Aesop Brighton

The new Aesop store in Brighton is a lesson in seaside bliss

BY CLAIRE BINGHAM

The trend for wellness in interior design is growing. The bolstering effect of a wisely chosen colour can be as soul-feeding as being outside in the open air. Imagine a yellow front door intended to energise and uplift, or a chalky deep purple in a hallway, the painterly equivalent of a warm and welcoming hug… Colour is key to luring buyers and going green is one of the most enticing tips when it comes to inducing calm.

Transporting the serenity of the seaside to home decor, minus any nautical tropes, luxury plant-based Australian skin and haircare brand Aesop has gone head-to-toe verdigris for the palette of its new Brighton store. In the North Laine quarter, it’s the first for the coastal resort and one of only a few UK boutiques outside London. Conjuring up wistful memories of childhood holidays and a simpler life, the blue-green interior echoes the oxidised railings of the city’s seashore with its idyllic Victoriana, backdropped by cloudy skies and an opaque sea.

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As with each of the distinctive global Aesop concept stores – often created in collaboration with outside designers, but here delivered by the in-house team – the decor is simple. In one room, a scrubbed farmhouse table has rush seating placed around it, while in another area, porcelain sinks for product sampling add to the domestic scene. Elsewhere, the space is kept empty, save for vintage botanical prints or artfully stacked decorative bookshelves.

At a time when maximalism is dominating many design stories, Aesop makes an eternal case for the beauty of minimal design. Inherently chic, this blissful interior proves that decorating simply is something to aspire to – as is having a display of Aesop products adorning your bathroom shelf!
aesop.com

Aesop Brighton 104-105 Gloucester Road, Brighton, UK

Folkestone Triennial 2017

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The fourth Folkestone Triennial is in full swing with international artists making their mark by the sea. Come on down, the water's lovely...

BY DEE IVA

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When the first Folkestone Triennial debuted in 2008 in the sleepy English seaside town of Folkestone in Kent, it seemed like a big ask. Twenty-nine internationally acclaimed artists including Tracey Emin, Mark Wallinger and Jeremy Deller were commissioned by White Cube curator Andrea Schlieker to contribute brand new artworks to be installed around town, some to remain on a permanent basis. It was a stroke of genius that immediately put Folkestone on the cultural landscape, blowing away all traces of candy floss and 'kiss me quick' hats in one fell swoop.

Nine years later and Folkestone is hosting the fourth Triennial under the guidance of Lewis Biggs, former director of Tate Liverpool. This is the second Triennial curated by Biggs who took over from Schlieker to host the 2014 Triennial (which became notorious for artist Michael Sailstorfer's Folkestone gold rush, when blocks of gold were rumoured to be buried on the beach, sparking a rush on sales of buckets and spades). This year's show has been titled 'Double Edge' by Biggs, who says, 'The exhibition theme refers to the two main axes around which Folkestone's development has taken place: the seashore and the Pent Stream (also the edge between East and West Folkestone). It's also an invitation to consider the ambiguity and complexity, the double entendre, that is intrinsic to art.'

ABOVE: One of Richard Woods' miniature 'Holiday Home' bungalows floats in Folkestone Harbour
ABOVE RIGHT: Detail from Sol Calero's 'Casa Anacaona'
BELOW: A cast-iron figure from Antony Gormley's 2013 series 'Another Time' stares at the sea

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ABOVE: The junction of the Old High Street and Tontine Street displays Michael Craig-Martin's 'Folkestone Lightbulb' and one of Bob and Roberta Smith's 'Folkestone Is An Art School' banners

Once again, for 2017, major artists are showing works in various locations around town, including David Shrigley's quirky 'Lamp Post' on The Leas. Perhaps the best known is sculptor Antony Gormley who has secreted two cast-iron figures from his 2013 ‘Another Time’ series around Folkestone Harbour. Michael Craig-Martin's ‘Folkestone Lightbulb’ adorns the exterior of a building at the junction of Tontine Street and the Old High Street in Folkestone’s Creative Quarter, and within the same building is a ‘come and play’ workshop set up by Bob and Roberta Smith who has declared that ‘Folkestone Is An Art School’. His signature typography can be seen on signs and banners everywhere and accompany 12 short videos and an inclusive teaching facility and programme. Also in the Creative Quarter is a fleet of gilded ships by Jonathan Wright, 3D-printed replicas of fishing vessels based in or operating out of Folkestone Harbour. These glittering boats are located above eye level atop lampposts in Tontine Street. Educational space The Cube, also in Tontine Street, has been in need of a repaint as its original red coat faded over the years. New York-born artist Sinta Tantra has wrapped it in an eye-catching abstract pattern inspired by the designs of French artist Sonia Delaunay.

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ABOVE FROM LEFT: Ship ahoy! Jonathan Wright's 'Fleet On Foot' vessels glide serenely above street level; Another of Richard Woods' 'Holiday Home' bungalows appears washed up on the beach

Six colourful mini bungalows by designer Richard Woods are dotted around Folkestone in unusual places. On the beach, floating in the harbour or secluded on a clifftop, Woods’ ‘Holiday Home’ is a poignant statement on second homes and the current housing crisis in the UK. His collaborations with Brit design brand Established & Sons and Danish studio Hay have made him a longtime Fizz fave.

A house of a different kind can also be found at sea level. Open sided, Sol Calero’s bright ‘Casa Anacaona’ sits on the shingle inviting you to sit and take in the sea air. With drawings and painting from local children and creatives, and vibrant furniture, it’s the most cheerful and humorous exhibit on display. In complete contrast, around the corner in Folkestone's small sandy bay, stark black angular graphics by Gary Woodley snake around under and over the concrete walkway at the rear of the beach.

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ABOVE FROM LEFT: Gary Woodley's 'Impingement No. 66'; The Cube in Tontine Street is given a makeover by Sinta Tantra

Animating Folkestone, the Triennial encourages visitors and residents alike to explore areas beyond the central shopping streets. Equipped with a comprehensive map you can follow a treasure trail from warren to beach, clifftop to harbour, in search of artworks old and new. This can be thirsty work but luckily there are plenty of tempting spots to refuel. The harbour arm itself now has a number of bars and eateries including a champagne bar in the old lighthouse right at the far end. Mark Sargeant’s Rocksalt, the first notable restaurant to open in town, serves up freshly caught seafood and brasserie-style cuisine and has a first-floor terrace where you can perch for cocktails or tasty bar snacks. Sargeant also owns The Smokehouse, just behind Rocksalt, Folkestone’s finest chippy.

Hang out with the hipsters in the Lime Bar Cafe on Tontine Street or head to Steep Street cafe on the Old High Street for coffee and small bites. The Old High Street is also where you’ll find a clutch of stylish independent shops, such as Kitty McCall, Atelier Feralchild and Maison Marine, as well as stalwart vintage accessories store Rennies.

So if you’re looking for an art fix while soaking up some seaside sun, double-edged Folkestone's the place to tick both boxes in style...
folkestonetriennial.org.uk

The Folkestone Triennial is on now until 5 November 2017. Visit the website for the full roster of artists and programme of events
Pictures by Thierry Bal/Dee Iva

Rachel Howard: At Sea

For colour and texture inspiration, we're loving the dreamlike paintings of British artist Rachel Howard

BY DEE IVA

Rachel Howard's multi-layered paintings are like shifting dream sequences. Lace motifs, hazy barely-there colours and a moody darkness combine to create a twilight world somewhere between reality and unreality. A pop of fluorescent orange suggests an otherworldly sunset, foreboding structures emerge from the gloom and scratchy landscapes are bathed in a preternatural light.

ABOVE: 'How To Disappear', 2015, oil and acrylic on canvas
BELOW FROM LEFT: 'Lean To', 2013, oil and acrylic on canvas; 'North', 2013, oil on canvas

ABOVE: 'Pastoral Scene', 2014, oil and acrylic on canvas
BELOW: 'Darkness And Light', 2014-15, oil on canvas

This surreal set of landscapes and textures is part of a new body of work produced specifically for the Jerwood Gallery in Hastings, set beside a historic fishing beach. The Jerwood's coastal location and Howard's childhood home in County Durham provided inspiration for her enigmatic scenes. 'I grew up on a farm near the sea on the North Coast of England,' says Howard, 'Having a permanent horizon to look at every day gives a wonderful reassurance in what can be at times a very uncertain world. My show at the Jerwood explores both these aspects of certainty and uncertainty.'

Fans of Nigel Grierson and Vaughan Oliver's work with 23 Envelope will instantly connect with Howard's art. Plug your earphones in, stick on the Cocteau Twins and drift away...
rachelhoward.co.uk  jerwoodgallery.org

'Rachel Howard: At Sea' is on now until 4 October 2015. Jerwood Gallery, Rock-A-Nore Road, Hastings, East Sussex, UK