Creative CoOp

Promoting yourself isn't easy when you're a young designer with big ideas but strapped for cash. The Fizz meets Creative CoOp who are helping up-and-coming design and crafts talents make their mark...


You can be an amazing designer with beautiful products that astound the eye or promise to enrich our lives, but in the 21st century you also need your work to be seen in the best possible light. In the age of social media the image is king and a great shot is a powerful marketing tool. Instagram, Facebook, Twitter et al are full of selfies and phone snaps, but there’s nothing like a professional picture to separate the wheat from the chaff. However, if you’re a start-up or in your first year of business a professional shoot can be beyond your means as the cost of a photographer, stylist, set builder and set is very expensive.

Step forward the London-based Creative CoOp, a philanthropic collective dedicated to providing young UK creative businesses with professionally shot, art directed and styled photographs for a nominal fee. The team consists of photographer Anders Gramer, stylist Melinda Ashton Turner and her husband, art director Grant Turner. Having worked for a raft of international magazines and retail brands, including The World Of Interiors, Homes and Gardens and ELLE Decoration, they decided to pool their respective talents and volunteer their services to help up-and-coming design talents get a foot on the ladder.

ABOVE RIGHT: A handcrafted leather bag by Ted Jefferis of TedWood gets the Creative CoOp treatment
BELOW: Textile designer Maxine Sutton's graphic lampshade and cushions; Minimal styling and Expressionist lighting bring drama to Young & Norgate's 'Animate' writing desk 

‘The idea came about during a conversation about the UK design industry and how there are so many talented up-and-coming designer-makers, crafts people and brands who struggle to be seen or heard above the noise of big established brands,’ says Ashton Turner. ‘We are talking about designers who in addition to their core training have to learn to market and publicise their products. Big brands have the financial means to employ or hire a team of people to take on these responsibilities. It was at this point we asked ourselves what we as a photographer, stylist and art director could do to level the playing field and help young, small brands be seen.’

Having worked together on numerous shoots over the years, she and Gramer decided to set up the Creative CoOp with her husband Grant to do exactly that. The CoOp was formed in 2013 and began to invite young brands to apply for their services.

ABOVE FROM LEFT: The Creative CoOp founders: Melinda Ashton Turner, Grant Turner, Anders Gramer

‘We had to be very clear about the criteria that applicants had to meet in order for us to work with them,’ says Ashton Turner. ‘In essence, the CoOp is aimed at brands and designer-makers who don’t have the financial means or support to create styled imagery or branding. We often have to ask in-depth questions about how a brand is structured to ensure we are offering our services to those who need us most.'

ABOVE: Simple and elegant bone china vessels by ceramicist Hannah MorrowDesinature's 'Lily' lampshade

For a flat fee of £200 those lucky enough to be selected receive a package that includes not only the photography, styling, design and art direction of the Creative CoOp but also studio hire, transport of products and props, set building, and materials like paint and wallpaper. The CoOp has a network of like-minded companies, such as Shoot Services and London Art Makers, which donate their services or materials for free in return for a credit and publicity on Creative CoOp’s social media channels. In addition, the final images are then given to Elizabeth Machin PR which compiles press releases ready to be sent out to members of the media.

The CoOp's first client was Margate-based textile designer Maxine Sutton who approached them after seeing a post on the Cockpit Arts blog. 'This is wonderful professional nurturing,' she says. 'Such a high level of expertise, providing this type of support at the start of your career or when relaunching, could make a real difference. The shoot was also a very enjoyable day – lovely people who are really good at what they do'. Sutton’s graphic textiles are now stocked by big retail brands including Liberty, Heal’s and Anthropologie and she has her own standalone store in UK coastal town Margate, itself a rising design hotspot.

BELOW: This overhead shot for British paper goods and homewares brand HAM brings the hand of the maker into focus

It’s an inspiring concept that makes a huge difference to emerging talents. Design graduates in particular can find it hard to make ends meet in their first few years in business, and marketing and publicity is something that many struggle with. What Creative CoOp offers would otherwise be out of reach for most young creatives as a day’s shoot can often amount to well over £1,000 before the first image has even been taken. Even more incredible is that none of the CoOp’s members make any money themselves from the business.

‘Individually we are lucky enough to make a living working in our respective fields for international publications and brands,’ says Ashton Turner. ‘We wanted to give back to the community we loved, so the simple answer was to volunteer our services.'

We think it's an admirable idea deserving of an award for services to the design industry. Ma'am, are you listening?

Boxing Clever at MADE.COM

Chloe Macintosh, co-founder and Creative Director of MADE.COM, talks to the Fizz about British design, future classics and how their new project, Unboxed, is turning our homes into online showrooms


Chloe Macintosh, Creative Director at MADE.COM

Chloe Macintosh, Creative Director at MADE.COM

MADE.COM burst onto the British design scene in 2010, determined to make modern design accessible to the masses. Four years on, 150 staff later and with a second office in Shanghai, this fast-track online furniture retailer is changing how we shop for our home – allowing us to buy online, so we can sidestep high street costs.
‘We wanted to revolutionise an industry that had been largely unchanged for decades,’ explains Chloe, originally from Paris, who studied as an architect before joining Foster + Partners. ‘Our passion to solve a problem – making great design affordable – and our lack of preconceptions and different backgrounds has enabled the business to respond to customer demand rather than conform to industry constraints.’
Pitching up at this year’s Milan Furniture Fair within four real-life apartments instead of taking up a conventional stand, this disruptive design house wants their products to be seen in customers’ own homes rather than a sterile showroom. Cue new social platform Made Unboxed.
'Unboxed is a social showroom that anyone can visit, at any time of day, to see who has bought from MADE.COM and how they've styled their pieces. We believe this is the future of retail. Forget the demise of the high street, it’s all about the revolution in your own street.'

ABOVE: A cool airy loft was a perfect setting for the
MADE collection at this year's Milan Furniture Fair. 
'Jonah' armchair, £399, 'Jonah' footstool, £159, 
'Merida' rug, £249, 'Houston' floor lamp, £119, 
'Sports Luxe Geo' cushion, £22, 'The Piggy Bag,
, £79 (on mezzanine)
BELOW: The streamlined home of Helen Powell,
writer and blogger. 'Isis' rug, £299


At MADE.COM the customer really is king. 'We’re always listening out for what our customers want and they ultimately decide what we sell. We don’t make a product unless we know that there is demand. If they like it, we make it; if they don’t, we stop selling it. We have a fast-fashion approach, launching two collections a week and evolving with the market as quickly as we can.'

'The 'Fonteyn' dressing table (right) by Brit talent Steuart Padwick is a future design classic. We created it four years ago as I needed a small table to fit in my bay window. It’s perfectly compact and the tapered legs are inspired by a ballerina’s feet on point. It’s a real talking point and has become an iconic product for us.'

ABOVE RIGHT: 'Fonteyn' dressing table, £349

FROM LEFT: Monochrome magic: 'Graphix' desk, £149, in Helen Powell's stylish home office
Inside out: 'Bramante' dining table, £499 and 'Legend' café chairs, £149 per pair, add a continental touch to this bright and breezy extension belonging to photographers Giles Christopher and Abigail Cockroft


Chloe takes inspiration from London, her favourite city. 'The pool of talent is so stimulating and dynamic, which constantly challenges everyone to evolve. It is also totally diverse. In the MADE team, we hail from all over the world, speaking nearly 30 languages, and that brings real soul to what we do. There is something unique in the UK's desire not to conform but in a non-subversive way. London's art and design scene is very active, but it is also extremely democratic with events such as the London Design Festival (LDF) making design available to all. It’s important for a country's cultural growth to reach across all social strata, which the UK does particularly well.'

At September's LDF, there'll be lots of Unboxed-related fun, new collections and the announcement of the winner of MADE'S Emerging Talent Awards. 'Five finalists from recent degree shows are selected and customers vote for the winner,' says Chloe, 'We also have special guest collaborators coming up this autumn, but it’s all top secret right now!'. 

FROM LEFT: At home in Milan: 'Double Cross' dining table, £399 and bench, £229, 'Contrast' shelves, £379 and desk, £399, 'Boheme' floor lamp, £79; 'Camber' desk, £499, 'Kitsch' dining chairs, £59 per pair, 'Bowie' square floor lamp, £69, 'Merida' rug, as before, 'Houston' floor lamp, as before, 'Rodnik Shark Fin' chair, £449, 'Rodnik Band' rug, £249, 'The Piggy Bag, Rodnik Seagull' and 'Rodnik Octopus' £89, 'Bowie' square floor lamp, as before; 'Edelweiss' dining chair, £139 per pair, 'Boheme' table lamp, £29, 'Contrast' desk and shelves, as before