Melbourne Design Week 2019 – 6 Must-Sees

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This year’s Melbourne Design Week offers a thought-provoking mix of exhibitions, talks and tours. Take a peek…

BY SOPHIE DAVIES

2019’s Melbourne Design Week features more than 200 exhibitions, talks, tours, films and workshops, with events across town and in neighbouring city Geelong. Running from 14 to 24 March, Melbourne’s largest festival programme to date celebrates both local and international talent, with the core theme of ‘Design Experiments’ – asking how design can shape the future. A mix of ticketed and free activities embrace diverse challenges from the environment to social issues and materials. This year’s festival wraps up on Sunday, but many of the inspiring shows continue beyond the weekend. Here are six of our top FizzPicks…

‘SOMEWHERE OTHER’: JOHN WARDLE ARCHITECTS
Ground Level/Foyer, NGV Australia, Federation Square
Until 28 July (10am-5pm, free)

Visitors are invited to peek through five portals within timber and steel structure ‘Somewhere Other’, a compact, interactive experience by Melbourne practice John Wardle Architects. At NGV Australia until late July, this intriguing installation was first shown as part of 2018’s 16th International Architecture Exhibition at the Venice Architecture Biennale (pictured, top and above). Each of the wooden volumes, voids and apertures in its interconnected series frames views of the studio’s projects, the Australian landscape or the craft of collaborators including artist Natasha Johns-Messenger and filmmakers Coco and Maximilian.

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‘NEW VOLUMES BY ARTEDOMUS’: AN INSTALLATION BY FIONA LYNCH AND THOMAS COWARD
TDF Gallery, 14 Little Oxford Street, Collingwood
Until 24 March (11am-5pm, free)

We’re big fans of Artedomus’s ‘New Volumes’ collection, which showcases solid marble homewares by eight Australian designers. This Collingwood exhibition, curated by interior designer Fiona Lynch and designer Thomas Coward, represents the range in an installation that follows the journey of this sculptural material from the ‘ground to the house’, contrasted with a series of chunky marble plinths.

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‘MATERIAL THOUGHT’
Modern Times, 311 Smith Street, Fitzroy
Until 24 March (see link for times, free)

Presented by Fitzroy interiors store Modern Times, group exhibition ‘Material Thought’ explores material through the work of innovative Australian designers. On show are furniture, lighting and objects by nine top talents, including Henry Wilson (‘Stone Surface Sconce’, in Calacatta Marble, above), Coco Flip and Christopher Boots, all illuminating themes of design experimentation and sustainability.

’CLEMENT MEADMORE: THE ART OF MID-CENTURY DESIGN’
Ian Potter Museum of Art, University of Melbourne, Swanston Street
Until 24 March (see link for times, free)

Fans of modernism will enjoy exhibition ‘Clement Meadmore: The art of mid-century design’, a homage to the acclaimed Australian talent. The first major survey of Meadmore’s industrial design practice, it explores the inspirations that shaped the renowned sculptor’s early career as a designer. Part of a new wave of Australian design in the Fifties and Sixties, Meadmore championed streamlined forms, fresh materials and new manufacturing processes. His furniture and lighting appeared in the houses of iconic architect Robin Boyd, with well known designs such as his 1951 corded dining chair on view at the Ian Potter Museum of Art.

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‘WELCOME TO WASTELAND’
Compound Interest, 15-25 Keele Street, Collingwood
Until 24 March (11am-5pm, free)

Presented by Friends & Associates, ‘Welcome to Wasteland’ shares the work of cutting-edge local talents involved with sustainable design. Featuring architects, industrial designers, furniture makers and researchers, the show explores the potential of waste materials recycled into fresh, eco-friendly products. Typically innovative is Vert Design’s ‘HuskeeCup’ made from coffee husk waste, their collaboration with Spark & Burnish to craft ‘Marine Debris Bakelite Door Knobs’, and Maddison Ryder’s use of discarded Iceberg lettuce to form ‘Lettuce Eat’ disposable plates. Other materials in the mix include waste glass, ceramic, plastic, oyster shells, rubber bands, paper pulp, denim jeans, pigs’ blood and even golf balls!

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WORK SHOP: FIONA LYNCH
7 Glasshouse Road, Collingwood
Until 24 March (see link for times, free)

A curatorial showcase of experimental design, fine art and objects, interior designer Fiona Lynch’s new permanent gallery Work Shop aims to celebrate work by Australian and international designers and artists, as well as doubling as a testing ground for her own studio’s practice. For Melbourne Design Week, the debut show curates a selection of pieces examining the tension between resolved and incomplete elements, including ceramics by Olivia Walker (black porcelain collapsed vessel, above), burnt wood bowls by Makiko Ryujin, paintings by Jiaxin Nong and lighting design by Mary Wallis.

www.ngv.vic.gov.au/melbourne-design-week
Melbourne Design Week 2019 runs until Sunday 24 March at venues across the city and Geelong

LDF 2018 – 11 Fizz Faves for London Design Festival

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Enjoy all the fun of the fair at this week’s London Design Festival, with our 11 must-see installations and showcases around town…

BY SOPHIE DAVIES

This year’s London Design Festival is in full swing, bringing a bewildering array of new design launches and exhibitions to town. We’ve already shared our top tips for the thought-provoking London Design Biennale and festival hub the V&A, but here are 11 citywide FizzPicks for design inspiration, taking in landmark projects, alfresco installations and seductive showrooms.

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ES DEVLIN: ‘PLEASE FEED THE LIONS’
Attracting Insta love in Trafalgar Square – as well as confused looks from tourists – interactive design ‘Please Feed The Lions’ is a collaboration between British artist/stage designer Es Devlin and Google Arts & Culture. A fifth fluorescent red lion has joined the square’s big cat statues, roaring out a crowd-sourced, collective poem. Tap in your word via the on-site screen or online to see it displayed in LEDs in the lion’s mouth. The streaming text is also projection-mapped over Nelson’s Column and the lion at night. Naturally, we fed it the words ‘design’ and ‘fizz’.
Trafalgar Square, London WC2 (18-23 September)

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KELLENBERGER-WHITE: ‘ALPHABET’
Sit on a letter or make words with the 26 vibrant, alphabet chairs at interactive installation ‘Alphabet’ in Broadgate. An experiment in folding metal to create a typographic system, the bespoke seats were designed by London graphic design consultancy Kellenberger-White, known for their playful approach to typefaces. Their inspirations ranged from Bauhaus designers to artist Bruno Munari. Each chair is a different colour, daubed in specialist industrial paint, ranging from orange to cornflower blue.
Finsbury Avenue Square, Broadgate, London EC2 (15-23 September)

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SCHOLTEN & BAIJINGS: ‘TIME FOR TEA’
Take ‘Time For Tea’ at Fortnum & Mason with help from Scholten & Baijings. The Dutch design duo will draw on more than 80 global designs for this installation celebrating the dainty ritual, drawing inspiration from the store’s signature eau de Nil colour and gorgeous green hues. The tabletop setting encompasses a new porcelain tea set produced by 1616/Arita, plus furniture, accessories and limited-edition pieces contrasting tradition with cutting-edge Dutch creativity. Featured products include chairs by HAY, Moroso and Karimoku New Standard, curtains by Maharam, and marble tables and flooring by Luce di Carrara.
First Floor, Fortnum & Mason, 181 Piccadilly, London W1 (15-23 September)

TOM DIXON: ‘ELECTROANALOGUE’
UK designer Tom Dixon hosts ‘Electroanalogue’ at his new HQ and shop The Coal Office in Kings Cross. Expect product launches, live demonstrations and workshops exploring digital innovations and traditional craft, including group show ‘Hyper Real’. Mates on board include Bill Amberg Studio (see below), sound designer Yuri Suzuki, Ege carpets, Kirkby Design, Formica, Spiritland bar and Teenage Engineering showcasing a synthesiser in a Seventies-style disco. The space is part of Coal Drops Yard, a cutting-edge shopping and dining street opening on 26 October with design by Thomas Heatherwick.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

BILL AMBERG: ‘PRINTED LEATHER LAUNCH’ AT TOM DIXON STUDIO
Luxe leather brand Bill Amberg Studio presents a stunning new collection of digitally printed leathers, including British contributions from Faye Toogood, Timorous Beasties and Tom Dixon, and American-based interior designers Alexandra Champalimaud and Natasha Baradaran. It’s a gamechanger for the industry, with patterns spanning colourful sketches, splattered damasks, lace, circles, foil and rock graphics.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

LEE BROOM: ‘OBSERVATORY’
British boy wonder Lee Broom brings his stellar-inspired lighting collection ‘Observatory’ to his Shoreditch showroom, a hit in Milan and New York. Playing with vertical and horizontal space, sculptural and spherical form, and light reflection and refraction, the third edition of this glamorous yet ultra-contemporary range includes pendant and table lights, making luxe use of LEDs and bespoke bulbs designed in-house.
Lee Broom, 93 Rivington Street, London EC2 (18-23 September)

HOUSE OF GREY
Book online to see House of Grey’s gorgeous North London pop-up exhibition ‘In the Neighbourhood’, a brilliant edit of local and international designers, artists and makers in two residential settings. Curated by Louisa Grey and Morgwyn Rimel, elegant townhouse ‘The Grey House’ creates a calm atmosphere celebrating texture, neutral tones, handmade craft and natural materials. By contrast, loft-style ‘The Blue House’ occupies a converted Methodist congregation hall, with vibrant, bold colours and eclectic contemporary designs. Furniture, textiles, accessories and lighting are on show, flanked by art and plants. Talents include Henry Wilson, Noorstad, Frama, Muller Van Severen for valarie_objects, Dirk Van Der Kooij and Dinosaur Designs.
By appointment only, North London (15-21 September); for availability check here.

THE CONRAN SHOP
The Conran Shop hosts two cracking shows for LDF18. At the Marylebone Store, ‘The Conran Shop x Carl Hansen’ celebrates on-trend indigo, with exclusive editions of the Danish’s firm’s furniture transformed by the deep blue hue. Think Carl Hansen & Søn’s ‘CH4 Wishbone Chair’ by Hans Wegner with an indigo lacquer and Hiut denim seat pad. A stool and chair by Kaare Klint’s also get the denim treatment. At Chelsea’s Michelin House store ‘The Conran Shop x Pinterest’ features a maze of giant red pins, channelling the social media inspo site, while visitors can Pin and save products as they shop using an app and innovative Near Field technology microchips hidden in tags. Pincodes on display reveal the inspiration behind key designs.
The Conran Shop, 55 Marylebone High Street, Marylebone, London W1; Michelin House, 81 Fulham Road, London SW3 (both 15-23 September)

MATTER OF STUFF
Prepare to be transported by London design research gallery Matter of Stuff. In Kings Cross, their pop-up Concept Gallery at Fenman House has been designed by Raw Edges. Hung with wooden dowels suspended by blue string, the space celebrates materials, finishes and texture, including marble and ceramics. It’s the ideal backdrop to Matter of Stuff’s collection of furniture and lighting (by Bohinc Studio and Uufie) plus a curated mix of global brands including CC-Tapis, Made in Ratio and La Chance. Matter of Stuff also explores blown-glass at site-specific exhibition ‘Blown Away’ at Mayfair restaurant/bar Sketch. Don’t miss the new borosilicate glass ‘Bubble’ chandelier by master glassblower Simone Crestani. Magical.
Fenman House, 5 Lewis Cubitt Walk, Kings Cross, London N1; Sketch, 9 Conduit Street, London W1 (15-23 September)

The ARAM GALLERY
Covent Garden’s The Aram Gallery presents ‘Hilos Invisibles’, a collaboration between Montevideo-born designer Matteo Fogale and seven Uruguayan design studios, including furniture, lighting, mirrors and accessories in brass, glass, wood and concrete. Inspired by the work of modernist Uruguayan architect Julio Vilamajó – a design consultant on New York’s UN Headquarters with Le Corbusier and Oscar Niemeyer – the project was born of a 2017 residency and workshop at Montevideo’s Vilamajó House Museum, built by the architect in 1930, and draws on his architectural design details.
110 Drury Lane, Covent Garden, London WC2 (17 September-27 October)

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THE NEW CRAFTSMEN
A serene sanctuary, ‘The New Craftsmen x Malgorzata Bany’ offers zen time out from the frenzy of LDF18. Hosted by contemporary British crafts showroom The New Craftsmen in Mayfair, London-based, Slade-trained artist and designer Malgorzata Bany presents her collection of sculptural furniture, objects and table lights, including new additions to the popular range. Materials span Jesmonite, metal and handmade paper, with minimal yet organic forms. Bany also shares her edit of the store’s other makers. And breathe…
34 North Row, Mayfair, London W1 (15 and 17-22 September)

londondesignfestival.com

Design-Made 2017

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Indie festival Design-Made celebrates Australian design talent in Sydney

BY SOPHIE DAVIES

Sydney's debut independent contemporary design festival, Design-Made, kicks off in Alexandria this week, showcasing a veritable Who's Who of more than 50 Australian talents. Expect a three-day programme packed with product launches, thought-provoking exhibitions and curated installations from Friday 27 to Sunday 29 October, including cutting-edge furniture, lighting and accessories. The atmospheric main venue is former woodshed Sunstudios, normally used for photo shoots, with a few offshoot talks at the nearby Fischer & Paykel Experience Centre.

Founded by Kobe Johns of Factory Design District and Authentic Design Alliance director Anne-Maree Sergeant, Design-Made celebrates Australia-wide design, with an emphasis on original, local design and quality craftsmanship, engaging visitors in the creative process. You can watch Melbourne potter Colin Hopkins of Porcelume shaping porcelain lighting shades on a wheel, while listening to his own musical score (the results are represented by Spence & Lyda). Leather-cutting and print-making are also on display.

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Homegrown and international brands will share their collections – from Mud Australia to Cult and Singaporean furniture firm Castlery (collaborating on a new range with Australian designer Charles Wilson) – alongside an impressive roll call of independent designers and studios. It's a rare opportunity for Australian talents to show their work across diverse brands on their own stands, including Adam Cornish, Ross Gardam, Jonathan West, and the three Toms – Tom Fereday, Tom Skeehan and Tomek Archer. Free and ticketed talks and workshops allow you to get hands-on, plus there are parties to pep you up. Here are 10 FizzPicks to whet your appetite...

TOP AND BELOW: Ross Gardam's new 'Noon' collection at Alexandria's Design-Made show, including coffee table and mirrors
ABOVE: Furniture-maker Jonathan West's gleaming cabinet

'Noon' collection by Ross Gardam
Australian furniture and lighting designer Ross Gardam will be unveiling his graphic new 'Noon' collection of wall mirrors and coffee tables, made in Melbourne. Subtly exploring the passage of time,  the tables come in two sizes with surfaces including timber veneer, laminate, marble, and mirror, or a striking 'Tri-Cut' combination of walnut, marble and black glass (available from Stylecraft). The mirrors, set back from timber frames, feature clear, bronze and black finishes, or opt for wow factor with the 'Tri-Cut' configuration incorporating all three.


'Paperclip' collection by Seaton Mckeon
Sydney-trained industrial designer Seaton Mckeon's new outdoor furniture range 'Paperclip' for Stylecraft will be exhibited for the first time, styled by Jason Grant. Formed from powered-coated steel, the clean-lined, modernist-influenced collection consists of a stackable lounge chair (with Merbau timber armrests), chair, bar stool and low stool, bound to add graphic attitude to gardens. Finishes include wire and laser-cut perforated sheet metal, with a seductive choice of Dulux colours, from rusty reds to deep blues and eucalypt greens, as well as black, white and grey.

ABOVE: Seaton Mckeon's 'Paperclip' outdoor furniture collection for Stylecraft, including lounge chairs with wooden armrests, stackable chairs in green; and low stools in green and white


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'Igneous' wall light by Ash Allen and James Walsh
Crafted from upcycled bluestone waste, sourced locally, the new 'Igneous' light is by Melbourne designers Ash Allen and James Walsh, presented by Australian brand Catapult. Victorian bluestone is synonymous with Melbourne's architecture, but quarrying generates waste. The pair melted bluestone powder in a kiln to create this striking textured, patterned version of the stone, with a goldy-blue surface set off perfectly by the light's shadowplay. The gorgeous modern wall sconces are made to order, in two sizes, and feature a central gold-dipped bulb.

ABOVE: Meaning 'from fire', the 'Igneous' wall light by Ash Allen and James Walsh is crafted from waste bluestone powder using extreme heat


Good Design Australia showcase
Good Design Australia, a veteran prize dating back to 1958, will showcase recent Good Design Awards winners in furniture and lighting. Highlights include Canberra-based Tom Skeehan's minimal, Japanese-inspired 'Hoshi' collection of armchairs, benches and ottomans for Stylecraft, Adam Goodrum's ergonomic 'Bower' work-pod/seating screens and sculptural 'Malloy' chair for Cult design store's new Australian collection 'NAU', and Charles Wilson's 'Carafe' table for Herman Miller.

ABOVE: Recent Good Design Awards winners including Tom Skeehan's 'Hoshi' lounge collection of seating, benches, side tables and ottomans for Stylecraft, Adam Goodrum's 'Bower' screened desks and seats for Cult, and Charles Wilson's 'Carafe' table for Herman Miller


'LD' wallpapers by Local Design
Collaborative Sydney-based label Local Design is launching an eight-strong range of graphic, contemporary printed wallpapers, with Australian contributors including the label's creative director Emma Elizabeth, Kate BanaziDaniel Emma, Shilo EngelbrechtTom Fereday, Dowel Jones, Fiona Lynch and Tom Skeehan. Durable enough for use in schools, hospitals and public spaces, the large-scale papers are eco-friendly, due to their low chemical emissions. Banazi will be screen-printing 100 limited-edition prints at the installation, available for sale.

ABOVE: The brand-new 'LD' wallpapers by Local Design


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'Boulder' side tables by Dinosaur Designs
Best known for resin tableware and jewellery, Sydney's Dinosaur Designs unveils a box-fresh new collection of 'Boulder' side tables at Design-Made. Inspired by rock formations, as well as the serene palette of Stonehenge and Giorgio Morandi's still-life paintings, the hand-crafted pieces come in swirly whites, creams, blacks and greys.

ABOVE: Dinosaur Designs' new 'Boulder' collection of resin side tables


'Interpretations V' exhibition
A biannual group show exploring materials, 'Interpretations V' tasked eight Australian designers to explore paper (cellulose), in an exhibition curated by Vert Design's Andrew Simpson. Innovative prototypes include Tom Skeehan's 'SO' tactile paper light fixtures, formed from traditionally dyed pulped paper; Tom Fereday's timber-framed 'Pieman' chairs with woven paper cord seats and backs; Elliat Rich (of Elbowrkshp)'s pebble-like textured paper sculptures '7 Rounds', including photographic hints of hands; and Charles Wilson's delicate oval 'Lirio' picnic plates, intended to be held with a wine glass in one hand.

ABOVE: Paper prototypes for materials showcase 'Interpretations V', including Tom Skeehan's 'SO' paper lights in soft pastels, Tom Fereday's cord-strung 'Pieman' chairs; Elliat Rich's '7 Rounds' pebble sculptures, and Charles Wilson's 'Lirio' picnic plates


'Stitchfield' 2017 installation
Interactive installation 'Stitchfield', commissioned by Design Tasmania, is a modern update of a weaving or knitting circle. Suspended above Sunstudios' entry lounge, the gleaming metallic 'wave' is formed from interconnecting brass components, devised by Melbourne architect Claire Scorpo and Alice Springs-based designer Elliat Rich. It will be lowered twice a day during the festival, encouraging visitors to join the gathering of makers crafting this communal work-in-progress.

ABOVE: Interactive brass hanging 'Stitchfield', formed from circular components, will be expanded by visitors during the show


'26 Original Fakes' exhibition
Curated by Dale Hardiman and Tom Skeehan, 26 Original Fakes is a group show in the atrium highlighting Australia's unfortunate status as the 'Wild West' of fake designer furniture. With insufficient copyright laws protecting both established and emerging product designers, this show, backed by the Authentic Design Alliance, invited 26 Australian designers to riff on British talent Jasper Morrision's much-copied 'Hal' chair for Vitra, distributed here by Living Edge. Look out for Tom Fereday's 'Shadow Chair', a cast concrete form representing the negative space under a replica 'Hal' chair, suggesting that by buying rip-offs you are left with nothing but a shadow of the original.

ABOVE: Exhibition '26 Original Fakes' includes designs hacking replicas of Jasper Morrison's 2010 'Hal' chair for Vitra, including Tom Fereday's cast concrete 'Shadow Chair', Daast studio's 'Royalties Paid' chair engraved with a satirical letter from the Australian government, and Jon Goulder's Sydney Opera House-inspired chair, itself a rip-off of fellow exhibitor Andrew Simpson's earlier replica of a replica!


ABOVE: 'Light Hut' tiny house by duo Fresh Prince, outside the Sunstudios entrance, illuminated at night

'Light Hut' by Fresh Prince
Finally, just outside Sunstudios, 'Light Hut' champions the tiny house movement. Designed by Sydney studio Fresh Prince, this outdoor sanctuary is a small moveable structure that 'sheds the weight of a modern dwelling to return to bare, essential shelter.' Here's to treading the Earth more lightly...
design-made.org

Design-Made runs from 27 to 29 October over two locations in Alexandria – Sunstudios (42 Maddox Street) and Fischer & Paykel Experience Centre (96 Bourke Road). Opening hours are Friday 27 (10am-6pm), Saturday 28 (10am-5pm) and Sunday 29 (10am-4pm); $10 on the door.

LDF 2017 – 5 FizzPicks for London Design Fair

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5 top tips for London Design Fair, which takes over East London's Old Truman Brewery this weekend...

BY SOPHIE DAVIES

Hanging out at London Design Fair is pretty much our idea of the perfect Sunday. Spend your day perusing emerging and established design talent in and around East London's Old Truman Brewery, before chilling out at one of Brick Lane's bars, cafes or curry houses. One of our key pit stops for London Design Festival, this sprawling event hosts a huge selection of exhibitors, ticking the boxes from furniture to lighting and accessories.

So where to start? Always worth a look are the Country Pavilions, which offer group shows celebrating the best of national design from Sweden to Portugal, the Netherlands to Finland, Poland to South Korea, and beyond. You'll also discover special Features at the fair, from themed exhibits to material galleries and one-off collaborations. For a mix of inspiring designs, kick off with these five FizzPicks...


TOP: Design hunters can satisfy their curiosity at 2017's London Design Fair at Old Truman Brewery
ABOVE: Handmade with 100% cotton textiles, Mijo Studio's interactive 'Aio' seating encourages users to create different compositions

Mijo Studio (stand E23, Hall T1)
Devotees of bold pattern and colour, painterly prints and contemporary textiles will love the work of Mijo Studio. Based in Copenhagen, the Danish-Norwegian design duo – Miranda Tengs Brun and Josefine Gilbert – have brought their interactive 'Aio' seating to London Design Fair, which started life as a playful experiment into the relationship between patterns and shapes. Turn and flip the elements of this foam seat, with jaunty printed cotton upholstery, to create fresh compositions. Scandi chic.


ABOVE: Flyte's levitating products include the 'Flyte' light and 'Lyfe' planter, which both float in the air; A video showing the 'Flyte' light in action

Flyte (stand L05, Hall T3-C)
An innovation company specialising in home decor and lighting products, Swedish brand Flyte, founded by Simon Morris, launches a minimal light and vase flaunting magnetic magic! Both the 'Flyte' light bulb and the 'Lyfe' planter float in the air, levitating, 'setting the design free'. 'Flyte' draws power wirelessly from the base below while twirling around in mid-air, using induction rather than batteries. 'Lyfe' harnesses maglev ('magnetic levitation') technology, with a custom-shaped magnet pushing up against an electromagnetic base causing the planter to levitate in a zero-gravity growing system. See Flyte's site for more on how these magnetic fields work, or just enjoy the mystery!


ABOVE: Liga Studio's multifunctional 'Liga' series of storage boxes/occasional tables combines ombré pattern, fluoro colour and an unusual ligature detail for a hinge

Liga Studio (stand F33, Hall T1)
Storage gets sexy thanks to new French company Liga Studio, which has unveiled gorgeous ombré 'Liga' tables/storage units for London Design Fair. Run by creative duo Pierre Alexandre Cesbron (ENSCI) and Matthieu Muller (Design Academy Eindhoven), the brand's range of storage furniture includes a box, a bedside and a coffee table. It's the colour gradients that give these sleek contemporary designs star quality, as well as unusual details such as the ligature linking the top and bottom, acting as a hinge.


ABOVE: British Craft Pavilion's showcase includes ash and leather easy chairs by Will Elworthy Furniture; handmade porcelain vessels by Linda Bloomfield; wallpaper murals by Louise Body; stoneware platters by Kana London; and Tanya McCallin's finely thrown bowls in black stoneware and earthenware

British Craft Pavilion
Looking good this year is the British Craft Pavilion, an innovative selection of around 40 UK makers across diverse craft disciplines, curated by Hole & Corner magazine. Furniture, ceramics, textiles, wood, and work in lacquer, leather, metal, and concrete are among the diverse media explored in this striking show, where the handmade rules.


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ABOVE: Graphic lighting by Earnest Studio is a highlight on the USA: Guest Country stand

USA: Guest Country (Stand 10, Hall S3)
Curated by Sight Unseen, this inspiring assembly of 13 American-born or -based design practices includes minimal lighting by Earnest Studio, modernist-inspired furniture by California's Eric Trine, quirky sculptural lighting by Chicago's Steven Haulenbeek, and gorgeous, light-refracting glass objects by Seattle-based John Hogan. Don't miss Brooklyn/Seattle's Ladies & Gentlemen Studio, known for playful furniture, jewellery and lighting creations. Born in the USA...

londondesignfair.co.uk
London Design Fair is at Old Truman Brewery, Brick Lane, London E1 from 16 to 24 September 2017, including public days at the weekend. For visitor and ticket details click here.

6 FizzPicks for Sydney Contemporary 2017

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Sydney Contemporary brings the best local and international art galleries to town. See our guide to six must-sees...

BY SOPHIE DAVIES

Get your art on at the third edition of Sydney Contemporary, an exciting showcase of 90 galleries representing more than 500 modern artists at Redfern's warehouse-chic Carriageworks. The four-day fair runs until this Sunday 10 September, including a mix of established and emerging talent (check out the Future section, for galleries going five years or less). Also up for grabs are installations, video, paper works, performance, a playfully interactive red room for children, and a programme of talks, tours and fringe events. There's tempting drinking and dining for refuelling, with tasty bites from Billy Kwong and Kitchen by Mike and pop-up bars by Glenfiddich and Petaluma.

Showcasing local galleries from Australia and New Zealand as well as global offerings spanning Singapore, Hong Kong, Berlin, Chile, Argentina, the USA and even Iran – look out for Tehran's Dastan's Basement (booth A03) with its hyper-detailed paintings – it's a huge gathering. So here our six of our favourites to get you inspired...

ABOVE: Robyn Stacey's mirrored camera obscura 'Double Take' installation, outside Sydney Contemporary art fair at Redfern's former railway yard Carriageworks

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May Space: Catherine O'Donnell
Combining incredibly detailed drawings of windows and doors with a graphic mural of a house, Catherine O'Donnell's 'Urban Perspective' installation at Sydney gallery May Space (booth A14) is startling. O'Donnell grew up in an estate building in Sydney's western suburbs, which informs her work. "My drawings are an exploration of the architecture , culture, and history of the urban environment with a current focus on 1960/70 housing estates," she says, homes she feels are overlooked, both aesthetically and in human terms. "I employ realism as a catalyst to ignite the imagination of the viewer and invite them to look beyond the mundane and banal."

ABOVE: Catherine O'Donnell's charcoal on paper 'Urban Perspective' (2017) at the May Space booth, inset in a charcoal wall drawing


Sabbia Gallery: Honor Freeman and Pippin Drysdale
Sydney's Sabbia Gallery (booth G08) specialises in Australian contemporary studio ceramics and glass, bringing high-end craft to the fair's art and design table. We loved Adelaide talent Honor Freeman's dazzling ceramic work 'Soap Score' (2016), containing a circle of 656 slip-cast porcelain pieces resembling shards of soap, reflecting the amount of soap an average human supposedly uses in their lifetime. The textures, shapes and faded pastel colours are beautiful, reflecting Freeman's long preoccupation with being an 'alchemist of domestic clutter'. Established Freemantle artist Pippin Drysdale's boulder-like series of porcelain works are also striking, incised with gorgeous coloured glazes, so fine they almost resemble glass.

ABOVE FROM LEFT: Honor Freeman's slip-cast porcelain 'Soap Score'; detail of its 656 components; Pippin Drysdale's seven-component porcelain 'Geikie Gorge I – Devil's Marbles III' (2017) in foreground, both Sabbia Gallery


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Martin Browne Contemporary: teamLab
Digital art gets the nod at Sydney gallery Martin Browne Contemporary (booth E10), which stars a large-scale, nine-channel digital work by Japan's teamLab. Entitled 'Continuous Life and Death at the Now of Eternity' (2017), it's a mesmerising nature-meets-tech spectacular of shifting colours, light and moods, with an algorithm creating an endless moving image of flowers being born, budding and blooming, then withering and dying. Rendered in real-time, not a pre-recorded loop, it takes its cue from the local sunrise and sunset, changing throughout the year, so it's never the same twice. "The picture at this moment can never be seen again," say its makers. Sneaky art hounds who charm their way into the fair's VIP lounge can see another stunning, six-channel teamLab digital creation – 'Four Seasons, a 1000 Years, Terraced Rice Fields – Tashibunosho' – in which computer-generated workers in rice fields respond to real-time weather, daylight and seasons in the Japanese region, ploughing in sunshine, sheltering from rain or dancing at night. While the original landscape has been largely unchanged for a century, the art work will be ever-changing, a new frontier for modern art. Look out for the collective's eight interactive Future Park installations at Sydney's Powerhouse Museum this summer.

ABOVE: Japanese collective teamLab's endless digital work 'Continuous Life and Death at the Now of Eternity' (2017) at Martin Browne Contemporary's stand


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Yavuz Gallery Projects: Lucas Grogan
You'll find colour inspiration aplenty at the fair, but Melbourne-based muralist Lucas Grogan's installation for Singapore's Yavuz Gallery Projects (booth A07) has the blue mother lode. Taking up major wall space, his trio of graphic ink works 'The Library' and single piece 'The Collection' all depict shelves of fictitious blue books with cheeky titles on the spines, mingled with the odd horse-head ornament, urn or bowl. As Grogan quipped on his Instagram, "If you spot a typo, keep it to your f••king self." Known for detailed, witty street art in trademark indigo blue, teamed with turquoise, navy and white, he's a colourist to watch.

ABOVE: Detail from multi-panel 'The Library' (2017) by Lucas Grogan, ink, acrylic and enamel on marine ply at Yavuz Gallery


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Arterial Gallery: Hayden Fowler
It's not often you see a performance art work involving a guy trapped in a cage with a dingo, but Hayden Fowler offers just that in 'Together again' for Arterial Gallery (booth G03), donning virtual reality goggles which trigger Australian landscape images, while a motion sensor worn by his companion Juno places the wild dog in the frame too. It's shades of Joseph Beuys' 1974 action with the coyote, but given a 21st-century new-tech spin, exploring the growing gap in our relationship with the natural world. Don't miss Fowler's second installation 'Australia' near the VIP Room, a colonial-style table loaded with white bones, linked to a tannoy, a challenging comment on Australia's painful treatment of its first people.

ABOVE: Hayden Fowler's plaster, polymer and sound 'Australia' (2017) installation for Arterial Gallery comments on the violence of colonialism


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107, Blak Mirror
Small but packing a mixed-media punch, local Redfern gallery 107 (booth C06) shares bold contemporary work by Aboriginal artists in its group show 'The Gilded Age', presented with Blak Mirror. Riffing on the glossy veneer covering today's pressing political and indigenous issues, it includes work by Jason Wing, Amala Groom, and Adam Hill (aka Blak Douglas) – who created the suspended gilded bat above – with traditional wooden shields by Chico Monks, inscribed with cartoonish phrases ('Oops', 'Bang', 'Sorry!'), sitting alongside Nicole Monks' 'Wabarn-Wabarn' chair, made from kangaroo leather draped in plush kangaroo pelts.

Finally, look out for 'Edition', a curated selection of design-art furniture near the entrance area, showcasing pieces by top brands Gufram, Established & Sons, BD Barcelona Design, and the limited-edition 'QTZ' chair by local talent Alexander Lotersztain for Derlot, curated by Sydney furniture label Living Edge. Who said art and design can't mix?

ABOVE: 107 gallery's group stand, including an amazing golden bat by Blak Douglas, bones and other mixed materials, foregrounding Aboriginal  perspectives

Sydney Contemporary is at Carriageworks, 245 Wilson Street, Redfern, Sydney until Sunday 10 September 2017; opening hours 10am-6pm Saturday, until 5pm Sunday. For ticket and visitor information click here.