LYNDA GARDENER Curated

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She made her name with cult store Empire Vintage in Melbourne’s Albert Park, a sharp-eyed edit of vintage and industrial pieces, recently reborn as Lynda Gardener: Curated. As well as shopping the look fans can experience it in person too, thanks to Lynda Gardener’s four stylish stays in and around town. Having founded studio Gardener & Marks with a friend, Lynda has now gone it alone, offering interior design services under her own name.

BY SOPHIE DAVIES

Tell us about your Melbourne store's new direction.
Since I was a very young girl, I’ve always searched to find that special one-off piece to treasure and give it a new home! I still do – it’s in my blood and is what I love. The new store is back to more old and a touch of new, and will constantly be evolving. I have always loved collecting and now that my personal storage is at overload, I have decided to delve back in and sell stock from my private collections, large and small, from country furniture to milliners’ hat blocks, crockery and industrial foundry pieces. Curated is all about one-off pieces sourced and salvaged over many years. As in my own home I do love a mix of old and a touch of new. 

ABOVE: Lynda Gardener with her cocker spaniel Jack ('Wallpaper Frocks' by UK designer Deborah Bowness)
ABOVE RIGHT: Vintage meets new at revamped Albert Park store Lynda Gardener: Curated in Melbourne
BELOW: New southside Melbourne boutique stay The Apartment St Kilda

What inspired the interiors of your latest Melbourne boutique stay The Apartment St Kilda?
I wanted something very fresh, white and light. The Apartment overlooks lovely green lush old gardens which belong to the building, so bringing lots of green in with foliage and indoor plants, lots of white paint and my love for the mix of old and new is what makes the space so special.

What about the interiors of your recently launched stay The Estate Trentham in country Victoria just outside town?
The Estate is very different again, a more Scandinavian influence – skins, rugs, lots of deep comfortable couches to laze on and lie in front of the fire and read, lovely old wool blankets and oil paintings. It combines old and new finds and lots of textures and layers. The Estate is also all about the garden, as we have gorgeous herb gardens that evolve and change yearly. Right now we are planting a tea garden there with our wonderful gardener, so guests can create their own brews and teas.

BELOW: Stylish stay The Estate Trentham, in rustic Trentham near Melbourne, combines subtle neutrals, textures and layers

ABOVE: Cosy-cool cottage getaway The White House, in Victoria's spa town Daylesford, near Melbourne, mixes pretty with industrial-vintage

What was the design style for your first two boutique stays, The White House in rural Daylesford and The White Room in Melbourne's inner-city Fitzroy?
The White House is a very cosy, warm rustic house with interiors with lots of layers and textures – wallpapers, rugs, throws, leather, linen and lots of it. 

The White Room is part of a former mattress factory and I wanted to keep a constant flow with industrial lighting and a mix of industrial furniture for a very white warehouse studio feel. It also features personal collections of art work, books and one-off finds.

ABOVE: White, grey and blue rule at industrial-vintage sanctuary The White Room, in Fitzroy, Melbourne

Where do you source decor pieces, and what do you look for?
I am pretty random and there is no one place in particular. I like being spontaneous and not planning too much ahead. I love to find pieces and then be inspired by them to create a room and look. Since way back I’ve been sourcing from local and overseas markets, and if I’m travelling I never miss a Sunday market. I also have fabulous contacts that I can turn to as well as my own personal collection that I have started to source specific pieces from for different installations. 

What's your design philosophy?
Mix old with new. Make your home your own by putting your own stamp on it, either with something you love to collect or perhaps a colour or tone you love and stick with it, like collections all in white, or a cluster of landscapes on one wall to create a feature. I like the house to flow from the front to the back and to stick to a colour all the way through – for instance white, greys, or a black and white room. The Estate is all about browns, mushroom and whites, just naturals. 

ABOVE: Sleeping two, The White Room's open-plan bedroom/study/kitchen opens up to an airy courtyard terrace

Where do you get inspiration? 
From everywhere and anything, it changes all the time. These days I find inspiration on Instagram, with so much fantastic food for thought rolling around every minute of the day. I love it as I do Pinterest, another great source of inspiration for me. I still buy my favourite interior magazines and coffee-table books, which I pile up and love flicking though often. Other people, mainly all the great stylists out there, continually inspire me, as does history and architecture. I am a great wanderer and love being randomly inspired by something I may have walked by many times, however on a different day, thinking about different things, it will stand out.

Who are your design heroes? Or which era, aesthetic, building or interior has influenced you the most?
Once again I have so many – I probably love a little something from every era, generally anything old and with character. However, that is about to change with a new build in the making for next year. I can’t wait as that’s a true challenge for me.

BELOW: Touches of green, from plants to vases and art, liven up boho beauty The Apartment St Kilda near Melbourne's bay

What's currently exciting you in design or style?
It excites me that so many looks and styles are going around and really no one way or another is right or wrong. We are so lucky to be able to create any look we want and not have to stick with trends that are ‘now’ or short term. I love Scandinavian, and yet I love very bohemian styles currently too. For me it depends on the space you are decorating and which way it tends to lean. Some places just speak to you instantly and that’s the way I tend to go.

Where's on your travel wish list?
Copenhagen is next on my list. I have never travelled to Denmark and I am keen to check out the city and its surrounds. I’m excited by Danish design’s use of simple clean lines, and their interior style and architecture. I just want to roam the streets, eat, look and discover.

What's your social media of choice?
Instagram as I find it almost relaxing flicking through everyone’s lives all around the world. It’s instant and fast yet so, so inspiring seeing so many creative people doing something different every day, or in fact every hour!

BELOW: Deli-cafe Oxford Larder in Melbourne's inner-north Collingwood is one of Lynda Gardener's favourite new spots for a snack

What are your top Melbourne tips?
I have always lived in Fitzroy and I can never get enough of it. I am forever excited about visiting a new cafe, bar or store. Gertrude Street, Smith Street and all the back streets of Collingwood are my favourite spots. My current faves are Marion wine bar in Gertrude Street – I love the interior and the casual dining/drinking feel oozing style. Café-deli Oxford Larder in Collingwood is my little local favourite, which is owned by very good friends of mine. An old stamping ground is Babka café on Brunswick Street for its great food, bread and cakes – the best! I don’t think it has changed in any way for the past 30 years and it has had the same owner from day one. Baker D. Chirico in Carlton is known for its outstanding fit-out, styling and, of course, delicious bread, food, desserts and staff. Neighbourhood Wine, hidden in the back streets off Nicholson Street, also has great food.

Lynda Gardener: Curated is at 63 Cardigan Place, Albert Park, Melbourne. See websites in Q&A for Lynda's four self-catering stays

Pictures: Lisa Cohen (select shots)

CHRISTINA SCHMIDT Skandium

In the Eighties and Nineties Scandinavian furniture meant flat packs to most people in the UK but in 1998 a new destination store dedicated to modern and classic Scandi design arrived in London. The Fizz goes behind the scenes with Christina Schmidt, co-founder of Skandium, to see what floats her boat...

BY DEE IVA

How did Skandium come about?
The seed idea sparked when my partner Magnus Englund and I found a cooking pot in a provincial department store in Finland. It was the pot, we thought, what a ’looker’... so simple, like a child would draw a pot, yet perfect in proportion and execution. We learned that it was designed by typographer Björn Dahlström for a new kitchen range by Finnish company Iittala called Iittala Tools. Iitala had begun the journey of reinventing themselves for a contemporary market.

We thought the concept was smashing as all the objects were simple but divinely perfect, in a way the reinvention of modernism, celebrating timeless beauty. So we thought let’s put together Alvar Aalto from 1924 with these pieces because style never goes out of fashion. It is not about being fashionable. If it is beautiful and relevant, it is a long-term investment in the quality of your life. With this in mind, we headed to the little island of Hästö in the Finnish archipelago and sat by the water’s edge, contemplating what we should call this idea and how to go about it. That was summer 1998.

ABOVE: Christina Schmidt, co-founder and creative director of Skandium
ABOVE RIGHT: Casserole with lid by Björn Dahlström for Iittala, 1998
BELOW: Hästö island, where the idea for Skandium was born

Do you have a favourite classic Scandinavian design piece?
I do not have a favourite as such as there are so many superb pieces and the design chosen will have to work well in the space you are living in. But If I had to choose, I would always pick the 'PH Artichoke' pendant in copper, by Poul Henningsen, the 'Trolley 900' with basket by Alvar Aalto (great as a side table), a cooking pot by Björn Dahlström and the 'Lempi' glasses by Matti Klenell which serve water, wine and milk equally well.

ABOVE LEFT: 'PH Artichoke' pendant light by Poul Henningsen for Louis Poulsen, from £4,900
ABOVE: 'Trolley 900' by Alvar Aalto for Artek, £2,365
BELOW: 'Lempi' tumblers by Matti Klenell for Iittala, from £12.50

Describe your personal interiors style
I am not so fussed about ‘retro’ as such. I do like great design and love new ideas, no matter what time they are from. I love the craftsmanship and thought behind the classic pieces of Scandinavian design, hence my passion for it, but when executing a project I like to mix styles from different periods, to keep it simple and harmonious and throw in a bit of the unexpected.

You were once a fashion and lifestyle photographer, who did you shoot for?
That was 20 years ago! I worked for the local fashion magazines and advertising agencies in Stockholm. Among others I did a shoot with Izabella Scorupco (right) who had long dark hair at the time. We used an ice blonde bob wig on her for the campaign and she later cut her hair and changed its colour. Izabella went on to play Bond girl Natalya Simonova in GoldenEye. I had a brilliant assistant at the time, Elisabeth Toll, whom I am proud to say is now a stunning fashion photographer with international assignments. It all has to start somewhere.

Do you still take pictures and has this shaped or influenced your work at Skandium?
I always think and act from a visual point, it is innate. I do not take pictures for Skandium as there is simply not the time for it since the content of what we do is so very wide. My focus today is interior design which is my passion. For this I take pictures for Skandium to go online and for my Instagram account.

BELOW: 'At Ease' sofa by Daniel Schofield, £2,700. Exclusive to Skandium

What's next for Skandium?
There are so many companies out there and many offer the same or similar products as we have done for the last 16 years, so for us it is to enhance the focus on concept living and tighter editing on what we believe makes the Scandinavian aspect alluring. We don’t show everything just because it is on the market. For this year's London Design Festival we will showcase a new Skandium collection including a range of furniture by Swedish architect Jonas Lindvall and a Stig Lindberg retrospective with Swedish manufacturer Röstrand including our own range of bowls bearing Lindberg's distinctive illustrations from the children's book 'Daniel Tip Your Toe'.

ABOVE RIGHT: 'Stig Lindberg Bowls', £12.50 each. Exclusive to Skandium
BELOW: The first Skandium store touched down in Wigmore Street, London, in 1998

Who or what is currently exciting you in design?
I am actually more impressed with good craftsmanship and production than design as such. Without good craftsmanship there is never good design and in the ‘old’ days the craftsman was innately also the designer. I love seeing a mix of materials in an object where the combination enhances the experience, not just ‘entertains’. I will always love simple execution in both shape and material, such as the Collective Tools 'Serving Spoon' by Antonio Citterio for Iittala.

Is there anything you wish you had designed?
The 'Trolley 900' with basket by Alvar Aalto for Artek, as it is functional, stylish and very charming – the dream combination!

What's your social media of choice?
My personal one is Instagram without a doubt, I loooooove it!
skandium.com

Izabella Scorupco by Mark Mainz/ Getty Images Entertainment / Getty Images