Frette x Dimorestudio

London's Mayfair has just had an injection of modern Italian style at the new Frette store in South Audley Street. The Fizz says molto bene!

BY DEE IVA

Emiliano Salci and Britt Moran of Milanese design studio Dimorestudio have brought the glamour and sophistication of a sleek Italian palazzo to the new Frette store in London’s Mayfair.

Opulent materials such as Marquina marble, emerald green glass and brushed brass create a stylish space to showcase Frette’s new Autumn Winter collections of luxury bed, bath and table linens, and nightwear. We’re particularly loving the beautiful duck egg blue walls, the colour-zoned floors and the elegant illuminated stairwell which features black glazed metal set on opal white glass. If you feel the need to take a pew, classic designs including Gerrit Rietveld's 'Utrecht' armchair and Charlotte Perriand's 'LC7' chair for Cassina are dotted around too. 

ABOVE: Glossy dark blue cabinets with brushed brass handles, full height sliding panels and clever lighting are just some of the luxe details in Frette's new London showroom
BELOW: Black marble and polished concrete is used to great effect. We love the change of colour in the floors to mark out different zones 

ABOVE: Incorporating emerald green and opal white glass, black metal, concrete and steel, the illuminated stairwell is a masterful mix of materials 

To mark the opening of the new Mayfair boutique, Brit designer Ashley Hicks has collaborated with Frette on a new range of embroidered geometric bed linen that will be exclusive to the store and available online in the UK. If you’re in the market for something more bespoke, head down to the lower ground floor where you can add your own touches to any item from Frette’s collections. 

Dimorestudio has pulled out all the design stops here, so much so that we just want to bed down and snuggle up for the night. Zzz...
frette.com  dimorestudio.eu

citizenM Tower of London

citizenM refines the concept of the boutique hotel with its latest bastion of style in Tower Hill, London. Let's groove tonight...

BY DEE IVA

The imminent relocation of the Design Museum from Shad Thames to leafy Kensington has rung alarm bells at the Fizz. For 27 years it was East London's temple of modern design, in stark contrast to its historic dockyard surroundings and the grandeur of the Tower of London. When its doors closed on 30 June we thought that part of London might be crossed off the design trail for good.

Now a new design hotspot has opened a stone's throw from the old Design Museum site. Dutch hotel brand citizenM has taken up residence in Tower Hill, bringing its signature mix of design showroom/chillax zone to East London with the launch of citizenM Tower of London. The hipster vibe of its sister hotel, citizenM Bankside, has travelled well to the other side of the Thames but has been tweaked with a dash of BritPop street style. 

ABOVE: The Living Room mixes iconic British emblems with sleek leather banquettes and dark shelving
ABOVE RIGHT: The neo Brutalist glass and limestone exterior of citizenM Tower Hill
BELOW: Double height windows look out on to some of London's most iconic buildings

ABOVE: Post-punk images of the Queen reflect the wry British sense of humour

The hotel's Brutalist exterior gives no clue as to what lies inside. Echoes of Sex Pistols' designer Jamie Reid are present in graphic illustrations of the Queen which adorn the walls of the communal areas, while cushions bearing Union Jacks, Welsh dragons and the Scottish flag sit proudly in the Living Room. In the post-Brexit climate this could easily be mistaken for nationalist pomp and circumstance, but in the hands of citizenM's Amsterdam-based design team Concrete it's nothing of the kind as these recognisable elements of British design are mixed with vibrant coloured 'Cone' chairs by Verner Panton for Vitra and George Nelson's classic 'Bubble' lamps. Julian Opie's distinctive line artworks featuring his signature flat colours and black outlines will also be familiar to BritPop fans (Opie created the album artwork of 'Blur: The Best Of' in 2000).

BELOW: Verner Panton chairs and George Nelson lights bring a touch of retro-classicism to citizenM; Julian Opie's paintings may not be for sale but you can snap up contemporary pieces from collectionM, a curated collection of accessories, books, and art and design objects; Communal tables, iMacs and printers are available if you need to be in work mode

Foodies are well catered for with coffeeM, where you can down a macchiato and a pastry on your way in or out of the hotel, and canteenM, a round-the-clock open kitchen which serves tasty treats from carrot cakes to curries and a wide selection of cocktails. Lovers of the London skyline should head straight to cloudM, the double-height rooftop bar which offers spectacular views of the Tower of London, The Shard, The Gherkin and the controversial 'Walkie-Talkie'.

BELOW: canteenM serves a wide selection of hot food and cool cocktails around the clock

Thankfully, the 370 bedrooms at citizenM are tranquil sanctuaries, away from the visual razzmatazz of the public areas. Extra large beds, rainshowers and lush toiletries designed by Commes des Garçons, Viktor&Rolf and Helmut Lang are installed in all rooms and mood tablets allow you to control the lighting, blinds and room temperature from under your duvet. Seriously, if this isn't the coolest hotel in old London town we don't know what is. And with a new 216-room sister hotel just launched in Shoreditch, we reckon we'll all be applying for citizenship...
citizenm.com

Serpentine Pavilion 2016

London's 2016 Serpentine Pavilion unzipped! A triumph of materials and form, Bjarke Ingels' intriguing design is accompanied by four startling Summer Houses

BY SOPHIE DAVIES

It wouldn't be summer in London without the annual unveiling of the Serpentine Pavilion, bringing cutting-edge modern architecture to Kensington Gardens beside the Serpentine Gallery. 2016's Serpentine Architecture Programme sees Denmark's Bjarke Ingels take centre stage with a jaw-dropping pavilion inspired by an 'unzipped wall'. Whereas 2015's pavilion by Spain's SelgasCano was all about psychedelic colour, Ingels' creation explores poetic material form.

Design fans can also explore four accompanying Summer Houses by international talents – Asif Khan, Kunlé Adeyemi, Barkow Leibinger and Yona Friedman – as part of an expanded offering for the 16th edition, on show until 9 October 2016. All riff on Queen Caroline's Temple, a classical 1734 summer house by William Kent a skip from the gallery. What's more, each temporary structure showcases an architect who has never built in the UK before.

ABOVE: Serpentine Pavilion 2016 by Bjarke Ingels Group (BIG)
ABOVE RIGHT: Danish architect Bjarke Ingels in front of his pavilion
BELOW: An 'unzipped wall', Ingels' pavilion is formed from stacked, sculptural fibreglass frames with an inviting chamber within 

SERPENTINE PAVILION
Bjarke Ingels Group (BIG)

Transforming a straight line into a three-dimensional space, Copenhagen/New York-based Bjarke Ingels Group (BIG)'s Serpentine Pavilion takes its cue from an 'unzipped wall'. The cavity within becomes a dramatic space for a daytime cafe, events and the Park Nights cultural programme, while the elegant spire above acts as a cathedral-like beacon. It's simultaneously cubic and curvy, chunky and translucent, geometric and ethereal, or as Ingels puts it: 'A structure that is freeform yet rigorous, modular yet sculptural, both transparent and opaque, both solid box and blob.'

Borrowing its structure from a basic brick wall, it is formed from fibreglass frames rather than clay bricks or stone blocks, with the wall then pulled apart to reveal the cave-like interior. 'This unzipping of the wall turns the line into a surface, transforming the wall into a space,' says Ingels. The effect is part valley, part hillside, setting up seductive repetitions and undulations via waves of component blocks, harnessing graphic light and shade. Inspiring recent projects by BIG include 2 World Trade Center in New York and the Danish National Maritime Museum.
 

SERPENTINE SUMMER HOUSES

Asif Khan
Up-and-coming London architect Asif Khan discovered that the original Queen Caroline's Temple was positioned to catch the sunlight from the nearby Serpentine Lake, as well as the rising sun on the queen's birthday, and aims to recapture that combination in his delicate Serpentine Summer House. A sinuous circle of white timber staves, its circumference has been unpeeled, allowing changing views of the temple. A polished mirrored platform and roof inside amplify the experience. Khan's past work includes the colourful Coca-Cola Beatbox Pavilion at the London Olympics and Littlehampton's contemporary West Beach Cafe.


Kunlé Adeyemi
Kunlé Adeyemi (head of Amsterdam/Lagos practice NLÉ) offers an inverse, rotated replica of Queen Caroline's Temple for his Serpentine Summer House, turning its robust form into a reimagined sculptural installation. Shelter and relaxation is still the name of the game, with rough, prefabricated sandstone building blocks forming a room, doorway and window for visitors to interact with the space and each other. While the sandstone is similar to the temple's materials, the interior surfaces are softer. Adeyemi's combination of carved-out void, homely interior and fragmented furniture blocks offers a deconstructed, playful temple for the 21st century. If you love it check out his prototype Makoko Floating School designed for a Lagos lagoon.


Barkow Leibinger
Barkow Leibinger (Berlin/New York) took inspiration from another, extinct 18th-century pavilion by William Kent, on a man-made hill near the gallery, which rotated and offered 360-degree views of the park. At some point it disappeared, until this 2016 Summer House in-the-round paid homage to the original. Open to its surroundings, it looks like a ribbon, thanks to its undulating structural band of plywood on a steel frame. Loopy but lovely, it's somewhere to see and be seen.


Yona Friedman
A squiggly modular design that can be arranged in different formations, Parisian veteran Yona Friedman's Summer House picks up on his pioneering late 1950s project La Ville Spatiale (Spatial City). A space-chain structure, representing a fragment of a larger grid, it explores mobile architecture using elevated space to save on land footprint (vital for growing cities). It also encourages customisable spaces, allowing residents to define their own modular homes – a future-forward vision by this 93-year-old visionary.

BELOW: The original, classical Queen Caroline's Temple by William Kent, inspiration for all four summer houses

www.serpentinegalleries.org
The Serpentine Pavilion is open daily (free entry), 10am-6pm, until 9 October 2016 at the Serpentine Gallery, Kensington Gardens, Hyde Park, London W2 (closed 6 July until 1pm 7 July). Event programme Park Nights runs until 23 September 2016. 

Photos by Iwan Baan; Queen Caroline's Temple photo by Garry Knight

Tate Modern Switch House

Bold and beautiful, Switch House, Tate Modern's iconic new wing, is a welcome addition to London's South Bank 

BY DEE IVA

When London’s Tate Modern opened in 2000 on the South Bank of the Thames it was the talk of the town. Swiss architects Herzog & de Meuron transformed a derelict power station into the world’s most popular modern art gallery. Its sheer scale and industrial aesthetic was not only a perfect backdrop to the vast collection of contemporary artworks and high-profile exhibitions but also captured the late Nineties minimalist zeitgeist.

Now, 16 years later, Tate Modern has an exciting new extension that is bound to set tongues wagging again. With its twisted, angular shape and horizontal slashes for windows, the 10-storey, pyramid-like Switch House is a bold addition to the original gallery, increasing display space by 60 per cent. Launching on 17 June 2016, its unveiling will be accompanied by a total rehang of the gallery's international collection, including fresh acquisitions. 

ABOVE: The brutal, modernist style of the new Switch House complements the existing Tate Modern
ABOVE RIGHT: Sharp angles and horizontal lines bring a new architectural language to the South Bank
BELOW: Light filters through the lattice skin of bricks; snaking staircases, concrete and pale woods create airy industrial spaces within

Set above the underground tanks once used to store oil for the original power station, Herzog and de Meuron's new baby is the most important cultural building to open in London in almost 20 years. Its size and unusual torqued shape has already divided opinion with descriptions ranging from beautiful to brutalist. Using polished concrete, pale wooden floors, exposed girders and snaking staircases, the Switch House continues Tate Modern's industrial vibe but its most striking feature is the ingenious external perforated lattice of 336,000 bricks which allows light to filter through in the day and seep out at night. Three floors of galleries are accompanied by a restaurant, members' room and rooftop terrace offering panoramic 360-degree views over London. And the old subterranean tanks, each measuring over 30 metres across and seven metres high, have now been revamped as The Tanks to house live performances, interactive art and video installations.

With the Design Museum due to move from Shad Thames to the former Commonwealth Institute in Kensington later this year – closing on 30 June and reopening on 24 November – the capital's art and design scene will soon be graced by two spectacular pieces of publicly accessible architecture that can hold their own on the international stage. It's proof of just how important the arts are to the city and more evidence of London's cutting-edge creativity.
tate.org.uk

BELOW: The tenth-floor viewing platform at Switch House can also be hired for events for up to 150 guests; Switch House really comes alive at night as it glows in the dark 

Tate Modern Switch House launches on 17 June 2016. To mark the opening weekend there will be a host of free events including film, music, tours and workshops from 17-19 June (10am-10pm). For more information visit tate.org.uk; Tate Modern, Bankside, London SE1.

Photos: Iwan Baan

Christmas at The London EDITION

Forget tinsel. Mark Colle's couture Christmas tree at The London EDITION hotel is the chicest in town...

BY DEE IVA

If you’re looking for ideas for an alternative Christmas tree just step into the lobby of The London EDITION hotel, Ian Schrager's distinguished pleasure palace just off Oxford Street. Reaching nearly seven metres high, the EDITION’s take on the traditional tree has been given a modern twist by Belgian super-florist Mark Colle

It was Colle who provided dramatic vertical walls of flora and fauna for Raf Simons' first haute couture show for Christian Dior. If you’ve seen the movie ‘Dior & I’ you’ll have been blown away by the sheer spectacle he brought to Simons' show, creating a striking backdrop for the Dior Spring Summer 2012 collection.

ABOVE RIGHT: Florist to the stars, Mark Colle
BELOW: Dior's Spring Summer 2012 haute couture show set against Colle's striking 'living walls' of flowers

At the London EDITION, Colle’s approach is much more understated but equally beautiful. Instead of the usual decorations and baubles, Colle has mixed exotic flowers with green moss, ivy and holly, and added them to a traditional fir to create an elegant and verdant statement.

ABOVE: Exotic Anthurium flowers, holly and ivy are interspersed between branches; Decked with white lights, Mark Colle's chic Christmas tree towers above the lobby of The London EDITION
BELOW: Berners Tavern, the in-house restaurant run by Jason Atherton

Also, if you’re thinking of staying in town over the Christmas period, the EDITION has a special offer that includes a guaranteed table in the oh-so-stylish Berners Tavern restaurant run by Michelin-starred chef Jason Atherton, £100 towards food and drinks and two complimentary cocktails. So deck the halls with boughs of holly!
editionhotels.com/london