Rigg Design Prize 2018

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2018’s inspiring Rigg Design Prize celebrates 10 of the best Australian interior design practices

BY SOPHIE DAVIES

Interiors gets their hour in the sun at the 2018 Rigg Design Prize exhibition at Melbourne’s NGV Australia, which runs until 24 February 2019. Celebrating different contemporary design disciplines, the triennial prize focused on interior design and decoration for the first time in 2018, shortlisting 10 leading Australian practices. Each was tasked with creating a bespoke, purpose-built room in the gallery, responding to the theme of ‘Domestic Living’. The results are inspiring, suggesting fresh ways of inhabiting our homes, new trends and creative solutions to modern pressures. Even if you can’t get to Melbourne, check out our round up the 10 designs below…

HECKER GUTHRIE
Melbourne design practice Hecker Guthrie (aka Paul Hecker and Hamish Guthrie) bagged the AU$30,000 triennial prize for their graphic yet tactile installation ‘The table is the base’ (above). Riffing on the idea of the humble table, and its charismatic central role in domestic living spaces, the custom-made room plays with clean lines, form and scale. It explores the table as surface, support and enclosure. Judge Shashi Caan said, ‘Using only two elements – the simple form of the ‘Parsons’ table and terracotta as material – the project demonstrates the power of design restraint and curiosity at play.’


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MARTYN THOMPSON STUDIO
New York-based Australian photographer and designer Martyn Thompson’s space celebrates the ‘Atelier’, channelling the modern blurring of work and home life as an opportunity for creative expression. Bathed in light and shadow, his moody space features many of his own designs – including upholstery textiles, rugs, ottomans, wall treatments, ceramics, art and photos shown alongside collaborative, vintage, found and hand-crafted pieces. Even Thompson’s records, shoes and fleamarket finds make the cut. Clothes are hung like artworks and ambient music generates emotion. Flexible and ever-evolving, this is the home as heartland, layered, textural and deeply personal.


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DANIELLE BRUSTMAN
Like a chic spaceship or cool club, Danielle Brustman’s installation ‘Inner-Terior’ is somewhere we’d like to hang out. It helps that it stars a contemporary update of a cocooning, conversation pit and a futuristic record player (shown above right). A set designer before founding her Melbourne studio, Brustman drew on theatrical aesthetics for this curvy white space, edged with vibrant colour, glossy metallics and eye-catching illuminations. A lounge room that borrows from stage and spectacle, it takes its cues from Art Deco bandshells, European retro-futurist designs from the 60s, 80s movie Xanadu, rollerskating rinks and amusement rides. We reckon it’s 2001: A Space Odyssey gone domestic.


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THE SOCIETY INC BY SIBELLA COURT
Stylist and author Sibella Court, of Sydney interiors store The Society Inc, has always had a love affair with global curios, vintage finds, old tools, pirates and gypsies. For her Rigg Prize entry, dubbed the ‘Imaginarium’, she envisaged a space to ‘wonder, imagine, interact, research and create’. An entire home distilled into a single room, it feels darkly magical, with a rich mix of materials from pressed metal to wood and fabric. Layers of textures and colours, old and new, and real and imagined offer a modern take on a 16th-century ‘cabinet of curiosities’. The space celebrates craft, with displayed objects, including a striking feature wall, acting as a catalyst for memory and imagination. From an alchemy workshop to a ship’s crow’s nest, a bar, dress-up cupboard and pot-belly stove, it’s a mini world of wonders.


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RICHARDS STANISICH
Texture rules in the mesmerising tone-on-tone sculptural installation crafted by Richards Stanisich, titled ‘Our natural needs in a digital world’. The Sydney practice, established in 2018 by former SJB talents Jonathan Richards and Kirsten Stanisich, addresses our fundamental need for shelter, sanctuary, hygiene and intimacy and how it has been transformed by integrated technology and the Internet of Things. A central ochre living, sleeping and kitchen space champions the handmade, simple and earthy, with natural fabrics, ceramics and tiles. By contrast, it’s surrounded by black gloss tiles edged with blue light, representing the digital realm.


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FLACK STUDIO
Melbourne interior architecture firm Flack Studio has a way with vibrant colour, bold pattern and unexpected details, as seen in their striking portfolio of residential spaces, cafes, restaurants and boutiques. For the Rigg Prize, David Flack and his team ‘Flackify’ their living/dining space with saturated gold hues, luxe textures and quirky art and ornaments. ‘We’ve boundless plains to share’ references diversity and inclusion, creating an emotionally charged room for a golden age in Australia, encouraging collaboration and community.


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ARENT&PYKE
Elegance and beauty are at the heart of ‘Home: feast, bathe, rest’ by Sydney interior design studio Arent&Pyke (Juliette Arent and Sarah-Jane Pyke). The smartly zoned space combines areas for dining, washing and retreating, offering ideas for respite and emotional and physical wellbeing in a stressful world. Each area includes a contemporary Australian artwork and a bespoke piece of furniture, blending inspiring design-art with comforting, restorative simplicity.


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AMBER ROAD
Sydney interior design and landscape practice Amber Road’s seductive space ‘Take it outside’ is full of burnt colours, floaty textiles and dreamy desert and starlit views, centred around an inviting lounger. It celebrates the verandah or porch as a key transitional zone for relaxing and chatting together, especially in Australian homes. Principal designers and sisters Yasmine Ghoniem and Katy Svalbe spent time in the Middle East, as well as on their family farms in Australia, capturing this heritage in a beautifully crafted indoor-outdoor room.


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DAVID HICKS
Have homes become inner sanctums, fortresses or vessels for consumerist ideals? Melbourne- and LA-based David Hicks studio presents ‘Panic room’, combining Hicks’ trademark eye for luxe detail with lighting strung on chunky chains and threatening screens. It’s a slick satire on our panicked, media-saturated times, suggesting a life on stage, voyeuristic and yet paranoid about threats from outside. Has the aspirational ideal of a perfect life morphed into homes as psychological retreats and cocoons for self-protection?


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SCOTT WESTON ARCHITECTURE DESIGN
A sequence of six rooms forms ‘Wunderkammer’, an installation by Sydney-based Scott Weston Architecture Design which takes its cue from the renovation of Weston’s own Victorian Italianate terrace house, Villa Carmelina. Each contains a cabinet, or wunderkammer, featuring prized ‘jewels’, miniature artworks by favourite makers. An abstract representation of the house, it makes use of monochrome dioramas with coloured highlights and wallpaper vignettes or ornaments and collectibles.

Catch the Rigg Design Prize 2018 at Level 3, NGV Australia, Federation Square, Melbourne until Sunday 24 February 2019 (10am-5pm) or see the gallery’s website for a virtual tour and online interviews with the designers

Goop London Pop-Up

Goop brings its Californian-inspired beauty, fashion and homewares collection to the UK with its debut London pop-up store, a blend of British craftsmanship and West Coast chill

BY CLAIRE BINGHAM

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Gwyneth Paltrow’s Goop has opened in its first UK pop-up store – in London’s Westbourne Grove – and we’re already feeling enriched.

Combining retail therapy with their open-minded and holistic approach to wellbeing as a lifestyle, it is far from wacky and a brilliant new destination for anyone interested in Californian-vibe beauty and style.

Expect a chic, curated collection of Goop’s own-line products, including luxurious, high-performance skincare drawing on organic ingredients, Italian-made limited edition clothing, and pretty plates and glassware by brands such as Mud Australia, Nude Glass and CB2. The understated homewares range features tempting cushions, throws, tableware and kitchen kit.

You’ll also fall for the light-filled, nature-inspired surrounds created by London-based interior designer Fran Hickman. Her vision for the store references the Zen-influenced monochrome paintings of Yves Klein and early physic gardens devoted to the study of restorative plants. Fran worked with local design talents to bring the space to life – Nikki Tibbles of Wild at Heart for planting, Pinch for furniture and beauty displays, Nest Design for the electric-blue curtains in the dressing area, and Vitsoe for its iconic shelving systems. Architectural salvage firm Retrouvius supplied a vintage museum cabinet.

ABOVE: The entrance to Goop’s London pop-up shop is filled with plant displays by Nikki Tibbles.
ABOVE RIGHT: Goop’s own-line detoxifying salt bath soak G.Tox. £30 for 680gm

ABOVE: A deep blue colour scheme channels the ocean on the basement fashion floor; industrial chipboard delivers an inexpensive yet effective display system in the homewares section, flanked by sunny gold paint; Pinch’s smart red ‘Joyce’ cabinet and ‘Clyde’ side table with stripped floorboards and tile details; the ‘Imo’ bench by Pinch in a restful foliage- and light-filled space at the front of the store

Goop celebrates its 10-year anniversary with this London outpost – slated to stay open until 27 January 2019 – setting the stage for further international boutiques. Goop fans in search of their simple yet elegant contemporary pieces can also shop online.
goop.com

Goop, 188 Westbourne Grove, London W11

LDF 2018 – 11 Fizz Faves for London Design Festival

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Enjoy all the fun of the fair at this week’s London Design Festival, with our 11 must-see installations and showcases around town…

BY SOPHIE DAVIES

This year’s London Design Festival is in full swing, bringing a bewildering array of new design launches and exhibitions to town. We’ve already shared our top tips for the thought-provoking London Design Biennale and festival hub the V&A, but here are 11 citywide FizzPicks for design inspiration, taking in landmark projects, alfresco installations and seductive showrooms.

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ES DEVLIN: ‘PLEASE FEED THE LIONS’
Attracting Insta love in Trafalgar Square – as well as confused looks from tourists – interactive design ‘Please Feed The Lions’ is a collaboration between British artist/stage designer Es Devlin and Google Arts & Culture. A fifth fluorescent red lion has joined the square’s big cat statues, roaring out a crowd-sourced, collective poem. Tap in your word via the on-site screen or online to see it displayed in LEDs in the lion’s mouth. The streaming text is also projection-mapped over Nelson’s Column and the lion at night. Naturally, we fed it the words ‘design’ and ‘fizz’.
Trafalgar Square, London WC2 (18-23 September)

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KELLENBERGER-WHITE: ‘ALPHABET’
Sit on a letter or make words with the 26 vibrant, alphabet chairs at interactive installation ‘Alphabet’ in Broadgate. An experiment in folding metal to create a typographic system, the bespoke seats were designed by London graphic design consultancy Kellenberger-White, known for their playful approach to typefaces. Their inspirations ranged from Bauhaus designers to artist Bruno Munari. Each chair is a different colour, daubed in specialist industrial paint, ranging from orange to cornflower blue.
Finsbury Avenue Square, Broadgate, London EC2 (15-23 September)

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SCHOLTEN & BAIJINGS: ‘TIME FOR TEA’
Take ‘Time For Tea’ at Fortnum & Mason with help from Scholten & Baijings. The Dutch design duo will draw on more than 80 global designs for this installation celebrating the dainty ritual, drawing inspiration from the store’s signature eau de Nil colour and gorgeous green hues. The tabletop setting encompasses a new porcelain tea set produced by 1616/Arita, plus furniture, accessories and limited-edition pieces contrasting tradition with cutting-edge Dutch creativity. Featured products include chairs by HAY, Moroso and Karimoku New Standard, curtains by Maharam, and marble tables and flooring by Luce di Carrara.
First Floor, Fortnum & Mason, 181 Piccadilly, London W1 (15-23 September)

TOM DIXON: ‘ELECTROANALOGUE’
UK designer Tom Dixon hosts ‘Electroanalogue’ at his new HQ and shop The Coal Office in Kings Cross. Expect product launches, live demonstrations and workshops exploring digital innovations and traditional craft, including group show ‘Hyper Real’. Mates on board include Bill Amberg Studio (see below), sound designer Yuri Suzuki, Ege carpets, Kirkby Design, Formica, Spiritland bar and Teenage Engineering showcasing a synthesiser in a Seventies-style disco. The space is part of Coal Drops Yard, a cutting-edge shopping and dining street opening on 26 October with design by Thomas Heatherwick.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

BILL AMBERG: ‘PRINTED LEATHER LAUNCH’ AT TOM DIXON STUDIO
Luxe leather brand Bill Amberg Studio presents a stunning new collection of digitally printed leathers, including British contributions from Faye Toogood, Timorous Beasties and Tom Dixon, and American-based interior designers Alexandra Champalimaud and Natasha Baradaran. It’s a gamechanger for the industry, with patterns spanning colourful sketches, splattered damasks, lace, circles, foil and rock graphics.
The Coal Office, 4-10 Bagley Walk Arches, Coal Drops Yard, Kings Cross, London N1 (15-23 September)

LEE BROOM: ‘OBSERVATORY’
British boy wonder Lee Broom brings his stellar-inspired lighting collection ‘Observatory’ to his Shoreditch showroom, a hit in Milan and New York. Playing with vertical and horizontal space, sculptural and spherical form, and light reflection and refraction, the third edition of this glamorous yet ultra-contemporary range includes pendant and table lights, making luxe use of LEDs and bespoke bulbs designed in-house.
Lee Broom, 93 Rivington Street, London EC2 (18-23 September)

HOUSE OF GREY
Book online to see House of Grey’s gorgeous North London pop-up exhibition ‘In the Neighbourhood’, a brilliant edit of local and international designers, artists and makers in two residential settings. Curated by Louisa Grey and Morgwyn Rimel, elegant townhouse ‘The Grey House’ creates a calm atmosphere celebrating texture, neutral tones, handmade craft and natural materials. By contrast, loft-style ‘The Blue House’ occupies a converted Methodist congregation hall, with vibrant, bold colours and eclectic contemporary designs. Furniture, textiles, accessories and lighting are on show, flanked by art and plants. Talents include Henry Wilson, Noorstad, Frama, Muller Van Severen for valarie_objects, Dirk Van Der Kooij and Dinosaur Designs.
By appointment only, North London (15-21 September); for availability check here.

THE CONRAN SHOP
The Conran Shop hosts two cracking shows for LDF18. At the Marylebone Store, ‘The Conran Shop x Carl Hansen’ celebrates on-trend indigo, with exclusive editions of the Danish’s firm’s furniture transformed by the deep blue hue. Think Carl Hansen & Søn’s ‘CH4 Wishbone Chair’ by Hans Wegner with an indigo lacquer and Hiut denim seat pad. A stool and chair by Kaare Klint’s also get the denim treatment. At Chelsea’s Michelin House store ‘The Conran Shop x Pinterest’ features a maze of giant red pins, channelling the social media inspo site, while visitors can Pin and save products as they shop using an app and innovative Near Field technology microchips hidden in tags. Pincodes on display reveal the inspiration behind key designs.
The Conran Shop, 55 Marylebone High Street, Marylebone, London W1; Michelin House, 81 Fulham Road, London SW3 (both 15-23 September)

MATTER OF STUFF
Prepare to be transported by London design research gallery Matter of Stuff. In Kings Cross, their pop-up Concept Gallery at Fenman House has been designed by Raw Edges. Hung with wooden dowels suspended by blue string, the space celebrates materials, finishes and texture, including marble and ceramics. It’s the ideal backdrop to Matter of Stuff’s collection of furniture and lighting (by Bohinc Studio and Uufie) plus a curated mix of global brands including CC-Tapis, Made in Ratio and La Chance. Matter of Stuff also explores blown-glass at site-specific exhibition ‘Blown Away’ at Mayfair restaurant/bar Sketch. Don’t miss the new borosilicate glass ‘Bubble’ chandelier by master glassblower Simone Crestani. Magical.
Fenman House, 5 Lewis Cubitt Walk, Kings Cross, London N1; Sketch, 9 Conduit Street, London W1 (15-23 September)

The ARAM GALLERY
Covent Garden’s The Aram Gallery presents ‘Hilos Invisibles’, a collaboration between Montevideo-born designer Matteo Fogale and seven Uruguayan design studios, including furniture, lighting, mirrors and accessories in brass, glass, wood and concrete. Inspired by the work of modernist Uruguayan architect Julio Vilamajó – a design consultant on New York’s UN Headquarters with Le Corbusier and Oscar Niemeyer – the project was born of a 2017 residency and workshop at Montevideo’s Vilamajó House Museum, built by the architect in 1930, and draws on his architectural design details.
110 Drury Lane, Covent Garden, London WC2 (17 September-27 October)

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THE NEW CRAFTSMEN
A serene sanctuary, ‘The New Craftsmen x Malgorzata Bany’ offers zen time out from the frenzy of LDF18. Hosted by contemporary British crafts showroom The New Craftsmen in Mayfair, London-based, Slade-trained artist and designer Malgorzata Bany presents her collection of sculptural furniture, objects and table lights, including new additions to the popular range. Materials span Jesmonite, metal and handmade paper, with minimal yet organic forms. Bany also shares her edit of the store’s other makers. And breathe…
34 North Row, Mayfair, London W1 (15 and 17-22 September)

londondesignfestival.com

LDF 2018 – 10 Unmissable FizzPicks for London Design Biennale

London Design Biennale is a must for design hunters, bringing inspiring global ideas to Somerset House

BY SOPHIE DAVIES

One of our top tips for London Design Festival, London Design Biennale gathers creatives from 40 countries, cities and territories across six continents at Somerset House, all responding to 2018’s theme of ‘Emotional States’. Exploring ideas through design, architecture and technology – addressing social, political and environmental challenges – the second edition is a thought-provoking showcase, running until 23 September.

Influential museums and institutions are among the curators, including London’s V&A (‘Maps of Defiance’), New York’s Cooper Hewitt, Smithsonian Design Museum (‘Face Values’) and Milan’s Triennale (‘L’Architettura degli Alberi’). All the participants are worth a look, but here are 10 of our favourite FizzPicks…

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AUSTRALIA: ‘Full Spectrum’
London-based Australian designer Flynn Talbot channels Australia’s recent referendum vote to legalise same-sex marriage with vibrant light installation ‘Full Spectrum’. A celebration of diversity, the ecstatic, immersive work incorporates an arcing curve of rainbow colour, inspired by the Pride flag, embracing the whole spectrum. Its suspended light screen is formed from 150 strands of fibre-optic light, each a different hue, using custom-made hidden LED modules and electronics. You can touch and move through the strands or simply feel the love.


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LATVIA: ‘Matter to Matter’
Visitors can leave fleeting messages on a wall of condensation at Latvia’s entry ‘Matter to Matter’, designed by Arthur Analts of Variant Studio, which shares the emotional impact of mark making. Taking its cue from the Baltic state’s humid climate, with capital Riga surrounded by forests and the sea, it’s a statement about culture, transience and nature’s power to reclaim human traces. Each message lasts only a few minutes on the green glass surface, before fading away. Complete with a wooden bench, the simple, sensory space won ‘Best Design Medal’ at the Biennale.


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LEBANON: ‘The Silent Room’
Escape from city stress in ‘The Silent Room’, Lebanon’s blue-hued retreat from the pressures of public space. Enter the perforated brick-and-timber tower and a staircase leads to a dimly lit upper level. Within this fabric-lined, insulated cocoon, speakers play a field recording of quiet urban moments. ‘Silence is becoming a commodity for the privileged,’ says designer Nathalie Harb, whose private shelter offers ‘the luxury of silence to everyone, regardless of background or status.’ Influenced by her crowded home city Beirut, she hopes her soundscape provides a sensory respite from the madding crowd.


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INDIA: ‘State of Indigo’
We love blue, especially dreamy indigo, but the dark history of indigo farming has remained mysterious. India’s pavilion, backed by The Gujral Foundation, illuminates the ‘State of Indigo’, sharing the colonial slavery and contemporary social issues behind this emotionally charged pigment. A natural colour created from the indigofera plant, indigo was used ‘to dye fabric, repel insects, treat ailments, disinfect, ward off spirits and even decorate an entire city’, says curator Priya Khanchandani, who wants us to experience the working conditions behind this blue beauty.


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GUATEMALA: ‘Palopó’
Pattern and colour can transform lives and economies as ‘Palopó’, Guatemala’s pavilion, proves. It promotes a project to paint a whole town in vibrant hues, inspired by local, ancestral textile patterns, turning it into a vast artwork to attract tourism. Led by designer Diego Olivero of Olivero & Bland Studio, Pintando Santa Catarina Palopó aims to support an impoverished town on Lake Atitlán. The London installation celebrates this social design initiative, harnessing floating geometric forms resembling the multi-coloured houses, flanked by a textile mobile by Zyle.


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GREECE: ‘ΑΝΥΠΑΚΟΗ – Disobedience’
Championing the ancient Greek concept of civil disobedience, Greece’s kinetic ‘ΑΝΥΠΑΚΟΗ’ installation challenges our perception of static architecture. Designed by Nassia Inglessis-led Studio INI, its 17-metre-long wall is formed from a steel spring skeleton and recycled plastic, so it flexes and morphs around the human body. Visitors can enjoy the transgressive walkway, passing through the wall and feeling it respond in return. A boundary, but also a rebellious, exciting space to explore, it suggests a new, more dynamic shape for future city buildings.


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ITALY: ‘L’Architettura degli Alberi’
Based on a 20-year study of trees, Italian pavilion ‘L’Architettura degli Alberi’ reflects a labour of love by architects Cesare Leonardi and studio partner Franca Stagi. The duo documented Italy’s trees to help landscape designers, crafting accurate, beautifully detailed drawings of different trees at a 1:100 scale. Expanding to include European and Central American trees, the book was finally published in 1982, featuring 374 evocative illustrations of 211 species. This installation presented by La Triennale di Milano shares 24 of them, ideal for inspiring parks and public spaces.


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EGYPT: ‘Modernist Indignation’
Winner of the London Design Biennale 2018 Medal, Egypt’s display ‘Modernist Indignation’ charts the sad loss of the country’s once-vaunted modernist architecture, now left to rot or actively destroyed by critics. The pavilion is an elegy to that vulnerable and dying design language, featuring a contemporary reinterpretation of a fictional 1939 exhibition put on by Al Emara, the first Arabic design magazine (published from 1939 to 1959). It also includes a video shot in the house of its founding architect Sayed Karim, his manifesto and logo, gradually erased on the floor.


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SWEDEN: ‘Coal: Post-Fuel’
Coal could have emotional value, becoming a desirable design material, according to this intriguing Swedish exhibit by Jesper Eriksson. ‘Coal: Post Fuel’ considers an alternative future for this Industrial Age power source, imagining its life beyond a dirty fuel for burning. His installation features furniture, flooring and objects made from solid coal, some in their raw state and other pieces processed into a black marble-like finish. Eriksson reckons ‘Britain’s most iconic material’ can be rebranded for architecture and interior design. Think organic, quarried luxury…


THE NETHERLANDS: ‘Power Plant’
Fearful about food security and the future environment? Luckily, The Netherlands is on top of things, with its ‘Power Plant’ pavilion showing how design can solve the problem of population-pressured food production. A futuristic greenhouse, it uses sunlight to generate both food and the electricity needed to grow it. Designer Marjan van Aubel is behind this elegant solution, with the building’s transparent solar glass, hydroponic system, vertical growth structure and specifically coloured LEDs fostering a year-round, high-yield indoor harvest.


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Finally, don’t miss The Refugees’ Pavilion, a temporary shelter housing objects designed by displaced people. The pavilion itself is the ‘Better Shelter’, winner of the Design Museum’s Design of the Year 2016, a structure that unpacks from two cardboard boxes, and can be assembled by four people with one hammer in just a few hours. Inside, visitors can see how refugees worldwide have customised the flatpack making it their own. Social design in action.
www.londondesignbiennale.com

London Design Biennale is at Somerset House, Strand, London WC2 from 4 to 23 September 2018. Book tickets online or opt for a guided tour.

Photos: Mark Cocksedge (Australia Pavilion); Ed Reeve

10 FizzPicks for Denfair Sydney 2018

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Contemporary design show Denfair hits Sydney for the first time this week, offering inspiration aplenty for design hunters

BY SOPHIE DAVIES

Australia's leading contemporary design exhibition Denfair launches its first Sydney edition this week, after successfully establishing the event in Melbourne. Expect more than 50 local and international brands sharing new and bestselling products at Moore Park's Hordern Pavilion, with furniture, lighting, accessories, rugs, bathware, art and outdoor living in the frame. Running from 16 to 18 August, the show welcomes industry designers, architects, stylists and their clients over the first two days, with Saturday open to the public.

Keen design hunters can enjoy free tickets to the public day care of DesignFizz x Denfair by clicking on the following link. Trade visitors can register online, with an awards ceremony on Thursday night (6pm-9pm). Here are 10 of our top tips to whet your appetite...

ABOVE: Anaesthetic's new 'Duomo' light, shown here as a wall sconce or stem wall light. It comes in a range of finishes, from aged brass to powercoated, and in white, matte black, grey or aged brass colours

ANAESTHETIC
New Zealand lighting brand Anaesthetic, headed up by Ben and Kiri Wahrlich, engineers and makes its designs in Melbourne. Look out for their curvy new 'Duomo' light, which pairs minimal aesthetics with hand-finished aged brass. Inspired by Italian domed churches, the range includes a wall sconce, stem wall light, pendant light and table lamp, with several eye-catching variations.


ABOVE: Outdoor living brand Tait's 'Trace' sunlounge by Australian designer Adam Goodrum is new for Denfair Sydney; Goodrum's award-winning 2017 'Trace' outdoor furniture collection; Adam Cornish's 'Seam' chair for homes or offices launched at June's Denfair in Melbourne

TAIT
Australian brand Tait introduces Adam Goodrum's inviting 'Trace' sunlounge, the newest addition to his 'Trace' outdoor furniture collection. Made from airy stainless steel mesh, aluminium, sustainable timber and marbled porcelain, the range features a sofa, armchair, modular combination, coffee tables, drinks trolley and planter. Adam Cornish's award-winning aluminium 'Seam' chair, flaunting a seamed spine, is ideal for compact indoor or alfresco spaces.


ABOVE: Cult celebrates Arne Jacobsen's designs for Copenhagen's SAS Royal Hotel, including his iconic 'Egg' chairs; 'Pot', 'Egg' and 'Swan' chairs by Jacobsen for Fritz Hansen; his reissued 'Pot' chair in a range of colours with a chromed steel base; the 60th anniversary edition of 'Egg', 'Swan' and 'Drop' in a natural palette of Pure leather, Sera wool fabric and 23-karat gold-plated aluminium

CULT
Inspired by the Orchid Bar at Copenhagen's SAS Royal Hotel, Australian design firm Cult's Denfair stand celebrates 60 years since the hotel's design and its iconic chairs by Danish designer Arne Jacobsen. On show will be Fritz Hansen's limited-edition 60th anniversary collection including Jacobsen's 'Swan', 'Egg' and 'Drop' chairs, plus his newly reissued 'Pot' chairs. Scandi heaven!


ABOVE: 'New Volumes Collection 01' on show at Artedomus's stand, including furniture, lighting and accessories; Ros Gardam's 'Hemera' desk lamp; high and low 'Hurlysi' side tables by Thomas Coward; and the 'Bacchus' table by Tom Skeehan, all crafted from Elba stone

NEW VOLUMES c/o ARTEDOMUS
Quarried from beautiful, natural Elba stone in Greece, the 'New Volumes' collection presented by Sydney's Artedomus showcases simple, sculptural furniture, lighting and accessories designed by some of Australia's hottest talents. We love the Brutalist 'Hemera' desk lamp by Ros Gardam, the sensual 'Hurlysi' side tables by Thomas Coward and the 'Bacchus' coffee table by Tom Skeehan.


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ABOVE: Nood Co's new concrete 'Pill' basins in Australian-inspired colours will brighten up any bathroom

NOOD CO
Crafting contemporary concrete furniture and homewares, Nood Co launches curvy new pill-shaped 'Pill' basins at Denfair, available in 10 pastel-pretty colours from blush pink to mint and power blue. The squarer 'Cube' surface-mount wash basin comes in the same hues for bathroom bliss. They're among 15 new Australian-designed and manufactured products by Matt Di Costa.


ABOVE: Pitch Acoustics's sound-absorbent designs, including floor screens and fabric-covered MDF 'Timber' wall panels by Zilenzio; arrange the diamond-shaped components of Zilenzio's 'Fazett' wall-mounted system to suit your space

PITCH ACOUSTICS
Need to muffle sound in a stylish way? Sydney-based Pitch Acoustics offers innovative fabric-covered wood 'Timber' wall panelling by Swedish brand Zilenzio, from graphic wall pieces to elegant herringbone patterns, or classic full- or decorative half-wall panels. We also like Zilenzio's 'Fazett' wall-mounted system of diamond-shaped, fabric-covered MDF panels in different colours.


ABOVE: Swedese's 'Button' sofa and 'Spin' stool, both represented at Denfair Sydney by Cube and Circle

CUBE AND CIRCLE
Waterloo-based Sydney store Cube and Circle is exclusive Australian distributor for Swedish brand Swedese's covetable contemporary furniture, including Swedish duo Front's 2017-launched 'Button' sofa (which allows you to attach stylish accessories) and 2011's technically complex stackable wooden 'Spin' stool by Staffan Holm. They also represent Scandi brand Cuero Design.


ABOVE: Designer Rugs' range includes the graphic green 'Rift' rug and swirly blue 'Current' rug by Lia Pielli from the in-house 'Transient' collection, and the (wall-mounted) 'Corner Halving' rug by industrial design studio Mr Fräg, hand-tufted in New Zealand wool and bamboo silk

DESIGNER RUGS
Collaborating with Australian talents, Designer Rugs offers in-house and designer collections for residential and commercial clients, with contemporary rugs made from tactile New Zealand wool. Some are hand-knotted or hand-tufted, others include innovative materials such as gleaming bamboo silk or nettle. We love 'Rift' and 'Current' by Lia Pielli from 2017's 'Transient' collection.


ABOVE: The visually lightweight, rattan 'Wicked' armchair and 'Basket' tables by Alain Gilles for Vincent Sheppard, available in Australia from Cotswold InOut Furniture

COTSWOLD INOUT FURNITURE
For that indoor-outdoor lifestyle, check out Cotswold InOut Furniture, which will be championing pieces such as 2016's rattan and lacquered aluminium 'Wicked' sofa and armchair range by Alain Gilles for Belgian firm Vincent Sheppard, which specialises in Lloyd Loom woven furniture, alongside in-house Cotswold Teak alfresco designs.


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ABOVE: The Raconteur's five-strong 'Bondi' scented candle collection, featuring coastal imagery inspired by Sydney's iconic Bondi Beach

THE RACONTEUR
For a must-have local accessory, The Raconteur's luxe scented candles take inspiration from Sydney's Bondi, Melbourne, the Red Centre and Hamilton Island. Hand-poured in Sydney from soy wax and free of nasties, they draw on Australian botanicals, such as native Port Jackson fig and coastal banksia in 'Bondi 1' (one of five Bondi candles). Packaging incorporates evocative photos. Denfair sees the release of a debut Tasmanian candle, featuring boronia flower and native pepper.
denfair.com.au
 

Denfair is at Hordern Pavilion, 1 Driver Avenue, Moore Park, Sydney from 14 to 18 August 2018. Opening hours are Thursday 11am-9pm, Friday 11am-7pm (trade days) and Saturday 10am-5pm (public day). DesignFizz followers can get free entry to the public day by using link https://bit.ly/2M6HI18. Children aged under 16 aren't permitted.