LYNDA GARDENER Curated

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She made her name with cult store Empire Vintage in Melbourne’s Albert Park, a sharp-eyed edit of vintage and industrial pieces, recently reborn as Lynda Gardener: Curated. As well as shopping the look fans can experience it in person too, thanks to Lynda Gardener’s four stylish stays in and around town. Having founded studio Gardener & Marks with a friend, Lynda has now gone it alone, offering interior design services under her own name.

BY SOPHIE DAVIES

Tell us about your Melbourne store's new direction.
Since I was a very young girl, I’ve always searched to find that special one-off piece to treasure and give it a new home! I still do – it’s in my blood and is what I love. The new store is back to more old and a touch of new, and will constantly be evolving. I have always loved collecting and now that my personal storage is at overload, I have decided to delve back in and sell stock from my private collections, large and small, from country furniture to milliners’ hat blocks, crockery and industrial foundry pieces. Curated is all about one-off pieces sourced and salvaged over many years. As in my own home I do love a mix of old and a touch of new. 

ABOVE: Lynda Gardener with her cocker spaniel Jack ('Wallpaper Frocks' by UK designer Deborah Bowness)
ABOVE RIGHT: Vintage meets new at revamped Albert Park store Lynda Gardener: Curated in Melbourne
BELOW: New southside Melbourne boutique stay The Apartment St Kilda

What inspired the interiors of your latest Melbourne boutique stay The Apartment St Kilda?
I wanted something very fresh, white and light. The Apartment overlooks lovely green lush old gardens which belong to the building, so bringing lots of green in with foliage and indoor plants, lots of white paint and my love for the mix of old and new is what makes the space so special.

What about the interiors of your recently launched stay The Estate Trentham in country Victoria just outside town?
The Estate is very different again, a more Scandinavian influence – skins, rugs, lots of deep comfortable couches to laze on and lie in front of the fire and read, lovely old wool blankets and oil paintings. It combines old and new finds and lots of textures and layers. The Estate is also all about the garden, as we have gorgeous herb gardens that evolve and change yearly. Right now we are planting a tea garden there with our wonderful gardener, so guests can create their own brews and teas.

BELOW: Stylish stay The Estate Trentham, in rustic Trentham near Melbourne, combines subtle neutrals, textures and layers

ABOVE: Cosy-cool cottage getaway The White House, in Victoria's spa town Daylesford, near Melbourne, mixes pretty with industrial-vintage

What was the design style for your first two boutique stays, The White House in rural Daylesford and The White Room in Melbourne's inner-city Fitzroy?
The White House is a very cosy, warm rustic house with interiors with lots of layers and textures – wallpapers, rugs, throws, leather, linen and lots of it. 

The White Room is part of a former mattress factory and I wanted to keep a constant flow with industrial lighting and a mix of industrial furniture for a very white warehouse studio feel. It also features personal collections of art work, books and one-off finds.

ABOVE: White, grey and blue rule at industrial-vintage sanctuary The White Room, in Fitzroy, Melbourne

Where do you source decor pieces, and what do you look for?
I am pretty random and there is no one place in particular. I like being spontaneous and not planning too much ahead. I love to find pieces and then be inspired by them to create a room and look. Since way back I’ve been sourcing from local and overseas markets, and if I’m travelling I never miss a Sunday market. I also have fabulous contacts that I can turn to as well as my own personal collection that I have started to source specific pieces from for different installations. 

What's your design philosophy?
Mix old with new. Make your home your own by putting your own stamp on it, either with something you love to collect or perhaps a colour or tone you love and stick with it, like collections all in white, or a cluster of landscapes on one wall to create a feature. I like the house to flow from the front to the back and to stick to a colour all the way through – for instance white, greys, or a black and white room. The Estate is all about browns, mushroom and whites, just naturals. 

ABOVE: Sleeping two, The White Room's open-plan bedroom/study/kitchen opens up to an airy courtyard terrace

Where do you get inspiration? 
From everywhere and anything, it changes all the time. These days I find inspiration on Instagram, with so much fantastic food for thought rolling around every minute of the day. I love it as I do Pinterest, another great source of inspiration for me. I still buy my favourite interior magazines and coffee-table books, which I pile up and love flicking though often. Other people, mainly all the great stylists out there, continually inspire me, as does history and architecture. I am a great wanderer and love being randomly inspired by something I may have walked by many times, however on a different day, thinking about different things, it will stand out.

Who are your design heroes? Or which era, aesthetic, building or interior has influenced you the most?
Once again I have so many – I probably love a little something from every era, generally anything old and with character. However, that is about to change with a new build in the making for next year. I can’t wait as that’s a true challenge for me.

BELOW: Touches of green, from plants to vases and art, liven up boho beauty The Apartment St Kilda near Melbourne's bay

What's currently exciting you in design or style?
It excites me that so many looks and styles are going around and really no one way or another is right or wrong. We are so lucky to be able to create any look we want and not have to stick with trends that are ‘now’ or short term. I love Scandinavian, and yet I love very bohemian styles currently too. For me it depends on the space you are decorating and which way it tends to lean. Some places just speak to you instantly and that’s the way I tend to go.

Where's on your travel wish list?
Copenhagen is next on my list. I have never travelled to Denmark and I am keen to check out the city and its surrounds. I’m excited by Danish design’s use of simple clean lines, and their interior style and architecture. I just want to roam the streets, eat, look and discover.

What's your social media of choice?
Instagram as I find it almost relaxing flicking through everyone’s lives all around the world. It’s instant and fast yet so, so inspiring seeing so many creative people doing something different every day, or in fact every hour!

BELOW: Deli-cafe Oxford Larder in Melbourne's inner-north Collingwood is one of Lynda Gardener's favourite new spots for a snack

What are your top Melbourne tips?
I have always lived in Fitzroy and I can never get enough of it. I am forever excited about visiting a new cafe, bar or store. Gertrude Street, Smith Street and all the back streets of Collingwood are my favourite spots. My current faves are Marion wine bar in Gertrude Street – I love the interior and the casual dining/drinking feel oozing style. Café-deli Oxford Larder in Collingwood is my little local favourite, which is owned by very good friends of mine. An old stamping ground is Babka café on Brunswick Street for its great food, bread and cakes – the best! I don’t think it has changed in any way for the past 30 years and it has had the same owner from day one. Baker D. Chirico in Carlton is known for its outstanding fit-out, styling and, of course, delicious bread, food, desserts and staff. Neighbourhood Wine, hidden in the back streets off Nicholson Street, also has great food.

Lynda Gardener: Curated is at 63 Cardigan Place, Albert Park, Melbourne. See websites in Q&A for Lynda's four self-catering stays

Pictures: Lisa Cohen (select shots)

GREG NATALE

Award-winning Australian interior designer Greg Natale has made his name with glamorous schemes strong on geometric print, pattern, colour and trad-modern luxe. Based in Sydney, he's branched out to design covetable homewares, from graphic rugs to gorgeous furniture, accessories, wallpapers and tiles. He's also published his first book, 'The Tailored Interior', to share his tips, inspirations and projects. We meet the dandy decorator...

BY SOPHIE DAVIES

What’s your design philosophy?
I'm focused on creating bold, sophisticated interiors that are tightly edited and tailored with a distinct touch of glamour. Every piece has a place and shares a relationship with other pieces in a space.

How would you describe your style?
It comes down to my love of layering. I’m a big fan of interiors that are full and sumptuous, rich in textures and finishes, with a careful layering of pieces – whether the space is minimalist or maximalist.

What drew you to luxurious, glamorous interiors?
I’ve always been inspired by the late English designer David Hicks – the way he worked with bold colours and patterns, creating elegant environments, was mesmerising. Danish designer Verner Panton's layered, repeated patterns also influenced my aesthetic. 

ABOVE: Interior designer Greg Natale in the living room of an Edwardian house he restored in Sydney, backdropped by Fornasetti plates
ABOVE RIGHT: The UK/US edition of Natale's book 'The Tailored Interior', with a foreword by Jonathan Adler and photos by Anson Smart
BELOW: Natale's zingy dining room for Leichhardt House, Sydney, where the linear 'Comback' chairs by Patricia Urquiola for Kartell echo the lights

What are your tips for using print and pattern in the home?
I do love bold geometrics – they can really lift a space, bringing a layer of intricate interest to a large, open interior via a rug, carpet or wallpaper. I also love detailed curves, which can perfectly balance the angles in a house. It’s in bringing balance and contrast where print and pattern can really come into their own, ensuring a design is cohesive and dynamic. I recommend using neutral tones on bigger furniture such as sofas, then introducing accent colours, pattern and print via more easily changeable cushions, throws and rugs.

ABOVE: Natale's 'Diagonal' striped wallpaper for this small, one-bed Fitzroy Apartment in Melbourne, increases the sense of space (source it from Porter's Paints)

What does a tailored interior mean to you?
My work is essentially a bespoke business – it's all about tailoring my design skills to a client’s desires in order to capture their passions and style. I also curate every piece and finish so it holds its own special place in the mix.

Where do you get inspiration?
I'm interested by the worlds of fashion and art, which celebrate the glamorous and the luxe (I love the sexy, sophisticated tailoring of US fashion designer Tom Ford and Halston's style from the Sixties and Seventies). A lot of my inspiration also comes from the everyday things I’ve observed when exploring new cities. Some of my rug design patterns were inspired by the details on gates, buildings, even manholes. 

What inspired your latest collection for Sydney firm Designer Rugs?
‘New Modern’ is very contemporary and represents a natural step for me following my earlier, more classically inclined ‘New Regency’ collection for Designer Rugs. Each rug is named after a city – for example, ‘Rio’ was inspired by the city’s striking mosaic pavements, while ‘Los Angeles’ features deco elements that are such a part of LA designs. Others represent a mood or theme – so ‘Memphis’ gives a nod to the post-modern design movement. 

BELOW FROM LEFT: Graphic pattern rules in Natale's 'Miami', 'Rio' and 'Memphis' rugs from the 'New Modern' collection for Designer Rugs

ABOVE: Rome's Colosseum and the sexy, streamlined, Seventies glamour of New York's Studio 54 inspired Natale's armchair and coffee tables for US interiors brand Worlds Away, part of a 10-piece collection

Which of your collaborations are you most proud of?
Early collaborators Designer Rugs and Porter’s Paints both have a special place because they were the first brands to allow me to diversify. Designing furniture collections for Stylecraft and Worlds Away has given me the chance to create key contemporary pieces that embrace a little vintage glamour, while my Italian-inspired 'Pavimento' cement tiles for Teranova took a different approach to flooring. My new cushion range for One Duck Two suits both contemporary and classic spaces.

What’s exciting you in design or style?
I’m really excited to see a renewed interest in the post-modernist Italian design group Memphis, with its vivid colours, geometrics and graphics. It's one of my favourite design movements.

What about colour trends?
I’m loving the chic, sophisticated neutral appeal of navy blue. At the more dramatic end of the spectrum, I find the current trend for rich colours such as malachite and lapis lazuli breathtaking. And I’ve always been a fan of metallics, particularly brass.

Who are your design heroes? `
Alongside David Hicks, Verner Panton and Memphis, I love the work of modernist architects such as American Paul Rudolph and the late Australian legend Harry Seidler (I'm fortunate to live in an apartment in one of Seidler’s buildings today). I’ve always been a fan of the Californian Case Study Houses of the Fifties and Sixties, commissioned by US Arts & Architecture magazine. In my own industry, I count Jonathan Adler and Kelly Wearstler among my contemporary inspirations.

ABOVE: Greg Natale's cushions for One Duck Two span printed linen and embroidery in greens, blues, greys, and black and white. From left: 'Manhattan', 'Trellis', 'Monte Carlo', 'South Beach' and 'Malachite'

Where’s on your travel wish list?`
Saint-Tropez is number one. The sun, the setting, the glamour – what’s not to love?

What’s your social media of choice?
Pinterest – it’s such a great source of inspiration, in terms of absorbing that of others and sharing your own, and it allows you to create personal mood boards, particularly useful in my profession.

What have you been up to recently?
We had the US and UK launches for my book The Tailored Interior in September, and launched my first cushion collection with Australia's One Duck Two (available online at David Jones and in select stores). We also moved offices, setting up a new, more generous space in Surry Hills, with an appealing edge of glamour! In future, I intend to focus more on product, work towards another book, and ensure that the brand becomes more global in approach and reach.
gregnatale.com

'The Tailored Interior' by Greg Natale (Hardie Grant Books, £24.40, US$55, AU$69.95) launched in the UK and US in September 2015 and in Australia in November 2014. Snap it up online. Photography by Anson Smart.

2 LOVELY GAYS

London-based interior designers Jordan Cluroe and Russell Whitehead, aka 2 Lovely Gays, are fearless with colour, adventurous with shape and partial to a bit of theatre. Cluroe made his design debut as the runner-up on BBC2's The Great Interior Design Challenge last year. Fast-forward to 2015 and the duo are busy bringing their fresh, minimal style to the masses. Here they share their tips on 'making living lovely'.

BY CLAIRE BINGHAM

Tell us about your most recent revamp.
We've been lucky to have an amazing first year, working with some fab people. Each client becomes a part of us. We recently finished a project on Cloudsley Road, Islington, which always makes us smile. The white and gold scheme was a cue from the client but we wanted to give it a fresh look with flashes of emerald and mint green. There are some stunning pieces, not least the metallic marbled wallpaper by Brooklyn-based Calico Wallpaper. It's such a glamorous backdrop. 

What are you working on at the moment? 
We are about to move into a new house. Our first London home in Trilby Road, Forest Hill, will always be very special. It was the first time we had undertaken such a large job for ourselves, which is very different from working with a client. It was an intense learning experience, but we loved every second, and the result was us saying, 'Bring it on!' It is the unexpected compromises that make it. The plywood made a virtue of the boxed-in steels and pipes, creating storage and shelving in every available inch. Our new home will be a progression of our style but with added theatre. We can't wait to get our teeth into it – although there are no holidays for the foreseeable future!

ABOVE: Jordan Cluroe (left) and Russell Whitehead (right) with Buckley The Wonder Dog
BELOW: White and gold brings a touch of luxe to this cool, Scandi-style scheme in Cloudesley Road, Islington, North London; Soft, muted colours and a curtained wall give this bedroom at the mews house a light and dreamy atmosphere and the sleek metallic lamp adds a dash of drama

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What do you love most about decorating a space?
The most exciting thing is the way it can make a client feel. We love that an atmosphere can truly be life changing.

How would you sum up your style?
Clean. Honest. Human. Playful. Adaptable.

What are your influences?
If we are talking design influences, then we love American decorator Kelly Wearstler, and British designers Jasper Morrison and Sebastian Wrong. The flip side of this is our shared passion for art, theatre, film and fashion. We are both from a theatre background and that has had a big impact on us. We are like children in a sweetshop wherever we go. Inspiration sometimes comes from the most unexpected places. At the moment, we have a profound crush on Canadian painter Kris Knight. We've followed his career for years and have finally managed to get our hands on one of his artworks for our house. His paintings are so beautiful, but also magical and emotional. His use of colour really inspires us.

ABOVE RIGHT: Design hero Sebastian Wrong
RIGHT: 'The Flying Money' oil on canvas, a 2014 painting by inspiring Canadian painter Kris Knight

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ABOVE, TOP ROW: Jordan and Russell's white and light-filled house on Trilby Road, Forest Hill, South London, balances period detail and design classics to cheery effect. The result is contemporary, functional and fun. With a liking for Muuto accessories, Tom Dixon lighting and Eames furniture, Jordan and Russell are always scouring antique markets for finds to upcycle, such as the green-painted café chair; Kaleidoscopic colour and the use of plywood gives this space the modern factor. This midcentury Danish chair was recovered in a blue-felted wool.
ABOVE: The designers clad the chimney breast of their loft bedroom in plywood to create built-in shelves, while keeping the room's original shape. ‘Plywood is one of the materials we’ve used throughout the house’, says Russell. ‘It’s great because it's an inexpensive material but we love the raw quality when it's finished really well.’ Beside the Scholten & Baijings 'Minimal' bedlinen in Syrup for Hay are ‘Athens’ bedside lamps from B&Q

 

What did you learn from The Great Interior Design Challenge?
It's amazing what you can achieve with massive constraints. It was such an intense and exciting experience. It just fired up our passion and made our desire to design a concrete thing.

Any tips on using colour?
Be brave – but that doesn't mean you need to go crazy. People say that we are bold with colour, but we have never seen it that way. Colour is a part of life and it's exciting, so why not embrace it? For instance, when looking for an alternative to grey, we found pink was a new twist on a neutral. There’s a phrase we use: ‘mud in the water’. When we are making final adjustments to a scheme, we often remove one colour and clarity appears. Sometimes a tone that bridges two other components can be the ‘mud in the water’. Best to edit it out.

What’s exciting you in design right now?
We're getting excited about carpet again but perhaps that's because the house we’ve just moved into is so cold!

Is there one product that you really admire and wish you had designed?
The wheel.

Where’s on your travel wish list?
The child in us wants to go to Iceland to see the Northern Lights and the snow, but professionally New York is always on our wish list. We love a good city.

What social media do you use most?
We love Twitter. It has been great for us and we've made many friends through it. We enjoy Instagram, and are trying to get into Pinterest, but it's too much like what we do at work all day!

If you weren't a designer, what might you have been?
We spent the first 10 years of our professional lives training and working as actors, so for us being a designer is a new career. We’re finding it incredibly liberating. We're also co-owners of St. David coffee house, in South-East London, so we have another string to our bow!
2lovelygays.com

Pictures: Megan Taylor megantaylor.co.uk  Kris Knight picture: Kris Knight

PIA BENHAM Heal's

Pia Benham, Head of Fabric and Design at Heal's. The luscious background is the 'Trees' print by Cressida Bell

Pia Benham, Head of Fabric and Design at Heal's. The luscious background is the 'Trees' print by Cressida Bell

London retailer Heal’s has unveiled 1810, its first fabric collection since the 1970s. Featuring upcoming designers and stellar names such as Zandra Rhodes, the exclusive textiles and accessories line is a celebratory mix of archive and new. Pattern pageant queen Pia Benham tells us more.

BY CLAIRE BINGHAM

How did the collection come about?
Heal’s style has always been about innovation and design, but we also have a 200-plus-year history. With this new collection, named after the year the store was founded in 1810, we went back to our Bloomsbury roots. We wanted to be inspired by how things were originally done: working with designers to their own aesthetic, rather than a Heal’s house style. The aim was to inject fun and excitement into our fabrics once again, by working with established as well as emerging talents – in the same way we did in the 1950s and 1960s.

What makes the patterns relevant now?
The current is always influenced by what’s gone before. Capturing the best bits of the past while bringing them up to date, our designs feature beautiful painterly details alongside forward-looking bold and colourful pattern. Heal's 1810 fabrics can be used for soft furnishings or light upholstery, plus we've applied some of the patterns to coordinating cushions, aprons, tea towels, oven gloves, notebooks and journals.

What do you think makes an iconic pattern?
For me, great colour is key – things that are eye-catching and draw you in. Although a pattern may have its influences, it needs to demonstrate something unique that makes it stand out.

Zandra Rhodes' 'Top Brass 2' is based on a print she first created for Heal's in 1963 while studying at the Royal College of Art

Zandra Rhodes' 'Top Brass 2' is based on a print she first created for Heal's in 1963 while studying at the Royal College of Art

              A coaster in the 'Herbarium' print by  Hvass & Hannibal

              A coaster in the 'Herbarium' print by Hvass & Hannibal

How did your passion for
textiles begin?

I grew up in Africa, which definitely made its mark. Also, my mother worked for Liberty in the 60s, so that was always a strong influence.

Which design aesthetic has influenced you most?
I like a mix of histories. While I admire the restraint and femininity of Georgian architecture, I also love contemporary Italian design by the likes of Moroso and Paola Navone, and Sweden's Svenskt Tenn. Mid-century Scandinavian designers are a great influence for me.

How would you describe your style?
I love symmetry and clean spaces that allow for a use of pattern and colour. My home is neutral but I have hundreds of pictures and many collections of things that stand out against the simple scheme.

How do you find inspiration?
I’m not particular in that I like one thing. It could be the incredibly theatrical designs of Leon Bakst through to Schiaparelli or Lanvin. I’m widely influenced but it very much comes back to pattern and colour. It’s almost down to the time of year. I’m seasonal in that way.

What social media do you use most?
I could quite happily lose myself on Pinterest for a couple of hours. It’s so visual, plus I have a real curiosity about other places and cultures. I like the joy of clicking on a picture and finding the source. You start researching one idea and before you know it you have a whole other thing going on.

Is there one interior that you really admire and wish you had designed?
James McNeill Whistler’s Peacock Room, where his art is stylized into these amazing designs. Originally part of a London dining room, it's now on display in the Freer Gallery of Art in Washington's Smithsonian. If there was one thing I could have designed, it would probably have been that.
heals.co.uk

TOP ROW FROM LEFT:
'Tea Time' fabric by the late Diana Bloomfield
An apron made from 'Top Brass 2' by Zandra Rhodes  zandrarhodes.com
'Peacock Flower Killary' fabric by Malika Favre  malikafavre.com

BOTTOM ROW FROM LEFT:
Cushion covered in 'Trees' print by Cressida Bell  cressidabell.com
'Kenny's Stripe' fabric by Paul Vogel  paulvogel.com
'Lady Jane' fabric by Petra Borner  petraborner.com

Heal's 1810 collection is on sale nowFor more on the design inspiration behind the range, check out the video below