Rigg Design Prize 2018

INST041629.jpg

2018’s inspiring Rigg Design Prize celebrates 10 of the best Australian interior design practices

BY SOPHIE DAVIES

Interiors gets their hour in the sun at the 2018 Rigg Design Prize exhibition at Melbourne’s NGV Australia, which runs until 24 February 2019. Celebrating different contemporary design disciplines, the triennial prize focused on interior design and decoration for the first time in 2018, shortlisting 10 leading Australian practices. Each was tasked with creating a bespoke, purpose-built room in the gallery, responding to the theme of ‘Domestic Living’. The results are inspiring, suggesting fresh ways of inhabiting our homes, new trends and creative solutions to modern pressures. Even if you can’t get to Melbourne, check out our round up the 10 designs below…

HECKER GUTHRIE
Melbourne design practice Hecker Guthrie (aka Paul Hecker and Hamish Guthrie) bagged the AU$30,000 triennial prize for their graphic yet tactile installation ‘The table is the base’ (above). Riffing on the idea of the humble table, and its charismatic central role in domestic living spaces, the custom-made room plays with clean lines, form and scale. It explores the table as surface, support and enclosure. Judge Shashi Caan said, ‘Using only two elements – the simple form of the ‘Parsons’ table and terracotta as material – the project demonstrates the power of design restraint and curiosity at play.’


INST041598.jpg

MARTYN THOMPSON STUDIO
New York-based Australian photographer and designer Martyn Thompson’s space celebrates the ‘Atelier’, channelling the modern blurring of work and home life as an opportunity for creative expression. Bathed in light and shadow, his moody space features many of his own designs – including upholstery textiles, rugs, ottomans, wall treatments, ceramics, art and photos shown alongside collaborative, vintage, found and hand-crafted pieces. Even Thompson’s records, shoes and fleamarket finds make the cut. Clothes are hung like artworks and ambient music generates emotion. Flexible and ever-evolving, this is the home as heartland, layered, textural and deeply personal.


INST041604.jpg

DANIELLE BRUSTMAN
Like a chic spaceship or cool club, Danielle Brustman’s installation ‘Inner-Terior’ is somewhere we’d like to hang out. It helps that it stars a contemporary update of a cocooning, conversation pit and a futuristic record player (shown above right). A set designer before founding her Melbourne studio, Brustman drew on theatrical aesthetics for this curvy white space, edged with vibrant colour, glossy metallics and eye-catching illuminations. A lounge room that borrows from stage and spectacle, it takes its cues from Art Deco bandshells, European retro-futurist designs from the 60s, 80s movie Xanadu, rollerskating rinks and amusement rides. We reckon it’s 2001: A Space Odyssey gone domestic.


INST041609.jpg

THE SOCIETY INC BY SIBELLA COURT
Stylist and author Sibella Court, of Sydney interiors store The Society Inc, has always had a love affair with global curios, vintage finds, old tools, pirates and gypsies. For her Rigg Prize entry, dubbed the ‘Imaginarium’, she envisaged a space to ‘wonder, imagine, interact, research and create’. An entire home distilled into a single room, it feels darkly magical, with a rich mix of materials from pressed metal to wood and fabric. Layers of textures and colours, old and new, and real and imagined offer a modern take on a 16th-century ‘cabinet of curiosities’. The space celebrates craft, with displayed objects, including a striking feature wall, acting as a catalyst for memory and imagination. From an alchemy workshop to a ship’s crow’s nest, a bar, dress-up cupboard and pot-belly stove, it’s a mini world of wonders.


INST041601.jpg

RICHARDS STANISICH
Texture rules in the mesmerising tone-on-tone sculptural installation crafted by Richards Stanisich, titled ‘Our natural needs in a digital world’. The Sydney practice, established in 2018 by former SJB talents Jonathan Richards and Kirsten Stanisich, addresses our fundamental need for shelter, sanctuary, hygiene and intimacy and how it has been transformed by integrated technology and the Internet of Things. A central ochre living, sleeping and kitchen space champions the handmade, simple and earthy, with natural fabrics, ceramics and tiles. By contrast, it’s surrounded by black gloss tiles edged with blue light, representing the digital realm.


INST041621.jpg

FLACK STUDIO
Melbourne interior architecture firm Flack Studio has a way with vibrant colour, bold pattern and unexpected details, as seen in their striking portfolio of residential spaces, cafes, restaurants and boutiques. For the Rigg Prize, David Flack and his team ‘Flackify’ their living/dining space with saturated gold hues, luxe textures and quirky art and ornaments. ‘We’ve boundless plains to share’ references diversity and inclusion, creating an emotionally charged room for a golden age in Australia, encouraging collaboration and community.


INST041620.jpg

ARENT&PYKE
Elegance and beauty are at the heart of ‘Home: feast, bathe, rest’ by Sydney interior design studio Arent&Pyke (Juliette Arent and Sarah-Jane Pyke). The smartly zoned space combines areas for dining, washing and retreating, offering ideas for respite and emotional and physical wellbeing in a stressful world. Each area includes a contemporary Australian artwork and a bespoke piece of furniture, blending inspiring design-art with comforting, restorative simplicity.


INST041614.jpg

AMBER ROAD
Sydney interior design and landscape practice Amber Road’s seductive space ‘Take it outside’ is full of burnt colours, floaty textiles and dreamy desert and starlit views, centred around an inviting lounger. It celebrates the verandah or porch as a key transitional zone for relaxing and chatting together, especially in Australian homes. Principal designers and sisters Yasmine Ghoniem and Katy Svalbe spent time in the Middle East, as well as on their family farms in Australia, capturing this heritage in a beautifully crafted indoor-outdoor room.


INST041624.jpg

DAVID HICKS
Have homes become inner sanctums, fortresses or vessels for consumerist ideals? Melbourne- and LA-based David Hicks studio presents ‘Panic room’, combining Hicks’ trademark eye for luxe detail with lighting strung on chunky chains and threatening screens. It’s a slick satire on our panicked, media-saturated times, suggesting a life on stage, voyeuristic and yet paranoid about threats from outside. Has the aspirational ideal of a perfect life morphed into homes as psychological retreats and cocoons for self-protection?


INST041615.jpg

SCOTT WESTON ARCHITECTURE DESIGN
A sequence of six rooms forms ‘Wunderkammer’, an installation by Sydney-based Scott Weston Architecture Design which takes its cue from the renovation of Weston’s own Victorian Italianate terrace house, Villa Carmelina. Each contains a cabinet, or wunderkammer, featuring prized ‘jewels’, miniature artworks by favourite makers. An abstract representation of the house, it makes use of monochrome dioramas with coloured highlights and wallpaper vignettes or ornaments and collectibles.

Catch the Rigg Design Prize 2018 at Level 3, NGV Australia, Federation Square, Melbourne until Sunday 24 February 2019 (10am-5pm) or see the gallery’s website for a virtual tour and online interviews with the designers

Ostens: Scents and Sensibility

OSTENS DSC_0349CR version - UPPR.jpg

New scent brand Ostens is channelling the sensory power of fragrance with a vibrant, immersive installation in London

BY CLAIRE BINGHAM

OSTENS DSC_0772CR version - UPPR.jpg

New fragrance brand Ostens wants to change the way we think about scent. The idea is to harness emotions – through the use of single note-inspired scents – and visualize them in terms of colour. Abstract artist Wassily Kandinsky believed that colour is a power that directly influences the soul. Ostens is clearly on the same page.

The conceptual label is currently showcasing its first set of fragrances in a gallery-like space at London’s 62 Blandford Street in Marylebone, debuting with a pink neon-lit, rose-inspired installation designed by Ostens’ Creative Director Mark Wilkie. The sensory experience will constantly evolve with a fresh installation every couple of months to showcase individual perfumes. This is about encountering perfume not through typical advertising but instead by taking in the atmosphere directly and following your nose for yourself.

ABOVE: An eye-popping luminescent pink display in London’s Marylebone showcasing ’Rose OiI Isparta’ from Ostens’ debut fragrance collection
RIGHT: Ostens co-founders Laurent Delafon and Chris Yu outside the Blandford Street store
BELOW: ’Rose Oil Isparta’ eau de parfum, £145 for 50ml; ’Patchouli Heart’ eau de parfum, £85 for 50ml; ’Cedarwood Heart’ fragrance oil, £35 for 9ml

DF COMP.jpg

Ostens is masterminded by two fragrance experts, Laurent Delafon and Chris Yu, who worked with some of the most talented perfumers at International Flavors & Fragrances to craft their new unisex scent collections, launched this December. Creative inspiration came from championing exceptional hero ingredients from Laboratoire Monique Rémy – a world-leading supplier of natural ingredients to the perfume industry, now owned by IFF. The result? Tantalising perfumes designed as an ode to a single note, such as ‘Patchouli Heart No. 1’ by perfumer Domitille Michalon Bertier and ‘Rose Oil Isparta’ by Dominique Ropion. Préparations (perfume oils) intensify and carry the key ingredients, while Impressions (eau de parfum) use the hero elements as a jumping-off point.

Combining perfume with colour and art, Laurent and Chris have taken the olfactive compositions even further by developing a visual language for each of the hero notes, making the invisible visible through the use of colour combinations to evoke emotions generated by the distinctive scents. 
ostens.com

Ostens offers five Préparations (fragrance oils), from £35 for 9ml, and six Impressions (eau de parfum), from £85 for 50ml. Discover Ostens in residence at 62 Blandford Street, London W1; see website for opening hours.

Claus Porto Takes Manhattan

New Yorkers can snap up a little Portuguese style with the arrival of Claus Porto’s first standalone store outside Portugal. Olá Manhattan!

BY CLAIRE BINGHAM

Portuguese label Claus Porto is famed for its exquisitely packaged soaps and, more recently, its revamped ‘Agua de Colonia' fragrance collection (right) created in collaboration with leading British perfumer Lyn Harris. However, until now, the company has been very much under the radar – a secret Lisbon and Porto gem for beauty and graphics enthusiasts alike. This is about to change.

RIGHT: British perfumer Lyn Harris has been instrumental in the brand’s revamp, These five new fragrances are based on a modern interpretation of colognes. ‘Agua de Colonia’ collection, £85 each for 125ml

Claus Porto has just opened a store on Elizabeth Street in Manhattan’s Nolita, the beauty and fragrance label’s first retail space beyond their Portuguese home. Conceived by New York firm Tacklebox Architecture, under the direction of Jeremy Barbour, the scheme is eye-catching in every sense. 

Milled from Portuguese cork, 1,500 faceted white diamond tiles line the walls of the vaulted interior, incorporating carved display niches. A 42-foot-long archway has also been inserted into the ground floor of this early 1800s building. Both pay homage to Portuguese architecture and craftsmanship, with the arch and tiles referencing Porto’s Sao Bento train station, which was first proposed in 1887 – the same year that Claus Porto was founded.

BELOW: The 1,500 faceted diamond tiles were milled from Portuguese cork – a material characteristic to the country – and reference the decorative azulejo tiled façade of the historic Casa dos Bicos in Lisbon

The arch serves as a dramatic portal to welcome visitors into the beautifully patterned and scented world of Claus Porto. It’s an otherwise minimal space, with a monolithic marble wash basin at its heart, celebrating bathing rituals. Yes, the interior is cool and futuristic – but the product remains king. What can we say but obrigado!
clausporto.com

Claus Porto, 230 Elizabeth Street, New York, NY 10012. See Claus Porto’s website for details of their Portuguese stores in Lisbon and Porto.

Goop London Pop-Up

Goop brings its Californian-inspired beauty, fashion and homewares collection to the UK with its debut London pop-up store, a blend of British craftsmanship and West Coast chill

BY CLAIRE BINGHAM

Bath soak.jpg

Gwyneth Paltrow’s Goop has opened in its first UK pop-up store – in London’s Westbourne Grove – and we’re already feeling enriched.

Combining retail therapy with their open-minded and holistic approach to wellbeing as a lifestyle, it is far from wacky and a brilliant new destination for anyone interested in Californian-vibe beauty and style.

Expect a chic, curated collection of Goop’s own-line products, including luxurious, high-performance skincare drawing on organic ingredients, Italian-made limited edition clothing, and pretty plates and glassware by brands such as Mud Australia, Nude Glass and CB2. The understated homewares range features tempting cushions, throws, tableware and kitchen kit.

You’ll also fall for the light-filled, nature-inspired surrounds created by London-based interior designer Fran Hickman. Her vision for the store references the Zen-influenced monochrome paintings of Yves Klein and early physic gardens devoted to the study of restorative plants. Fran worked with local design talents to bring the space to life – Nikki Tibbles of Wild at Heart for planting, Pinch for furniture and beauty displays, Nest Design for the electric-blue curtains in the dressing area, and Vitsoe for its iconic shelving systems. Architectural salvage firm Retrouvius supplied a vintage museum cabinet.

ABOVE: The entrance to Goop’s London pop-up shop is filled with plant displays by Nikki Tibbles.
ABOVE RIGHT: Goop’s own-line detoxifying salt bath soak G.Tox. £30 for 680gm

ABOVE: A deep blue colour scheme channels the ocean on the basement fashion floor; industrial chipboard delivers an inexpensive yet effective display system in the homewares section, flanked by sunny gold paint; Pinch’s smart red ‘Joyce’ cabinet and ‘Clyde’ side table with stripped floorboards and tile details; the ‘Imo’ bench by Pinch in a restful foliage- and light-filled space at the front of the store

Goop celebrates its 10-year anniversary with this London outpost – slated to stay open until 27 January 2019 – setting the stage for further international boutiques. Goop fans in search of their simple yet elegant contemporary pieces can also shop online.
goop.com

Goop, 188 Westbourne Grove, London W11

Vitra London One Day Sale

Vitra One day Sale_06.10.18_Save the date.jpg

Vitra London hosts its biggest ever sale this Saturday, including great deals on contemporary design classics

BY SOPHIE DAVIES

Design hunters, fancy snapping up some style for less? Swiss furniture manufacturer Vitra is hosting its biggest ever One Day Sale in London this Saturday 6 October. Taking over two floors of its East London showroom at 30 Clerkenwell Road, it will offer discounts of 30 to 75 per cent off a range of contemporary classics, including furniture by Charles and Ray Eames, Jean Prouvé, Isamu Noguchi and Verner Panton. Doors open at 9.30am and shut by 4pm, so get your skates on!

ABOVE: ‘Eames Plastic Chair DSR’ in poppy red; ‘Cork Stool Model A’ by Jasper Morrison; and ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in premium leather are Star Buys at Vitra London’s One Day Sale

Expect serious bargains at the Clerkenwell store on more than 1000 pieces, spanning from sofas, chairs and stools to dining tables, desks, coffee tables and storage units. Also in the mix are smaller accessories by Finnish brand Artek and Alexander Girard, special editions and iconic designs, starting from as little as £10. Contemporary names in the frame include Antonio Citterio, Barber Osgerby, Jasper Morrison, and Ronan and Erwan Bouroullec – think catnip for collectors.

ABOVE: Lucky shoppers can nab Star Buys such as the classic ‘Noguchi Coffee Table’ by Isamu Noguchi at a reduced price. Bargains include the ‘Eames Plastic Side Chair DSR’ in poppy red and the ‘Soft Pad’ chair EA 208 by Charles and Ray Eames, ideal for a chic home office.

Star Buys include the classic ‘Noguchi Coffee Table’ by Isamu Noguchi in walnut (was £2,020, now £149); the sculptural ‘Tabouret Haut’ stool by Jean Prouvé in dark oak with Japanese red foot resting ring (was £595, now £49); the iconic ‘Soft Pad’ chair EA 208 by Charles and Ray Eames in clay premium leather (was £2,670, now £149); a set of four ‘Eames Plastic Chairs DSR’ in poppy red (was £1,000, now £199); and the ‘Cork Stool Model A’ by Jasper Morrison (was £355, now £10!), all prices including VAT. Star Buys only apply to the specific pieces labelled and displayed in the store windows, not like-for-like products, and you can only purchase one per person. They’ll go like hot cakes, on a first-come, first-served basis, so get in quick.

Vitra’s One Day Sale is at Vitra, 30 Clerkenwell Road, London EC1, from 9.30am to 4pm on Saturday 6 October 2018. See their Facebook event page for more terms and conditions.