LYNDA GARDENER Curated

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She made her name with cult store Empire Vintage in Melbourne’s Albert Park, a sharp-eyed edit of vintage and industrial pieces, recently reborn as Lynda Gardener: Curated. As well as shopping the look fans can experience it in person too, thanks to Lynda Gardener’s four stylish stays in and around town. Having founded studio Gardener & Marks with a friend, Lynda has now gone it alone, offering interior design services under her own name.

BY SOPHIE DAVIES

Tell us about your Melbourne store's new direction.
Since I was a very young girl, I’ve always searched to find that special one-off piece to treasure and give it a new home! I still do – it’s in my blood and is what I love. The new store is back to more old and a touch of new, and will constantly be evolving. I have always loved collecting and now that my personal storage is at overload, I have decided to delve back in and sell stock from my private collections, large and small, from country furniture to milliners’ hat blocks, crockery and industrial foundry pieces. Curated is all about one-off pieces sourced and salvaged over many years. As in my own home I do love a mix of old and a touch of new. 

ABOVE: Lynda Gardener with her cocker spaniel Jack ('Wallpaper Frocks' by UK designer Deborah Bowness)
ABOVE RIGHT: Vintage meets new at revamped Albert Park store Lynda Gardener: Curated in Melbourne
BELOW: New southside Melbourne boutique stay The Apartment St Kilda

What inspired the interiors of your latest Melbourne boutique stay The Apartment St Kilda?
I wanted something very fresh, white and light. The Apartment overlooks lovely green lush old gardens which belong to the building, so bringing lots of green in with foliage and indoor plants, lots of white paint and my love for the mix of old and new is what makes the space so special.

What about the interiors of your recently launched stay The Estate Trentham in country Victoria just outside town?
The Estate is very different again, a more Scandinavian influence – skins, rugs, lots of deep comfortable couches to laze on and lie in front of the fire and read, lovely old wool blankets and oil paintings. It combines old and new finds and lots of textures and layers. The Estate is also all about the garden, as we have gorgeous herb gardens that evolve and change yearly. Right now we are planting a tea garden there with our wonderful gardener, so guests can create their own brews and teas.

BELOW: Stylish stay The Estate Trentham, in rustic Trentham near Melbourne, combines subtle neutrals, textures and layers

ABOVE: Cosy-cool cottage getaway The White House, in Victoria's spa town Daylesford, near Melbourne, mixes pretty with industrial-vintage

What was the design style for your first two boutique stays, The White House in rural Daylesford and The White Room in Melbourne's inner-city Fitzroy?
The White House is a very cosy, warm rustic house with interiors with lots of layers and textures – wallpapers, rugs, throws, leather, linen and lots of it. 

The White Room is part of a former mattress factory and I wanted to keep a constant flow with industrial lighting and a mix of industrial furniture for a very white warehouse studio feel. It also features personal collections of art work, books and one-off finds.

ABOVE: White, grey and blue rule at industrial-vintage sanctuary The White Room, in Fitzroy, Melbourne

Where do you source decor pieces, and what do you look for?
I am pretty random and there is no one place in particular. I like being spontaneous and not planning too much ahead. I love to find pieces and then be inspired by them to create a room and look. Since way back I’ve been sourcing from local and overseas markets, and if I’m travelling I never miss a Sunday market. I also have fabulous contacts that I can turn to as well as my own personal collection that I have started to source specific pieces from for different installations. 

What's your design philosophy?
Mix old with new. Make your home your own by putting your own stamp on it, either with something you love to collect or perhaps a colour or tone you love and stick with it, like collections all in white, or a cluster of landscapes on one wall to create a feature. I like the house to flow from the front to the back and to stick to a colour all the way through – for instance white, greys, or a black and white room. The Estate is all about browns, mushroom and whites, just naturals. 

ABOVE: Sleeping two, The White Room's open-plan bedroom/study/kitchen opens up to an airy courtyard terrace

Where do you get inspiration? 
From everywhere and anything, it changes all the time. These days I find inspiration on Instagram, with so much fantastic food for thought rolling around every minute of the day. I love it as I do Pinterest, another great source of inspiration for me. I still buy my favourite interior magazines and coffee-table books, which I pile up and love flicking though often. Other people, mainly all the great stylists out there, continually inspire me, as does history and architecture. I am a great wanderer and love being randomly inspired by something I may have walked by many times, however on a different day, thinking about different things, it will stand out.

Who are your design heroes? Or which era, aesthetic, building or interior has influenced you the most?
Once again I have so many – I probably love a little something from every era, generally anything old and with character. However, that is about to change with a new build in the making for next year. I can’t wait as that’s a true challenge for me.

BELOW: Touches of green, from plants to vases and art, liven up boho beauty The Apartment St Kilda near Melbourne's bay

What's currently exciting you in design or style?
It excites me that so many looks and styles are going around and really no one way or another is right or wrong. We are so lucky to be able to create any look we want and not have to stick with trends that are ‘now’ or short term. I love Scandinavian, and yet I love very bohemian styles currently too. For me it depends on the space you are decorating and which way it tends to lean. Some places just speak to you instantly and that’s the way I tend to go.

Where's on your travel wish list?
Copenhagen is next on my list. I have never travelled to Denmark and I am keen to check out the city and its surrounds. I’m excited by Danish design’s use of simple clean lines, and their interior style and architecture. I just want to roam the streets, eat, look and discover.

What's your social media of choice?
Instagram as I find it almost relaxing flicking through everyone’s lives all around the world. It’s instant and fast yet so, so inspiring seeing so many creative people doing something different every day, or in fact every hour!

BELOW: Deli-cafe Oxford Larder in Melbourne's inner-north Collingwood is one of Lynda Gardener's favourite new spots for a snack

What are your top Melbourne tips?
I have always lived in Fitzroy and I can never get enough of it. I am forever excited about visiting a new cafe, bar or store. Gertrude Street, Smith Street and all the back streets of Collingwood are my favourite spots. My current faves are Marion wine bar in Gertrude Street – I love the interior and the casual dining/drinking feel oozing style. Café-deli Oxford Larder in Collingwood is my little local favourite, which is owned by very good friends of mine. An old stamping ground is Babka café on Brunswick Street for its great food, bread and cakes – the best! I don’t think it has changed in any way for the past 30 years and it has had the same owner from day one. Baker D. Chirico in Carlton is known for its outstanding fit-out, styling and, of course, delicious bread, food, desserts and staff. Neighbourhood Wine, hidden in the back streets off Nicholson Street, also has great food.

Lynda Gardener: Curated is at 63 Cardigan Place, Albert Park, Melbourne. See websites in Q&A for Lynda's four self-catering stays

Pictures: Lisa Cohen (select shots)

GREG NATALE

Award-winning Australian interior designer Greg Natale has made his name with glamorous schemes strong on geometric print, pattern, colour and trad-modern luxe. Based in Sydney, he's branched out to design covetable homewares, from graphic rugs to gorgeous furniture, accessories, wallpapers and tiles. He's also published his first book, 'The Tailored Interior', to share his tips, inspirations and projects. We meet the dandy decorator...

BY SOPHIE DAVIES

What’s your design philosophy?
I'm focused on creating bold, sophisticated interiors that are tightly edited and tailored with a distinct touch of glamour. Every piece has a place and shares a relationship with other pieces in a space.

How would you describe your style?
It comes down to my love of layering. I’m a big fan of interiors that are full and sumptuous, rich in textures and finishes, with a careful layering of pieces – whether the space is minimalist or maximalist.

What drew you to luxurious, glamorous interiors?
I’ve always been inspired by the late English designer David Hicks – the way he worked with bold colours and patterns, creating elegant environments, was mesmerising. Danish designer Verner Panton's layered, repeated patterns also influenced my aesthetic. 

ABOVE: Interior designer Greg Natale in the living room of an Edwardian house he restored in Sydney, backdropped by Fornasetti plates
ABOVE RIGHT: The UK/US edition of Natale's book 'The Tailored Interior', with a foreword by Jonathan Adler and photos by Anson Smart
BELOW: Natale's zingy dining room for Leichhardt House, Sydney, where the linear 'Comback' chairs by Patricia Urquiola for Kartell echo the lights

What are your tips for using print and pattern in the home?
I do love bold geometrics – they can really lift a space, bringing a layer of intricate interest to a large, open interior via a rug, carpet or wallpaper. I also love detailed curves, which can perfectly balance the angles in a house. It’s in bringing balance and contrast where print and pattern can really come into their own, ensuring a design is cohesive and dynamic. I recommend using neutral tones on bigger furniture such as sofas, then introducing accent colours, pattern and print via more easily changeable cushions, throws and rugs.

ABOVE: Natale's 'Diagonal' striped wallpaper for this small, one-bed Fitzroy Apartment in Melbourne, increases the sense of space (source it from Porter's Paints)

What does a tailored interior mean to you?
My work is essentially a bespoke business – it's all about tailoring my design skills to a client’s desires in order to capture their passions and style. I also curate every piece and finish so it holds its own special place in the mix.

Where do you get inspiration?
I'm interested by the worlds of fashion and art, which celebrate the glamorous and the luxe (I love the sexy, sophisticated tailoring of US fashion designer Tom Ford and Halston's style from the Sixties and Seventies). A lot of my inspiration also comes from the everyday things I’ve observed when exploring new cities. Some of my rug design patterns were inspired by the details on gates, buildings, even manholes. 

What inspired your latest collection for Sydney firm Designer Rugs?
‘New Modern’ is very contemporary and represents a natural step for me following my earlier, more classically inclined ‘New Regency’ collection for Designer Rugs. Each rug is named after a city – for example, ‘Rio’ was inspired by the city’s striking mosaic pavements, while ‘Los Angeles’ features deco elements that are such a part of LA designs. Others represent a mood or theme – so ‘Memphis’ gives a nod to the post-modern design movement. 

BELOW FROM LEFT: Graphic pattern rules in Natale's 'Miami', 'Rio' and 'Memphis' rugs from the 'New Modern' collection for Designer Rugs

ABOVE: Rome's Colosseum and the sexy, streamlined, Seventies glamour of New York's Studio 54 inspired Natale's armchair and coffee tables for US interiors brand Worlds Away, part of a 10-piece collection

Which of your collaborations are you most proud of?
Early collaborators Designer Rugs and Porter’s Paints both have a special place because they were the first brands to allow me to diversify. Designing furniture collections for Stylecraft and Worlds Away has given me the chance to create key contemporary pieces that embrace a little vintage glamour, while my Italian-inspired 'Pavimento' cement tiles for Teranova took a different approach to flooring. My new cushion range for One Duck Two suits both contemporary and classic spaces.

What’s exciting you in design or style?
I’m really excited to see a renewed interest in the post-modernist Italian design group Memphis, with its vivid colours, geometrics and graphics. It's one of my favourite design movements.

What about colour trends?
I’m loving the chic, sophisticated neutral appeal of navy blue. At the more dramatic end of the spectrum, I find the current trend for rich colours such as malachite and lapis lazuli breathtaking. And I’ve always been a fan of metallics, particularly brass.

Who are your design heroes? `
Alongside David Hicks, Verner Panton and Memphis, I love the work of modernist architects such as American Paul Rudolph and the late Australian legend Harry Seidler (I'm fortunate to live in an apartment in one of Seidler’s buildings today). I’ve always been a fan of the Californian Case Study Houses of the Fifties and Sixties, commissioned by US Arts & Architecture magazine. In my own industry, I count Jonathan Adler and Kelly Wearstler among my contemporary inspirations.

ABOVE: Greg Natale's cushions for One Duck Two span printed linen and embroidery in greens, blues, greys, and black and white. From left: 'Manhattan', 'Trellis', 'Monte Carlo', 'South Beach' and 'Malachite'

Where’s on your travel wish list?`
Saint-Tropez is number one. The sun, the setting, the glamour – what’s not to love?

What’s your social media of choice?
Pinterest – it’s such a great source of inspiration, in terms of absorbing that of others and sharing your own, and it allows you to create personal mood boards, particularly useful in my profession.

What have you been up to recently?
We had the US and UK launches for my book The Tailored Interior in September, and launched my first cushion collection with Australia's One Duck Two (available online at David Jones and in select stores). We also moved offices, setting up a new, more generous space in Surry Hills, with an appealing edge of glamour! In future, I intend to focus more on product, work towards another book, and ensure that the brand becomes more global in approach and reach.
gregnatale.com

'The Tailored Interior' by Greg Natale (Hardie Grant Books, £24.40, US$55, AU$69.95) launched in the UK and US in September 2015 and in Australia in November 2014. Snap it up online. Photography by Anson Smart.

AMANDA LEVETE

Acclaimed UK architect Amanda Levete – head of AL_A studio, and formerly of Future Systems – has created this year's MPavilion for Melbourne. A futuristic take on a forest canopy, the temporary pavilion forms a welcoming glade for all-comers, hosting a programme of 300 spring/summer events. Inspired by 2015's theme 'Architecture of Wellbeing', it's the second in a series of four pavilions bringing cutting-edge architecture to the city, a dreamy space for a sun-kissed season. 

BY SOPHIE DAVIES

What inspired your MPavilion?
One of the things about the Melbourne climate is ‘four seasons in one day’, and we responded to that with our MPavilion. For me the very nature of a pavilion is that of a bandstand. I took this literally, forgetting all about walls and designing something that creates a magical quality of life. We wanted to create a sensation of a tree canopy and play with sunlight, wind and rain. We used the canopy to filter out the harshest summer sun and aimed to add the noise of wind as it passes through.

How do you hope people will use and enjoy it?
Rooting the pavilion in its parkland setting, I want to create the sensation of a forest canopy in the heart of the city that gives shelter to a programme of events. Wouldn’t it be lovely if, as dusk is falling, there are kids lounging on beanbags while an actor reads them a bedtime story? Then they'll be taken home, falling asleep, in their buggies. That sort of communal storytelling is very powerful. It’s a slightly dreamy experience.

What can temporary pavilions bring to a city, and to an architect?
The brief for MPavilion 2015 is a great opportunity to design a structure that responds to its climate and landscape. I’m interested in exploiting the temporary nature of the pavilion form to produce a design that speaks in response to the weather. What really drew me to the pavilion commission is the opportunity to do things that you could never do with a building.

What were the material or technical challenges involved?
I wanted to use a material that is translucent, incredibly lightweight and seemingly very fragile. The construction industry is a fairly slow-moving beast, but Australia has some of the finest boat builders in the world. We worked with a yacht fabricator to employ their boundary-pushing technology, to create something that looks fragile but is actually really strong. The 43 translucent resin petals are reinforced with carbon fibre strands that span up to five metres and are only three millimetres thick. Supported on slender, four-metre-high carbon fibre columns, the structure is designed to sway in the wind, with lighting and a soundscape that activates at sunset.

What are your next projects?
There’s a new Southampton centre I’m creating for UK cancer care charity Maggie’s and our expansion of the Victoria & Albert Museum, the world’s largest museum of decorative arts and design, is due to open in 2017. The Exhibition Road Building (above) will have a new entrance, a 1,500-square-metre gallery for temporary exhibitions and a courtyard all made out of porcelain.

What’s your design philosophy?
Architecture shouldn’t be about playing by the rules. It should be about challenging the brief you’re given, about breaking boundaries. Here is an artistic discipline that involves things like functionality, building codes and planning logistics; it combines everything I love. AL_A is more driven by conceptual thinking than formalism, so it’s less easy to identify an architectural style in what we do now. What binds all our projects together is a very rigorous, but intuitive, way of thinking.

Where do you get inspiration?
I love the fact that architecture is an artistic discipline with very real constraints. Size has never mattered to me. You could do something incredible in a piece of furniture. A temporary experience is almost more difficult than a permanent one. I’ve always functioned best when there’s something to push against. Whatever project I’m working on, I immerse myself in each new world. That might mean researching the culture or reading up on relevant literature. You come out of every project changed. You just learn so much.

What’s currently exciting you in design, architecture or style?
Australia is an exciting place for architecture because of the expansive landscape and what that allows for private houses. That genre has really exploded. I love the varying characteristics of different areas – for example in Melbourne, inner-north Fitzroy (first three images, above) as compared to St Kilda (above) with its proximity to the sea.

Which design era, building or interior has influenced you the most?
The Centre Pompidou in Paris (above, by Richard Rogers and Renzo Piano) is one of my favourite buildings because conceptually it’s so groundbreaking. The Pompidou changed forever the way we look at museums by being fabulous and yet taking away the pomp. It also totally regenerated the area. Like the Sydney Opera House, it became a national icon recognised around the world. The value of it is incalculable. 
mpavilion.org

MPavilion is at Queen Victoria Gardens, Melbourne, opposite NGV International, from 5 October 2015 to 7 February 2016. Entry is free with a café kiosk run by Three Thousand Thieves. For more on Amanda Levete's 25XDesign project check back with the Fizz this Wednesday 7 October.

Photo credits: Amanda Levete portrait copyright Peter Guenzel; MPavilion by John Gollings; V&A copyright AL_A; Sydney Opera House at Dawn courtesy of Sydney Opera House Trust; Centre Pompidou, Fitzroy and St Kilda by Sophie Davies.