinders, aluminium frames

Cockatoo Island: Embassy of the Real
Sydney Harbour
One of the strongest Biennale clusters, Cockatoo Island displays work surrounded by the eery ruins of Sydney’s convict, industrial and ship-building heritage. In the industrial sector, we liked Architecturally-influenced Korean artist Lee Bul’s huge, futuristic ‘Willing To Be Vulnerable’ installation, which mashed up metalised and transparent film, heavy-duty fabric, LED lighting, a fog machine, zeppelin-like inflatables and an ethereal air balloon in a bold red, white and black palette. Inspired by urban, eco and anti-authoritarian spiritual themes, Thai artist Korakrit Arunanondchai’s video of Bangkok life was powerfully immersive, but we couldn’t help appreciating the midnight blue-and-white dyed denim floor cushions for the lounging audience. Frankfurt-based American William Forsythe’s mesmerising kinetic work ‘Nowhere and Everywhere at the Same Time’ fills a distressed space with swinging strings, weighted down with plumb bobs, allowing viewers to interact with the movement. Shanghai's Xu Zhen deconstructs classical and Buddhist sculptures in a monumental work tackling the past, while Singapore's Ming Wong assembles a bank of video screens to show his own vibrant, kooky sci-fi films.

BELOW: Chiharu Shiota, 'Conscious Sleep', 2009/2016, beds, thread; Bharti Kher, 'Six Women', 2013-15, plaster of paris, wood, metal; Cevdet Erek, 'Room of Rhythms – Long Distance Relationship', 2016, mixed media and architectural additions

Taking over a heritage convict barracks, Japanese artist Chiharu Shiota's spooky 'Conscious Sleep' installation is a wow, tangling old, upended dormitory beds in a spider's web of black threads. For subtle work 'Piedra en el Zapato', Colombia's Miguel Angel Rojas has crafted a fake, geometric-tiled floor from lime, charcoal powder and mixed materials in an old convict building. New Delhi-based Londoner Bharti Kher peoples an old room with touching nude plaster sculptures in 'Six Women'. By contrast, Turkish artist Cevdet Erek's 'Room of Rhythms – Long Distance Relationship' fills a ruined structure with sound art beats, emanating from black boxes.

BELOW: Sheila Hicks, 'The Embassy of Chromatic Delegates', 2015-16, sculptural elements, various fabrics, bamboo; Taro Shinoda, 'Abstraction of Confusion', 2016, clay, pigment, ochre, tatami mats; Nyapanyapa Yunupingu, 'Bathala', 2012, natural earth pigments on hollow log

Art Gallery of New South Wales: Embassy of Spirits
Art Gallery Road, Sydney
If colour and texture turn you on, then hit the Art Gallery of NSW for American artist Sheila Hicks’ sculptural ensemble ‘The Embassy of Chromatic Delegates’. Vibrant linen, cotton, nylon, polyester, bamboo and wood combine to form a dazzling acid-bright work (imagine this painterly palette used for high-impact rugs, wallpaper or cushions). Hicks’ acrylic-fibre ‘The Questioning Column’ hangs on the gallery’s facade, draped around a classical column like a rainbow waterfall. A world away, Tokyo’s Taro Shinoda channels minimal, neutral-hued interiors, with his ‘Abstraction of Confusion’, a simple tatami-mat platform that embraces simplicity and meditation. Shinoda’s hand-built installations and contemplative sculptural works are informed by karesansui, traditional Japanese garden design. Yirrkala-born indigenous artist Nyapanyapa Yunupingu’s forest of logs almost has an oriental quality; stripped-back nature meets graphic mark-making.

BELOW: Nine Beier, 'Allegory of Charity', 2015, ceramic cups, coffee beans, resin, wood, metal; Céline Condorelli, 'Structure for Communicating with Wind', from the series 'Additionals', 2012-13/2016, metallicised space blanket, curtain tape

Museum of Contemporary Art Australia: Embassy of Translation
140 George Street, The Rocks
Danish artist Nina Beier caught our eye at the MCA with her striking installation ‘Allegory of Charity’, a series of suspended ceramic cups pouring coffee beans onto ‘Tileables’, a patchwork floor of outsize ceramic tiles. Think T.S. Eliot’s poem ‘The Love Song of J. Alfred Prufrock’: 'I have measured out my life in coffee spoons'. French talent Céline Condorelli’s fluttering gold curtain, ‘Structure for Communicating with Wind’, draws on architecture and notions of support, with a metallicised space blanket wafting in space.

Artspace: Embassy of Non-Participation
43-51 Cowper Wharf Road, Woolloomooloo
A former artists’ squat turned experimental gallery, Artspace is showing London artist duo Karen Mirza and Brad Butler, including neon work ‘You are the Prime Minister’, backdropped by plush red curtains.

ABOVE: Karen Mirza/Brad Butler, 'You are the Prime Minister', 2014, neon
BELOW: Daniel Boyd, 'What Remains', 2016, site-specific installation, mirrored dots, synthetic polymer paint; Keg de Souza, 'We Built This City' installation, 2016, tents, tarps, hessian sacks, mixed media; Bo Christian Larsson, 'Fade Away, Fade Away, Fade Away,' 2016, mixed-media and performative installation

In-between Spaces
Scattered around town, fringe installations and acts also beckon, especially in the inner-west. One of our favourites is at Redfern Wall on the corner of Vine and Eveleigh streets near aboriginal heartland The Block. ‘What Remains’, by Sydney Kudjila/Gangalu artist Daniel Boyd, is a site-specific constellation of 12,000 mirrored dots covering a chunky corner of wall, backed by black paint. It shimmers and sparkles, reflecting passersby, and looks inky black or midnight blue depending on the light. For 'We Built This City', Perth-born Keg de Souza constructs a patchwork tent dwelling on Redfern's Vine Street. Wrapping up, literally, on a deathly note, Swede Bo Christian Larsson’s ‘Fade Away, Fade Away, Fade Away’ sees gravestones in Newtown’s Camperdown Cemetery covered in white fabric, creating ghostly sculptures from found-objects. Whipped up in his on-site workshop, they look not unlike pale Scandi chair covers. Who said art and decor can't be bedfellows?

The 20th Biennale of Sydney runs at citywide venues until Sunday 5 June 2016
biennaleofsydney.com.au

NYCxDESIGN 2016

Head to New York for NYCxDESIGN, the annual US design festival that's attracting talent from across the globe...

BY DEE IVA

'New York's a go-go and everything tastes nice'. Well, perhaps not everything, but there are certainly enough treats to be sampled from the Meatpacking District to Brooklyn as the Big Apple hosts the fourth New York design festival, NYCxDESIGN.

A two-week design fair, it has been gaining ground since its 2013 launch and now seems to have reached critical mass with international brands flocking to set up shop in the city that never sleeps. Last year, Dutch designer Marcel Wanders opened the first American Moooi store at 36 East 31st Street and this year Brit talent Lee Broom has launched a pop-up shop, Broom Off Broome, on the aptly named Broome Street (open until 10 June, it will also showcase his new US-exclusive light). Over at the Jacob K. Javits Center (11th Avenue at 38th Street), major trade show ICFF (14-17 May) is home to big brands such as Duravit USA, Fritz Hansen and Tom Dixon and is the hub around which everything else rotates. There's plenty to see around town as well, with events, parties and installations in virtually every neighborhood. See below for five Fizztastic must-sees in NYC this week...
nycxdesign.com

ABOVE: Magnetic wallcoverings by Visual Magnetics
 

FIVE TO SEE AT THE FAIR

APPARATUS
New York lighting, furniture and accessories company Apparatus is a firm Fizz favourite. Its stylish incense burners, candlesticks and statement lights have been on our radar for a while and the 2016 collection of furniture and lighting, on display at Apparatus' new showroom at 124 West 30th Street (4th floor), is ticking all the right boxes again. Go back to black with the dark glamour of the 'Tassel 19' chandelier and the midnight-hued 'Portal' marble dining table. 
apparatusstudio.com


MOOOI
Dutch brand Moooi is throwing open its showroom doors to exhibit a selection of striking new carpet designs and lighting fresh from their debut at the recent Milan Furniture Fair. Umut Yamac's avian 'Perch' lights were one of the highlights at Moooi's show in Tortona and they're bound to ruffle a few feathers in Manhattan too. We're also loving Klaus Haapaniemi's 'Polar Byzantine Chapter 2' rug with its stylised reindeer and regal birds and the sinister 'Heaven's Gate' 3D woven rug by Marcel Wanders. Look out for Moooi's London store opening in June.
moooi.com


MUJI
Japanese design brand Muji will be exhibiting 'Best of Found Muji', a curated selection of items from its 'Found Muji' collection which celebrates traditional artisanal and industrial products from around the world. Instigated by Naoto Fukusawa, the initiative collects simple household designs that have the pared back functional Muji aesthetic and that could have been Muji products. New pieces will be on show at NY's flagship store at 475 Fifth Avenue alongside an exclusive range of Japanese textiles. Asian fans can catch the brand's first independent Found Muji shop overseas at Hong Kong's PMQ design centre.
muji.com


VISUAL MAGNETICS
The writing's on the wall over at Visual Magnetics which launches the 'Workspace Collection', a new line of interactive magnetic wallcoverings designed to be written on. Grids, graphs, arrows, different colour options and the facility to move pieces around turns walls into oversized notepads with an inbuilt fun factor. If you're in playful mode, there's also a range of brightly coloured magnetic shapes to bring out the artist in you. Designed in collaboration with patternmeisters Dusen Dusen, it's a quick fix for tired walls. You can join in the fun on their stand at WantedDesign Manhattan, a hothouse of international design at Terminal Stores, 269 11th Avenue (between 27th and 28th Streets). 
visualmagnetics.com


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MAST
Mast, Brooklyn's hippest chocolatier, is feted for its innovative flavours and zingy packaging. Each wrapper is a little work of art making Mast's chocolate bars the best dressed on the block. New flavours inspired by sea salt are now available on its stand at Sight Unseen OFFSITE (15th floor, The Grace Building, 1114 Avenue of the Americas), and their cutting-edge showrooms in Brooklyn, Los Angeles and London. Tantalising names like Black Diamond, Bali Reef and Sicilian Coast will excite even the most jaded palates. Mast's recent collaboration with Brooklyn wallpaper design team Calico used a special salt-resist technique combined with watercolour painting to produce what must be the most beautiful packaging ever to grace a bar of chocolate. The question is can you bear to rip it open?
mastbrothers.com

NYCxDesign is on now until Tuesday 17 May 2016. For further information go to nycxdesign.com

Milan Furniture Fair 2016

It's all aboard for the madness of the annual Milan Furniture Fair, the design industry's equivalent of Fashion Week. Just make sure you've packed comfortable shoes and lots of energy!

BY DEE IVA

It’s that time of year again when the design compass points squarely at Milan, as the northern Italian city prepares to host the world’s largest and most prestigious design gathering, the Milan Furniture Fair. From the biggest international players to small independent designers and graduates, everyone comes together to launch their new collections and to see and be seen.

The Salone del Mobile fair itself, that vast behemoth of halls and walkways on the outskirts of town, is where the big boys tend to set up home but Milan’s design districts – Brera, San Babila, Ventura Lambrate, Cinque Vie, San Gregorio Docet and Tortona – also host a plethora of showrooms, pop-up events and parties celebrating the most important week in the design calendar. There’s change afoot though as a big hole has been left by major British exhibitor designjunction deciding not to show this year and UK talent Lee Broom dramatically downsizing his installation. Usually two of the most anticipated shows during the Fiera, we hope they’ll be back next year in their full glory.

With so much furniture, lighting and accessories to see in a short space of time, it’s impossible to catch everything. Here’s a sneak peek at who we’ll definitely be checking out this year...

ABOVE: 'Fade' polycarbonate lights by Tom Dixon


ATELIER SWAROVSKI HOME

ABOVE: 'Printed' crystal vases and bowls by Raw Edges; Crystalline nut bowls from the 'Luxe Orbit' tableware collection by Tord Boontje; 'Prism' square and round prismatic trays by Tomas Alonso

We have fond memories of Swarovski's theatrical warehouse installations of the Noughties when we were dazzled by enormous chandeliers by the likes of Lenny Kravitz and Yves Behar. After a spell in the heart of the Salone, the Austrian crystal brand is now stepping back out onto the street again to unveil Atelier Swarovski Home, a new collection of sparkling accessories for the home. Nadja Swarovski has gathered together a stellar line-up of designers including Raw Edges, Fredrikson Stallard, Ron Arad and Tord Boontje and charged them with using Swarovski crystal to create unique pieces in their own inimitable style. We've got our eyes on Raw Edges' beautiful faceted printed crystal vases and bowls, Tomas Alonso's prismatic trays and Tord Boontje's glittering 'Luxe Orbit' tableware.
atelierswarovski.com

Atelier Swarovski Home, Via Cusani 5


THE RESTAURANT BY CAESARSTONE X TOM DIXON

If you want to grab a bite to eat and still get your design fix, Brit star Tom Dixon has collaborated with Caesarstone to create immersive eatery The Restaurant within a deconsecrated church to launch new lighting collections 'Curve', 'Fade' and 'Flask Oil'. Throughout the week four composite quartz kitchens will serve up tasty treats to Dixon devotees in specially designed dining halls dedicated to the themes of Luminosity, Materiality and Texture. Each explores the type of materials that are core to Dixon's products. The four kitchens, dubbed Earth, Water, Fire and Air, will dish up one course each, with food design studio Arabeschi di Latte curating the offerings.

'Curve' uses thin sheet etched metal to create a glistening geometric lantern, 'Fade' rocks the ombré effect in polycarbonate and 'Flask Oil', inspired by laboratory glassware, explores the allure of iridescence in shimmering glass shades. Also on show will be updated versions of last year's 'Melt' lights and 'Offcut', Dixon's DIY furniture range. Now can someone pass the menu please?
tomdixon.net   caesarstone.com

The Restaurant by Caesarstone x Tom Dixon, La Rotonda della Besana, Via Enrico Besana 12


BISAZZA X STUDIO JOB

Italian tilemeister Bisazza has once again harnessed the neo-gothic anarchy of Job Smeets and Nynke Tynagel, aka Studio Job, to create a set of striking mosaics with a digitised contemporary feel. Three new highly decorative designs reference fossilised remains, the Industrial Revolution and random everyday objects.

TOP: 'Industry Amber', 'Silhouette Turquoise', 'Perished', glass mosaics, 100mm x 100mm
ABOVE: 'Festoon', glass mosaic, 200mm x 200mm

‘Industry Amber’ harks back to Britain’s golden age of heavy manufacturing, steam trains and construction. Spacemen, birds, animals, helicopters and ocean liners are artfully collaged together in ’Silhouette Turquoise' and Fizz fave 'Perished’ is a graphic arrangement of human and animal skeletons locked in an eternal dance of death (we love the blue colourway). Accompanied by ‘Festoon’, a swirling display of gold and silver ribbons, this collection of bold mosaics brings the art of storytelling back into our homes. We are suitably entranced…
bisazza.com  studiojob.be

Bisazza, Via Senato 2


DIESEL LIVING X FOSCARINI

ABOVE: Light up with 'Vent', by Diesel Living x Foscarini. Available in luxe brass effect and pristine white

Diesel Living’s fresh, slightly off-the-wall approach to product design never fails to capture our attention. From the cog-like ceramics of the ‘Machine’ tablewares for Seletti to the multi-faceted ‘Rock’ light for Foscarini, this witty take on interiors is why we look forward to their new collections each year.

The interiors arm of fashion brand Diesel, they’ve joined forces with Foscarini again to transform the humble air vent into a seductive wall lamp. Part of the 2016 collection of lighting, furniture and accessories, the 'Vent' lamp brings a touch of industrial style into the home. We’re loving the opulent brass version, which when activated becomes a blazing halo of golden light.
diesel.com   foscarini.com

Diesel Living x Foscarini, Salone Del Mobile, Milan Fairgrounds, Rho, Hall 16, Stand A35, B28


LEE BROOM

UK designer Lee Broom has surprised everyone with the announcement that this year's show will take place in the back of a van. Cheekily called the 'Salone del Automobile', Broom's delivery van will rock up at key design destinations each day, including Spazio Rossana Orlandi, to show just one new collection of lighting. Inspired by Op Art, the 'Optical' range consists of stark black and white pendant, standard and table lamps that also reference Eighties graphics and early nineties minimalism. The inside of the van will be decked out in neo-classical style in Broom's signature grey but the question on our minds is just how the teeming crowds in town for the Milan Furniture Fair will fit into such a small space. We'll just have to wait and see...

Lee Broom's 'Salone del Automobile' can be tracked at leebroom.com 

The Milan Furniture Fair and Salone del Mobile run from 12-17 April 2016
salonedelmobile.it

LDF 2015 – What's hot at 100% Design?

The big daddy of London design shows, 100% Design, is back in a new venue for London Design Festival 2015. All change...

BY DEE IVA

It’s only a matter of days before London’s biggest design show 100% Design throws open the doors to its brand new home at Olympia. Having vacated Earls Court last year (not more luxury apartments puh-lease), there were rumours of it relocating as far afield as the ExCeL Exhibition Centre in the Docklands. Thankfully, 100% has stayed true to its West London roots, retaining its role as the key design event in the west.

This year, 100% Design has collaborated with trend forecasters WGSN to theme the show around colour. ‘Design In Colour’ will emphasise the importance and impact of colour in the home and will highlight the top colour trends for 2016 throughout the exhibition. As usual, the show will have five distinct sectors, Interiors, Design & Build, Kitchens & Bathrooms, Workplace and Fizz favourite, Emerging Brands. The ever popular Talks with 100% Design forums will once again host stellar guest speakers including Ilse Crawford, Yves Béhar, Afroditi Krassa, Lyndon Neri and The Human League founder Martyn Ware.

We’re gagging with excitement so without further ado, here are our five must-see stands this year….
100percentdesign.co.uk

FIVE HOT FIZZPICKS AT 100% DESIGN

Kirath Ghundoo Interiors
Kirath Ghundoo's geometric wallpapers are unusual in that she has dispensed with the standard notion of a repeat pattern, creating designs that are meant to clash with each other on the wall. However, Ghundoo's tightly controlled use of colour and pattern manages to hold everything together resulting in striking graphic combinations. Her latest 'Mix 'n' Match 15' collection will be on show at 100%, launching the new Tropic and Monochrome ranges inspired by the sea.
kirathghundoo.com


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Delightfull Interiors
Strike up the band! Portuguese design company Delightfull has tickled our fancy with this witty light fitting. Consisting of 24 trumpet-shaped brass lamps, the 'Botti' chandelier is designed to illuminate a room in multiple directions. Choose from four metallic finishes – nickel, nickel and black, gold or copper and black – and you'll be ready to Charleston till the cows come home! 
delightfull.eu


Bette Kitchens & Bathrooms
It's about time someone redesigned the freestanding bath in a graphic and contemporary way. Bette's BetteLux Shape series utilises the idea of an outline frame to support its minimal bath and basin in the most elegant fashion we've seen for a long time. A range of accessories is also available including a circular mirror and sleek shelf. We reckon the best dressed bathrooms will be channelling this Mondrian-esque look as it's way ahead in the style stakes.
bette.de


Concreate Design & Build
Polished concrete is still probably the most urbane floor treatment in contemporary interiors. But unless you're living in a cutting-edge piece of architecture, they're difficult to install, especially on upper floors. British company Concreate has solved this problem with its ingenious system of concrete panels which can be used to tile floors and walls, bringing industrial chic within the reach of normal homes. Available in four colours and suitable for use with underfloor heating, this sustainable and environmentally sound flooring is ticking all our boxes right now...
concreateflooring.co.uk


Esbe Design Emerging Brands
Two snarling panthers challenge each other on this illustrated sideboard by glass artist Esbe. Influenced by Art Deco and Pop Art, her stylised images are printed on to opaque glass before being mounted on to a matt lacquered or solid wood cabinet. The 'Panther' is the first in a new line of bespoke sideboards which also feature trompe l'oeil drawers and doors. We think Bagheera would approve...
esbedesign.co.uk

100% Design runs from 23-26 September (23-25, trade only; 26, public welcome), Olympia London, Hammersmith Road, Kensington, London W14; 100percentdesign.co.uk